Latest Posts by acid13rain - Page 4
"you need to listen to your brother talk about his interests and entertain him"
oh, but when i want to tell you guys about history or do flag trivia or show you something related to that suddenly im obnoxious about my interests and i never stop talking about them and no one wants to hear about it?
you know, have favoritism all you want, but at least pretend its not as bad. you get mad at me for having a discord server with people i dont know but at least when theyre not really sharing my interest THEY STILL GIVE A SHIT ABOUT WHAT I SAY.
if my tumblr doesnt stop lagging on my phone we gon have problems square up tumblr
How to show emotions
Part IV
How to show bitterness
tightness around their eyes
pinched mouth
sour expression on their face
crossed arms
snorting angrily
turning their eyes upward
shaking their head
How to show hysteria
fast breathing
chest heaving
trembling of their hands
weak knees, giving in
tears flowing down their face uncontrollably
laughing while crying
not being able to stand still
How to show awe
tension leaving their body
shoulders dropping
standing still
opening mouth
slack jaw
not being able to speak correctly
slowed down breathing
wide eyes open
softening their gaze
staring unabashingly
How to show shame
vacant stare
looking down
turning their head away
cannot look at another person
putting their head into their hands
shaking their head
How to show being flustered
blushing
looking down
nervous smile
sharp intake of breath
quickening of breath
blinking rapidly
breaking eye contact
trying to busy their hands
playing with their hair
fidgeting with their fingers
opening mouth without speaking
More: How to write emotions Masterpost
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10 Quiet Ways Your Character Is Breaking Their Own Heart (And Pretending It's Fine)
These are the betrayals that aren’t loud. They don’t come with fireworks or screaming matches. These are the small, slow deaths. The ones that your character lets happen... while smiling politely.
» They say yes when they desperately want to say no. Every. Damn. Time. They show up when they're exhausted. They agree to things they hate. They make themselves smaller, softer, easier, because "good people" don’t make waves, right? (Spoiler: they're drowning.)
» They keep chasing people who only love them halfway. It's not even subtle anymore. They know these people leave them on "read," show up late, make them feel like an afterthought. But they cling anyway, spinning every scrap of affection into a story about hope. (It’s not hope. It’s hunger.)
» They refuse to believe good things are meant for them. They’ll hype everyone else up. They’ll believe in everyone else's dreams. But when something finally good lands in their lap? They’ll panic. Push it away. Tell themselves it was a fluke. (Because being disappointed feels safer than being lucky.)
» They’re waiting for closure that will never come. An apology. An explanation. A miracle where someone says, "You were right, and I was wrong, and I’m so sorry." They wait years. Decades. Lifetimes. But deep down, they know: some people never come back. Some stories just end without punctuation.
» They’re hoarding all their "almosts" like treasures. The job they almost got. The love that almost worked. The version of themselves they almost became. They replay those maybes like a greatest hits album. (Meanwhile, real life is slipping by while they mourn possibilities.)
» They’re performing a version of success they secretly hate. Look at the Instagram. Look at the LinkedIn updates. Look at the shiny exterior. It looks like winning. But every trophy they collect feels heavier, not lighter. Every promotion tastes a little more like ash. (Turns out, chasing someone else's dream is still losing.)
» They forgive people who aren’t sorry. Not because they’re enlightened. Not because they’ve healed. But because it’s easier to pretend it didn’t hurt than to sit with the fact that it did—and that the person responsible doesn't care. (Some wounds scar better when you stop pretending they were accidents.)
» They punish themselves for still being soft. The world told them, again and again, that soft things get broken. And they believed it. So every time they feel too much? Every time they cry or hope or trust? They tell themselves they’re weak. Stupid. Embarrassing. (They're not. They're just still alive.)
» They downplay their own magic. They call their talents "lucky breaks." Their beauty "average." Their intelligence "no big deal." They shrug off compliments like they're dangerous. Because deep down, they've been taught that being remarkable makes you a target.
» They cling to the idea that if they just work harder, they'll finally be enough. They believe in meritocracy like it’s a religion. That if they hustle hard enough, self-sacrifice deep enough, burn themselves to ash perfectly enough, someone, somewhere, will finally say, "You're worthy now." (They were always worthy. The system is just broken.)
Other Words for "Look" + With meanings | List for writers
Many people create lists of synonyms for the word 'said,' but what about the word 'look'? Here are some synonyms that I enjoy using in my writing, along with their meanings for your reference. While all these words relate to 'look,' they each carry distinct meanings and nuances, so I thought it would be helpful to provide meanings for each one.
Gaze - To look steadily and intently, especially in admiration or thought.
Glance - A brief or hurried look.
Peek - A quick and typically secretive look.
Peer - To look with difficulty or concentration.
Scan - To look over quickly but thoroughly.
Observe - To watch carefully and attentively.
Inspect - To look at closely in order to assess condition or quality.
Stare - To look fixedly or vacantly at someone or something.
Glimpse - To see or perceive briefly or partially.
Eye - To look or stare at intently.
Peruse - To read or examine something with great care.
Scrutinize - To examine or inspect closely and thoroughly.
Behold - To see or observe a thing or person, especially a remarkable one.
Witness - To see something happen, typically a significant event.
Spot - To see, notice, or recognize someone or something.
Contemplate - To look thoughtfully for a long time at.
Sight - To suddenly or unexpectedly see something or someone.
Ogle - To stare at in a lecherous manner.
Leer - To look or gaze in an unpleasant, malicious way.
Gawk - To stare openly and stupidly.
Gape - To stare with one's mouth open wide, in amazement.
Squint - To look with eyes partially closed.
Regard - To consider or think of in a specified way.
Admire - To regard with pleasure, wonder, and approval.
Skim - To look through quickly to gain superficial knowledge.
Reconnoiter - To make a military observation of a region.
Flick - To look or move the eyes quickly.
Rake - To look through something rapidly and unsystematically.
Glare - To look angrily or fiercely.
Peep - To look quickly and secretly through an opening.
Focus - To concentrate one's visual effort on.
Discover - To find or realize something not clear before.
Spot-check - To examine something briefly or at random.
Devour - To look over with eager enthusiasm.
Examine - To inspect in detail to determine condition.
Feast one's eyes - To look at something with great enjoyment.
Catch sight of - To suddenly or unexpectedly see.
Clap eyes on - To suddenly see someone or something.
Set eyes on - To look at, especially for the first time.
Take a dekko - Colloquial for taking a look.
Leer at - To look or gaze in a suggestive manner.
Rubberneck - To stare at something in a foolish way.
Make out - To manage to see or read with difficulty.
Lay eyes on - To see or look at.
Pore over - To look at or read something intently.
Ogle at - To look at in a lecherous or predatory way.
Pry - To look or inquire into something in a determined manner.
Dart - To look quickly or furtively.
Drink in - To look at with great enjoyment or fascination.
Bask in - To look at or enjoy something for a period of time.
100 Dialogue Tags You Can Use Instead of “Said”
For the writers struggling to rid themselves of the classic ‘said’. Some are repeated in different categories since they fit multiple ones (but those are counted once so it adds up to 100 new words).
1. Neutral Tags
Straightforward and unobtrusive dialogue tags:
Added, Replied, Stated, Remarked, Responded, Observed, Acknowledged, Commented, Noted, Voiced, Expressed, Shared, Answered, Mentioned, Declared.
2. Questioning Tags
Curious, interrogative dialogue tags:
Asked, Queried, Wondered, Probed, Inquired, Requested, Pondered, Demanded, Challenged, Interjected, Investigated, Countered, Snapped, Pleaded, Insisted.
3. Emotive Tags
Emotional dialogue tags:
Exclaimed, Shouted, Sobbed, Whispered, Cried, Hissed, Gasped, Laughed, Screamed, Stammered, Wailed, Murmured, Snarled, Choked, Barked.
4. Descriptive Tags
Insightful, tonal dialogue tags:
Muttered, Mumbled, Yelled, Uttered, Roared, Bellowed, Drawled, Spoke, Shrieked, Boomed, Snapped, Groaned, Rasped, Purred, Croaked.
5. Action-Oriented Tags
Movement-based dialogue tags:
Announced, Admitted, Interrupted, Joked, Suggested, Offered, Explained, Repeated, Advised, Warned, Agreed, Confirmed, Ordered, Reassured, Stated.
6. Conflict Tags
Argumentative, defiant dialogue tags:
Argued, Snapped, Retorted, Rebuked, Disputed, Objected, Contested, Barked, Protested, Countered, Growled, Scoffed, Sneered, Challenged, Huffed.
7. Agreement Tags
Understanding, compliant dialogue tags:
Agreed, Assented, Nodded, Confirmed, Replied, Conceded, Acknowledged, Accepted, Affirmed, Yielded, Supported, Echoed, Consented, Promised, Concurred.
8. Disagreement Tags
Resistant, defiant dialogue tags:
Denied, Disagreed, Refused, Argued, Contradicted, Insisted, Protested, Objected, Rejected, Declined, Countered, Challenged, Snubbed, Dismissed, Rebuked.
9. Confused Tags
Hesitant, uncertain dialogue tags:
Stammered, Hesitated, Fumbled, Babbled, Mumbled, Faltered, Stumbled, Wondered, Pondered, Stuttered, Blurted, Doubted, Confessed, Vacillated.
10. Surprise Tags
Shock-inducing dialogue tags:
Gasped, Stunned, Exclaimed, Blurted, Wondered, Staggered, Marvelled, Breathed, Recoiled, Jumped, Yelped, Shrieked, Stammered.
Note: everyone is entitled to their own opinion. No I am NOT telling people to abandon said and use these. Yes I understand that said is often good enough, but sometimes you WANT to draw attention to how the character is speaking. If you think adding an action/movement to your dialogue is 'good enough' hate to break it to you but that ruins immersion much more than a casual 'mumbled'. And for the last time: this is just a resource list, CALM DOWN. Hope that covers all the annoyingly redundant replies :)
Looking For More Writing Tips And Tricks?
Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!
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Writing Intimacy
i often see writers sharing a sentiment of struggling with writing kiss scenes which honestly bleeds into other portrayals of physical intimacy. i see it a lot in modernized styles of writing popularized by the recent trend in publishing to encourage short, choppy sentences and few adverbs, even less descriptive language. this makes intimacy come across awkward, like someone writing a script or clumsy recounting of events rather than a beautiful paragraph of human connection.
or just plane horniness. but hey, horny doesn't have to be mutually exclusive with poetic or sensual.
shallow example: they kissed desperately, tongues swirling and she moaned. it made her feel warm inside.
in depth example: she reached for the other woman slowly and with a small measure of uncertainty. the moment her fingers brushed the sharp, soft jaw of her companion, eliza's hesitance slid away. the first kiss was gentle when she finally closed the distance between them. she pressed her lips lightly to gabriella's in silent exploration. a tender question. gabriella answered by meeting her kiss with a firmer one of her own. eliza felt the woman's fingers curling into her umber hair, fingernails scraping along her scalp. everything inside eliza relaxed and the nervousness uncoiled from her gut. a warm buzz of energy sunk through her flesh down to the very core of her soul. this was right. this was always where she needed to be.
the first complaint i see regards discomfort in writing a kiss, feeling like one is intruding on the characters. the only way to get around this is to practice. anything that makes you uncomfortable in writing is something you should explore. writing is at its best when we are pushing the envelope of our own comfort zones. if it feels cringy, if it feels too intimate, too weird, too intrusive, good. do it anyway! try different styles, practice it, think about which parts of it make you balk the most and then explore that, dissect it and dive into getting comfortable with the portrayal of human connection.
of course the biggest part comes to not knowing what to say other than "they kissed" or, of course, the tried and true "their lips crashed and their tongues battled for dominance" 😐. so this is my best advice: think beyond the mouth. okay, we know their mouths are mashing. but what are their hands doing? are they touching one another's hair? are they scratching or gripping desperately at one another? are they gliding their hands along each other's body or are they wrapping their arms tightly to hold each other close? do they sigh? do they groan? do they relax? do they tense? are they comfortable with each other or giddy and uncertain? is it a relief, or is it bringing more questions? is it building tension or finally breaking it?
get descriptive with the emotions. how is it making the main character/pov holder feel? how are they carrying those emotions in their body? how do they feel the desire in their body? desire is not just felt below the belt. it's in the gut, it's in the chest, it's in the flushing of cheeks, the chills beneath the skin, the goosebumps over the surface of the flesh. everyone has different pleasure zones. a kiss might not always lead desire for overtly sexual touches. a kiss might lead to the desire for an embrace. a kiss might lead to the impulse to bite or lick at other areas. a kiss could awaken desire to be caressed or caress the neck, the shoulder, the back, the arms etc. describe that desire, show those impulses of pleasure and affection.
of course there is the tactile. what does the love interest taste like? what do they smell like? how do they kiss? rough and greedy? slow and sensual? explorative and hesitant? expertly or clumsily? how does it feel to be kissed by them? how does it feel to kiss them?
i.e. examine who these individuals are, what their motives and feelings are within that moment, who they are together, what it looks like when these two individuals come together. a kiss is not about the mouth. it's about opening the door to vulnerability and desire in one's entire body and soul.
Unhealed Wounds Your Character Pretends Are Just “Personality Traits”
These are the things your character claims are just “how they are” but really, they’re bleeding all over everyone and calling it a vibe.
╰ They say they're "independent." Translation: They don’t trust anyone to stay. They learned early that needing people = disappointment. So now they call it “being self-sufficient” like it’s some shiny badge of honor. (Mostly to cover up how lonely they are.)
╰ They say they're "laid-back." Translation: They stopped believing their wants mattered. They'll eat anywhere. Do anything. Agree with everyone. Not because they're chill, but because the fight got beaten out of them a long time ago.
╰ They say they're "a perfectionist." Translation: They believe mistakes make them unlovable. Every typo. Every bad hair day. Every misstep feels like proof that they’re worthless. So they polish and polish and polish... until there’s nothing real left.
╰ They say they're "private." Translation: They’re terrified of being judged—or worse, pitied. Walls on walls on walls. They joke about being “mysterious” while desperately hoping no one gets close enough to see the mess behind the curtain.
╰ They say they're "ambitious." Translation: They think achieving enough will finally make the emptiness go away. If they can just get the promotion, the award, the validation—then maybe they’ll finally outrun the feeling that they’re fundamentally broken. (It never works.)
╰ They say they're "good at moving on." Translation: They’re world-class at repression. They’ll cut people out. Bury heartbreak. Pretend it never happened. And then wonder why they wake up at 3 a.m. feeling like they're suffocating.
╰ They say they're "logical." Translation: They’re terrified of their own feelings. Emotions? Messy. Dangerous. Uncontrollable. So they intellectualize everything to avoid feeling anything real. They call it rationality. (It's fear.)
╰ They say they're "loyal to a fault." Translation: They mistake abandonment for loyalty. They stay too long. Forgive too much. Invest in people who treat them like an afterthought, because they think walking away makes them "just as bad."
╰ They say they're "resilient." Translation: They don't know how to ask for help without feeling like a burden. They wear every bruise like a trophy. They survive things they should never have had to survive. And they call it strength. (But really? It's exhaustion wearing a cape.)
Writing Description Notes:
Updated 9th September 2024 More writing tips, review tips & writing description notes
Facial Expressions
Masking Emotions
Smiles/Smirks/Grins
Eye Contact/Eye Movements
Blushing
Voice/Tone
Body Language/Idle Movement
Thoughts/Thinking/Focusing/Distracted
Silence
Memories
Happy/Content/Comforted
Love/Romance
Sadness/Crying/Hurt
Confidence/Determination/Hopeful
Surprised/Shocked
Guilt/Regret
Disgusted/Jealous
Uncertain/Doubtful/Worried
Anger/Rage
Laughter
Confused
Speechless/Tongue Tied
Fear/Terrified
Mental Pain
Physical Pain
Tired/Drowsy/Exhausted
Eating
Drinking
Warm/Hot
Ways to show a Character is Hiding a Secret They’re Desperate to Protect
Secrets are juicy. But the best ones aren’t just plot bombs—they’re personal, shameful, dangerous because they mean something...
They flinch when a specific topic comes up. Just a little. Not enough for anyone to call it out, but enough to tell you they’re holding something back.
They avoid eye contact when someone asks a question they almost can’t dodge.
They rehearse conversations in their head, just in case “it” comes up. Always planning a version of the truth that’ll hold water without leaking too much.
They hate silence, not because they’re bored, but because it gives people time to think.
They keep a part of their past oddly vague. “Oh yeah, I lived in Boston for a bit,” they say, casually skipping over the why like it’s not loaded with dynamite.
They’re overly controlling of one specific detail. Always driving. Always cleaning. Always checking someone’s phone is face-down. Not because they’re picky—because if that one thread unravels, it all falls apart.
They sometimes seem exhausted by the lie they’re living. The weight of holding it together shows in subtle ways: headaches, bad sleep, irritability. Their body is cracking before the truth ever does.
sometimes you need dialogue tags and don't want to use the same four
Writing Tips Master Post
Edit: Some posts may be deleted
Character writing/development:
Character Arcs
Making Character Profiles
Character Development
Comic Relief Arc
Internal Conflict
Character Voices
Creating Distinct Characters
Creating Likeable Characters
Writing Strong Female Characters
Writing POC Characters
Building Tension
Writing Grumpy x Sunshine Tropes
Writing Sexuality & Gender
Writing Manipulative Characters
Writing Mature Young Characters
Plot devices/development:
Intrigue in Storytelling
Enemies to Lovers
Alternatives to Killing Characters
Worldbuilding
Misdirection
Things to Consider Before Killing Characters
Foreshadowing
Narrative (+ how to write):
Emphasising the Stakes
Avoid Info-Dumping
Writing Without Dialogue
1st vs. 2nd vs. 3rd Perspective
Fight Scenes (+ More)
Transitions
Pacing
Writing Prologues
Dialogue Tips
Writing War
Writing Cheating
Writing Miscommunication
Writing Unrequited Love
Writing a Slow Burn Btwn Introverts
Writing Smut
Writing Admiration Without Attraction
Writing Dual POVs
Worldbuilding:
Worldbuilding: Questions to Consider
Creating Laws/Rules in Fantasy Worlds
Book writing:
Connected vs. Stand-Alone Series
A & B Stories
Writer resources:
Writing YouTube Channels, Podcasts, & Blogs
Online Writing Resources
Outlining/Writing/Editing Software
Translation Software for Writing
Writer help:
Losing Passion/Burnout
Overcoming Writer's Block
Fantasy terms:
How To Name Fantasy Races (Step-by-Step)
Naming Elemental Races
Naming Fire-Related Races
How To Name Fantasy Places
Ask games:
Character Ask Game #1
Character Ask Game #2
Character Ask Game #3
Miscellaneous:
Writing Tips
Writing Fantasy
Miscommunication Prompts
Variety in Sentence Structure (avoiding repetition)
YAYAYAYYAAYAAAYAYAYAYAAYAAYAYAYAY I LOVE ORANGE JUICE!!!!!!!!!
do you wanna walk through a field of flowers
like this (i drew us in there)
YESSSS
Writing Description Notes:
Updated 9th September 2024 More writing tips, review tips & writing description notes
Facial Expressions
Masking Emotions
Smiles/Smirks/Grins
Eye Contact/Eye Movements
Blushing
Voice/Tone
Body Language/Idle Movement
Thoughts/Thinking/Focusing/Distracted
Silence
Memories
Happy/Content/Comforted
Love/Romance
Sadness/Crying/Hurt
Confidence/Determination/Hopeful
Surprised/Shocked
Guilt/Regret
Disgusted/Jealous
Uncertain/Doubtful/Worried
Anger/Rage
Laughter
Confused
Speechless/Tongue Tied
Fear/Terrified
Mental Pain
Physical Pain
Tired/Drowsy/Exhausted
Eating
Drinking
Warm/Hot
what kind? :>
do you wanna walk through a field of flowers
like this (i drew us in there)
YESSSS
YAY ill bring strawberries :>
do you wanna walk through a field of flowers
like this (i drew us in there)
YESSSS
How to Write a Sick Character
╰ First of all — being sick is boring as hell
Nobody tells you that. You think it’s gonna be poetic and tragic and emotionally moving, maybe a few tears on the windowpane and a soft piano soundtrack? Wrong. It’s pacing in a waiting room for two hours to be told to come back next week. It’s reruns of trash TV because your brain fog is so bad you can't even process a podcast. It's Googling "why do my bones hate me" at 3 a.m. and finding nothing helpful, only vibes. So if you're writing a sick character and every scene is Deep and Heavy and Symbolic, I love you but no. Let them be bored. Let them be over it. Let them fall asleep halfway through someone’s big speech.
╰ Second — sickness is basically a toxic relationship with your own body
And wow, the drama is unmatched. One day your character wakes up and thinks, “Maybe today will be normal.” Their body: “Plot twist, bitch.” Now they’re sweating through a hoodie, canceling plans, and pretending they're “just tired” because explaining the truth is somehow more exhausting than the illness itself. Let your character hate their body sometimes. Let them feel betrayed by it. Let them mourn the version of themselves that used to just do things without needing a three-day nap after. But also—let them fight for their body, too. Advocate. Adapt. Try again. Because it’s not all despair. Sometimes it’s really freaking brave just to get out of bed and put on pants.
╰ Third — it’s not cute
Hollywood loves to write illness like it’s an aesthetic. Clean blankets, sad smiles, a gentle cough. Yeah… no. Sometimes it’s vomit in your hair. It’s medical tape pulling off skin. It’s being too tired to shower but still scrolling through memes like your life depends on it. Give us the gross stuff. The embarrassing stuff. The human stuff.
╰ Fourth — let them be funny
Sick people are hilarious. Mostly because we have to be. You’ve got two choices when your body is a disaster zone: laugh, or fully unravel. So we joke about our failing organs. We flirt with the nurse while on IV fluids. We name our medical devices. We send memes from the ER. Let your character joke. Let them be sharp, sarcastic, absurd. Not because they're “taking it well,” but because that’s their armor. Humor is one of the most honest forms of pain. Use it.
╰ Fifth — sick ≠ broken
Please hear this: your character is not less than. They are not just here to suffer and die and inspire others with their angelic perseverance. They’re a person. Maybe a chaos goblin. Maybe a genius. Maybe a mess. Maybe a lover, a fighter, a giant emotional raccoon with a heating pad. Let them live and have goals. Let them chase things. Let them screw up. Let them be loved and desired and complicated. Their illness is part of them, not all of them.
╰ Lastly — don’t wrap it up too clean
Recovery isn’t linear. Some illnesses don’t “end.” And that’s okay. You don’t need a miracle cure in the third act. Sometimes strength is just learning to exist in a different way. Sometimes it’s re-learning how to hope. Sometimes it’s finding a new rhythm instead of forcing the old one to work. Let your character find peace, not perfection. So yeah—if you’re writing a sick character, you’re doing something important. You’re making space for people whose stories rarely get told with truth and teeth and tenderness. Just promise me you won’t turn them into a symbol. Let them be a person. A funny, scared, strong, exhausted, hopeful person. Like the rest of us.
@katrein05 I Hope This Helps a little... :)
When I was a child, every well-meaning adult with a nine-to-five soul and a dried-up imagination told me that being a writer wasn’t a “real job.”
“You’re just a little girl with big words,” they said. “Books don’t pay the bills.”
As if paying bills was the most thrilling thing a person could live for.
I never understood why grown-ups were so committed to shoving a fire extinguisher down the throat of a kid who just wanted to tell stories.
I kept wondering, why is it so threatening for a little girl to believe her words could matter?
Now I know why.
Because they never had a dream of their own.
And when you’ve never had one or gave yours up a long time ago, it’s easier to mock someone else’s.
It’s easier to roll your eyes at someone chasing stars when you’ve chosen to stay face-down in the dirt.
And still… I write. Not because I was told I couldn’t. But because I had to.
Because I promised that little girl I’d keep going, even when it hurt. Especially when it hurt.
how to write characters that feel like real people and not NPCs in your brain
You ever read a book and think “this character would survive maybe five minutes in a real conversation”? Yeah. Let’s avoid that. Here’s how to make your fictional friends feel real:
everyone wants something
Even if it’s small. Even if it’s stupid. Every character—from your MC to the one-line barista—should want something. A promotion. Revenge. A nap. World domination. That want shapes how they act.
give them contradictions
Humans are messy. Let your characters be brave and terrified, kind but petty, loyal but deeply in denial. That tension? That’s where the magic lives.
let them make bad choices
If your character is right all the time, they’re either boring or a liar. People mess up. Let your character mess up in ways that feel true to them, not just to move the plot.
interior life > cool dialogue
Quippy one-liners are fun, but what’s going on underneath? What are they afraid to say out loud? What thoughts would they take to the grave? That’s what makes a character feel alive.
how do they show emotion?
Not everyone cries when sad. Some get mean. Some go quiet. Some rearrange their bookshelves obsessively. Find their emotional language.
backstory = spice, not soup
You don’t need a 12-page trauma dump to make a character real. Drip in bits of their past when it matters. Let it shape them quietly.
voice matters
Everyone shouldn’t sound like you. Think about how your character talks. What words do they overuse? Do they ramble? Are they blunt? What don’t they say?
tl;dr: believable characters aren’t perfect—they’re specific. They’ve got fears, flaws, favorite snacks, weird opinions, and conflicting goals. Make them messy. Make them human.
choose your fighter, but its prussia and gilbert
close up&additional photo under cut
fruk dynamic
oohhh antarctica how i love you
oh yeah theres another one hes like pretty much mute due to years and years and years of isolation and AUGUGHGKGJKGJLS i have such lore for him i fear
hes also greenlands boyfriend sorry not sorry
i laugh at my own jokes im thinking about austria hungary and like if he gave headpats to someone and hes like wow you have a weird texture and the other one is like 'thats a fucking rock im over here'
idk
its not even funny but here i am almost laughing publicly at it
someone- someone tell me to write headcanons for these stupid countries im chewing on the bars of my cage
i have a draft of prussia headcanons.....but im nervous to post themmm
i feel like people are gonna judge my bird boy headcanons...
hell yeah social interaction
i should start taking drawing seriously instead of drawing a winged ball with a prussian flag on it in a blender