169 posts
Irving Penn , Two Guedras, Morocco 1971
Aleksandra Waliszewska
Félix Vallotton (Swiss/French, 1865 - 1925)
Baigneuse aux roseaux , 1895
Into the woods, Margot Wallard
N-n-nooo noooo noooooo - this does NOT look like it’s going to end well!! To become emotionally invested in a work of art (from the very first moment that you lay eyes on it!) is the true hallmark of an artist who has achieved something very special. This 2018 graphite drawing - from Madrid, Spain-based freelance illustrator Carlos Fdez (aka @thepenrider) - is entitled “Frightening”, and indeed…it certainly is. ••• posted on Instagram - https://instagr.am/p/CLnOxRgsWlc/
Feels good to confess. “Prayer III” by @joyceartworks is wonderful, isn’t it?! posted on Instagram - https://instagr.am/p/CMVy3SLL4j_/
portrait3
Owl, Ruth Asawa - 1965, Lithograph
The eyes have it, Oda Iselin Sønderland
Nadia Waheed (Pakistani, 1992) - Omira (2020)
Kazuki Takamatsu
Michael van Ofen - Jeune fille, 2014
Arnoldas Kubilius
© Nona Limmen Webshop / Instagram
Masks from the performance of ‘Prometheus Bound’, made by the sculptres Hélène Sardeau, 1930
Portrait Study Of Emma Hamilton As Miranda by George Romney (1734-1802) oil on canvas, 18th century
When I’m having a bad day, I always remember The Wound Man. Sliced, stabbed, punctured, bleeding, harassed on all sides by various weaponry yet still standing tall.my small tribute to iconic medieval image.
Dancer in Repose, 2006. Robert Stivers. Gelatin silver
Woman’s Hands, 1956. Wynn Bullock (American, 1902-1975). Gelatin silver
Marie Paul Deville-Chabrolle for Daum Pate-de-Verre Amber Glass Eurydice Figure. Early 21st century.
Marcin Maciejowski - Bar at Wilkinson Gallery II, 2013
The Dream
Prints available.
© Lía Serrano
ELLEN ROGERS
Photography by Ellen Rogers.
WEBSITE / TUMBLR
Vintage Yoshiki Hishinuma Distressed Dress with Razer Blade, Safety Pins, and Chains
Johannes Barbieri - “Joly Negativ/Positiv”, Schmetterling, c. 1907
Catacomb hairdresser
Nadine Robbins - Would You Like a Pearl with that Oyster?, 2019
i really love this photo of me and my mom on my 10th birthday
‘Residual Hauntings’ by Catherine Bertola
photographs of the house where the Bronte sisters grew up, commissioned by the Bronte Parsonage museum.
Clare Woods (British, b. 1972, Southampton, England) - New Problems 2, 2020, Paintings: Oil on Aluminium