난 대니랑 클락워크가 좋아
Pov: You grew up with the swag
pirate timebomb but make it extra soft
Haunted Waves
surprise :]
Deadpool and Wolverine is a fanfic in the movie form that feels as much like a fever dream as a rom-com. The content creator only gave it an R rating as an umbrella term which includes all of the following ao3 tags:
Canon-Typical Violence, Blood and Gore, Canon Divergence, Multiverse, Meet Ugly, Enemies to Friends, Age Difference, Bickering, Undeniable Sexual Tension, Mutual Pining
Angst, Hurt/Comfort, Emotional/Psychological Abuse, Survivor Guilt
Pain Play, Car Sex, BDSM, Rough Sex, Size Kink, Porn with Feelings, Aggressive Sex, Orgasm Denial, Edging, Power Play, Cock Tease, No Refractory Period
Semi-Public Sex
Accidental Striptease
Friends to Lovers, Fluff and Cuddling, Domestic Banter, Falling in Love, Getting together, Idiots in Love, Old Married Couple in Spirit, Additional Tags to be Added...
Trust me when I tell you I made this in a notes app while in class, because it looks so messy, the brushes in those apps really suck lol
Thinking about them....
We are so back!!!! Figured I’d do some with the Full fantasy Ever after high AU again….
This time the introduction of a handsome stranger? Who is this *man* sent to protect the princess?? 👀👀👀
Buppy
It is vitally important that I learn to draw the best boy, so that in 8 months I can draw him in silly “Fair Game” meme art.
3/6 for my AU story 😇😇😇
(Spoiler: it will be about Charming and Apple, also Kitty and Lizzie in background.)
fresh midnight Question for you:
are there any TAU worldbuilding elements or character facts or whatnot that you wanted to include in the book, but ended up cutting? or alternatively, have any specific story elements you have a burning desire to talk about?
Hm! Some thoughts on queer stuff! Which is ambiently in the text but not so much defined.
I was interested in writing a world with multiple competing theories of queerness, none of which are "perfect" -- in the sense that none of these societies have managed genuine queer liberation (i.e., everyone has the freedom to be who and love however they want). They're not necessarily awful, though some definitely are, but none of it's ideal.
The dominant queer culture originates in the Immaculate Empire and gives us "hermit" and "widow" -- pretty binary terms for a specific variety of desire, often linked with a kind of gender performance. There is no similar term for bi/pansexuality, at least not in the common parlance, so if you're, say, a cis bisexual woman, you'd still be described as a widow, were you engaging in widow-like conduct. The understanding and room for transness is highly dependent on where you are; some states have done that particular brand of evil thing where they see providing trans care as a way to enforce state power, because it's a way to police the binary and deviations from it.
Outside the empire, we get the legacy of downworld "third gender" -- which is actually a catch-all term for queerness. It also...doesn't have any further distinctions. They lump the entirety together in this one category -- which is itself somewhat binarist, as it distinguishes "cishet" from "not that," even though it's on a different axis. So if it's particularly important to you to be perceived in a more specific way, welp! Good luck!! This might actually be pretty chill in a world where authoritarian powers weren't keen on destroying your existence. Unfortunately!
I also have thoughts abt the ways different character relate to these systems of identity and meaning; like Sunai is pretty comfortable swimming between them and has a more fluid sense of self, while Veyadi cleaves more to "hermit" as a term, even though he has a somewhat complicated relationship with it. Jin has latched onto "third gender" even though they're not as bound up in downworld culture as say, Oyu, who is from a downworld caravan, third gender, and presents in a distinctly hermit-like way. And Imaru is the ur-lesbian! Widow supreme! Next question!