Mlp
Starry starry night 🌌
This will be a foil print eventually 😈
so I came back again and with a new obsession…
🌈🦋🍰🎈✨💎🍏
Because of tiktok I started watching mlp, it honestly never caught my attention as a child
Now I finished watching it and I loved it :(
On autistic unmasking
Quotes: Mary Oliver - Blue Iris / Heather Havrilesky - How to Be a Person in the World / Rainer Maria Rilke - Journal of My Other Self
Franny Choi - Shokushu Goukan for the Cyborg Soul / Clarice Lispector - The Stream of Life / Joy Harjo - Break My Heart
Sylvia Plath - The Unabridged Journals / Marie Howe - What the Living Do / Derek Walcott - Love After Love
Art: iwishiwereaplant - One / Ruben Pang - Light the Caretaker / 九水巷 - Untitled
You're just a mammal. Let yourself act like it. Your brain needs enrichment. Your body needs rest. You feel hunger and grow hair. You need to pack bond with other sentient things so you don't become unsocialized and neurotic. You are biologically inclined to seek dopamine and become sick when chronically stressed. "Hedonism" is made up to place moral value on taking pleasure in sensory experiences. I am telling you that if you don't let yourself be a fucking mammal, as you were made, you will suffer and go insane. No grindset no diets no trying to be above your drive for connection. Pursue what makes you feel good and practice radial rejection of the constructs meant to turn you into a machine. You're a mammal.
A "B Story" is a secondary plotline that unfolds, more or less, alongside the "A Story," the primary plotline. Lately, I've been thinking about B Stories more and wishing there were more resources on them. So I decided to help out by putting together this article on the six key qualities a B Story should have--things I wished I'd understood earlier in my writing journey.
But first, we need to make our usual pit stop to talk about definitions--because (somewhat ironically) these tend to be a little ambiguous in the writing community.
The A Story is the primary plotline--this definitely includes the struggle between the protagonist and antagonist, which means it's the biggest, most predominant conflict. Many people break down the protagonist's journey into an inner journey and an outer journey. While I consider these two different types of plotlines, they usually weave together to make up what many consider the A Story. This means that typically the A Story is made up of the biggest external conflict and the most intimate internal conflict.
The B Story is the secondary plotline. Many argue that the B Story must be a relationship plotline--this is almost always between the protagonist and the Influence Character. I personally feel it doesn't have to be. It's simply the secondary plot. But if it isn't a relationship plotline, there will still usually be a relationship plotline somewhere in the narrative arc.
These arguments for whether or not the B Story must be the relationship plotline may be more about how writers slice and dice stories and define their elements. It may be more of a matter of perspective, than anything.
Sometimes the term "B Plot" is used instead of "B Story."
So what makes a B Story work? Here are some qualities to keep in mind (while also acknowledging, there is always room for exceptions).
When we talk about dimension in life, we are usually talking about three dimensions: height, width, and depth. We aren't talking about height, height, and width. Or width, width, and depth. We are talking about at least three different measurements. Until there are at least three, the object is only two dimensional (aka, flat).
The A Story usually includes two types of plotlines: the external journey and internal journey.
The B Story often adds dimension to the narrative by offering another plotline.
The reason the relationship plotline works so well, is because it fits between the protagonist's external and internal plotlines. It's not as extreme and far-reaching as the external plotline, but it's not as intimate and deep as the internal plotline. Therefore it adds dimension.
While I don't think the B Story always needs to be a relationship, it typically needs to be something that is not as big and broad as the protagonist's external journey, and not as personal and deep as the internal journey. I think that is a more accurate understanding of it.
For example, the A Story could be about the protagonist fighting in a war and how that changes him. The B Story could be about two business owners in conflict about how they contribute to the war efforts--not as big as the war story, but not as personal as the character arc.
The B Story somehow feeds into, and therefore supports, the A Story, and not the other way around. It's also not just extra, separate stuff that detracts or distracts from the A Story. It should be helping the primary plot, more than the primary plot is helping it. This is one of the quicker ways to identify which plotline is the B Story.
It should ultimately progress the plot, character arc, or theme of the A Story (and sometimes all three).
Often this will happen like this:
The B Story is a relationship plotline between the protagonist and Influence Character. Usually, they must figure out how to work together to resolve the main conflict. While they are often (though not always) somehow tied together in the overarching conflict, they will have different approaches for how to resolve said conflict. For example, one might feel that striving for peace by negotiating with the antagonist is the best way forward, while the other may feel that bullying and ultimately stamping out the antagonist is the ideal road to take. These different worldviews tap into the thematic argument of the story: Is it better to strive for peace? Or to exercise force?
In this regard, usually one of the characters is having a change arc, while the other is having a steadfast/flat arc. Normally, they start the story with different worldviews and end on the same page, as they learn to work and come together. This typical B Story allows the relationship plotline to progress the plot, the character arcs, and the theme. What happens here usually informs the protagonist what to do at the climax to resolve the main conflict with the antagonist.
Of course, there are plenty of variations to this. One quick example is that it's possible the protagonist has a relationship with a collective--like a team or club. The point is that it supports the A Story.
So in my earlier example about a war narrative, the B Story may support the A Story by having the business owners send critical contributions to the "good guys." This arms the protagonist with what he needs to defeat the antagonist (plot driven). Or the B Story could support by showing how the business owners overcame their differences as one of them arced, foreshadowing how the protagonist must arc in order to succeed (character-arc driven). Or it could illustrate another facet of the thematic truth, which adds more strength to the theme of the A Story (theme-driven).
If you are looking for something more complex or ironic, you could instead use the B Story to contrast the plot, character arc, and theme of the A Story. You could show how the business owners' conflict creates so much damage, they are no longer able to contribute to the war efforts. You could show how they arc negatively or refuse to arc, and that leads to their failure. You could show how they embrace the anti-theme (the lie) instead of the theme. In any case, it still feeds into the bigger story in that it influences the plot, character arc, or theme of the A Story (or at least the audience's understanding of those elements).
There are more variations to this than I can list, but hopefully that gets you thinking.
Along those lines, the B Story will usually somehow reflect the A Story. This may be a true, unaltered reflection. Or it may be like that of a funhouse mirror.
Basically, the B Story will probably be more simplistic, exaggerated, inverted, or contrasting to the A Story.
For example, in Harry Potter and the Prisoner of Azkaban, the A Story centers on Harry dealing with Sirius Black, who he believes betrayed his parents to Voldemort, which led to their murders. However, the climax reveals that Black is actually innocent.
The B Story reflects and simplifies this, in that Hagrid's pet Hippogriff, Buckbeak is being accused of being dangerous, and is sentenced to death (just like Sirius Black). Harry is only able to save Sirius from death by first saving the innocent Hippogriff.
One may even extend this to the C Story: Ron repeatedly accuses Hermione's cat of trying to kill his rat, Scabbers. But when Scabbers "dies," it turns out the cat had nothing to do with it. Scabbers only pretended to die to escape (a reflection of Pettigrew's role in Sirius's backstory).
In my hypothetical war narrative, I may write the business owners' conflicts to reflect the overall war conflict the protagonist is dealing with. How they resolve their conflicts may be the same way the war is resolved. Or, I may use the B Story to show what happens when the conflicts don't get properly resolved. I may use the plotline to emphasize similarities and differences between people "warring" on a personal level and people warring with other nations. It all depends on the effect I want and the narrative I want to tell.
Regardless, the B Story must still be ultimately secondary to the A Story--the reflection shouldn't be more amazing than the real thing (an innocent Hippogriff being sentenced to death, isn't as big of a deal as an innocent human being sentenced to death).
Because the A Story is the primary plot, all of its major turning points should happen "on screen" or "on page." If something gets skipped, the story feels off.
The A Story starts right with the inciting incident and goes all the way to the resolution.
The A Story gets the lion's share of the word count.
The B Story doesn't always need all of its major turning points on the page. You can include all the turning points, but sometimes it's okay if elements happen "off page." It doesn't get as much of the word count, so you may need to refer to off-page scenes. This can be helpful to implement if you feel that your B Story is starting to overtake your A Story. But you need to use common sense and good judgment.
The B Story often starts later than the A Story. In Save the Cat! Blake Snyder flags the B Story as taking shape at the beginning of Act II (the middle). This is often where the protagonist meets the character she will have an important relationship with (usually the Influence Character). However, it's possible the relationship is introduced in Act I, but simply takes a (deeper, more intimate) significant turn at the beginning of Act II. In any case, you have more leeway with where you want to introduce the B Story.
You also have more leeway with where you end it. Because it feeds into the A Story, often the B Story gets resolved at the beginning of Act III, just before the climax. But it doesn't have to. Sometimes the climax will enable the character(s) to resolve the B Story in the denouement. However, it's almost always that the unresolved B Story conflict leads to insight of solving the A Story conflict at the climax. So even if the B Story technically gets resolved after, it's still the B Story feeding the A Story. (If that makes sense.)
Even if your B Story isn't a relationship, you still have leeway in where you place its beginning and end. Pick what works best for your story.
As the Write On Sisters point out, random comic relief or smoldering romance scenes don't make a B Story. The B Story still needs to be a B Story. It needs to have the proper elements of plot: goal, stakes, antagonist, and conflict. And the proper elements of structure: setup, rising action, climax, falling action.
So if the B Story is about a relationship, there needs to be a reason the relationship isn't smooth sailing. Something is threatening it--whether that comes from an outside force, the relationship character, or inside the viewpoint character himself. Or, from multiple places at once. There needs to be conflict. And just like the A Story, the stakes need to get big enough to make it seem the relationship can't continue. Often at the "All is Lost" beat of the B Story, the relationship will seemingly end: Maui leaves Moana, Eliza burns Hamilton's letters, Scott Calvin is told he can no longer see his son (The Santa Clause).
If the B Story isn't a relationship, these things still hold true. It's simply a plotline that is "lesser" than the primary plot. But it's still a plotline.
Okay, don't get too excited about the subheading just yet. It's more of a half-truth. In reality, both the A Story and B Story should probably show the theme more than tell it. And there is a good chance both will tell it by the end of the narrative, at least a little (though not always).
Some in the writing community say that the B Story is the theme, because it often tells the theme right on the page (or screen). While I respect that, I personally disagree.
It's not so much that the B Story is the theme. It's just that because it is a mirrored version of the A Story and often includes a relationship (of characters who have different thematic worldviews), the theme often gets explored in more obvious ways. What's harder to wrap your head around? A war between two nations? Or a feud between two business owners? The two business owners are easier to understand. Their differences are more obvious because they are closer together, interact with one another, speak to each other. It's easier for them to work together to solve their problems.
Naturally, an argument between using peace or using force will be more accessible when we are following a relationship where the characters are arguing about which to use to move forward. We get to see each approach applied to the "real world" in more understandable, bite-sized pieces.
This is also often more obvious than in the internal journey. Being in conflict with yourself isn't as clear cut as being in conflict with another person. Internal conflict is complicated, and we are usually blind to our own flaws and misbeliefs. We lie to ourselves.
When two people, or two small groups of people, are in conflict, the thematic differences are more obvious, which means the theme is more obvious.
Meaning, the B Story will be more likely to tell the theme more blatantly by its end.
In contrast, if the A Story tells the theme as blatantly, it can potentially seem to oversimplify or undercut the complexity of the internal and external journeys. (This doesn't always happen, but it is a possibility.)
In the balance between showing and telling, the A Story requires a greater percentage be shown than told, than the B Story requires the same. (Meaning, ultimately, both should show more than tell the theme, but the B Story can often get away with more telling--it offers more room to tell.)
It's also possible, as we touched on above, to use the B Story to show another side, angle, or outcome of the theme. This might would be the example of having the thematic outcome of the business owners' conflict be the opposite of the thematic outcome of the A Story conflict.
In any case, the B Story lends more thematic power, understanding, refining, or complexity to the A Story.
Like anything, there will be exceptions in some stories when it comes to what I listed, but those are just that: exceptions.
Do you have any brittana fanfics recommendations
whew this question... its been so long but here are some of the best of the best:
white shadows by good afternoon
the knife thrower’s daughter by @themostrandomfandom
pas de deux and its companion the only true paradises by la rose carnation
(i’ve never reached an answer) i’m only given clues by thefooliam
heartwood by @jerseyless
i need a medic by @gnomingabout <3
dovekin by @lordtubprivateeye
battlesong by chaoticspaces
heaven can’t help me now (wildest dreams) and vignettes by @orangeyouglad8
kunoichi by @semperintrepida
2859 by halfrobotchicken
anything by @littleoases or @lingeringlilies or @leigh-kelly
growth will also feel like a loss
This is going to be a looonnnnnggg post, I have gotten all the herbs I can find/remember the correspondences of herbs in alphabetical order, so I might actually break it down into sections and link them on each post at the top.
Acorn - Good luck, personal power, protection and wisdom. Dried acorns are a natural amulet for youthfulness. Associated with Litha. Element water.
Agrimony - Shielding and hex-breaking, aids sleep, brings luck towards you and is powerful in spell reversal. Element Air.
Alder - Helps you to face up to things you are avoiding, divination, teaching especially anything arty and weather magic. Element Fire.
Alfalfa - Money, prosperity and a happy home, also anti-hunger. Generosity and luck. Element Earth.
Allspice - Draws money and business success. Aids compassion, luck and healing. Element Fire.
Angelica - Also called Archangel. It is a very powerful protection herb, healing, creates harmony and courage and helps in exorcisms. Aids vision. Element Air.
Apple - Garden magic, love, healing and wisdom, also vanity, marriage and beauty. Associated Mabon & Samhain. Element water.
Ash - Spells relating to the sea, protection, and luck. Make your Yule log from ash and burn to bring prosperity. Yggdrasil was an Ash tree. Element water.
Basil - Also called witch's herb. Use in spells for Love, exorcism, wealth, sympathy, and protection. Associated with Imbolc. Aids astral projection. Element Fire.
Bay Leaf - Protection, success, purification, strength, wisdom and healing, also increases psychic powers. Element Fire.
Beech - Happiness, inspiration and divination. Represents the Green Man. Element Air.
Belladonna - Also Called: Deadly Nightshade. Toxic. Use for forgetting past loves. Protection, beauty and original flying ointments. Adds energy to rituals. Element Water.
Benzoin - Purification, prosperity, and helps to soothe tension by dispelling anger and lessening irritability, de stressing, helps depression, concentration and astral projection. Element Air.
Bergamot - Money, prosperity and sleep. Protects from both evil and illness. Good luck and wealth. Increases magical power. Element Fire.
Birch - Protection, exorcism and purification. Dispels lightning, infertility, and the evil eye. Associated with Yule. Element Water.
Black Pepper - Banishing negativity, exorcism, and offers protection and help with inner strength. Element Fire
Blackthorn - Exorcisms, warding off negative spirits and general protection. Associated with Samhain. Element Earth.
Bladderwrack - Protection, sea and wind spells, attracts money, psychic powers, and customers to your business. Element Water.
Blessed Thistle - or Holy Thistle. Purification, protection against negativity and evil, hex breaking and aids vitality. Carry on you for strength and protection. Element Earth.
Blueberry - Protection of children, keeps evil out, and strengthens the aura. Associated with the Great Spirit. Element Water.
Borage Flower - Self Courage, peace, calm, self-love and strength. Element Air.
Burdock - Also called Beggar’s buttons. Used for cleansing magic and warding off negativity. Protection, healing and persistence spells. Element Water.
Calendula - Also called Marigold. It attracts success and justice in legal matters. Increases psychic/spiritual powers and aid prophetic dreams. Dispels negativity. Element Fire.
Cardamom - Lust, love, and fidelity. Sweetens the personality Use in handfasting's. Element Water.
Carnation - Protection, strength, healing, enhancing magical powers, and achieving balance. Element Fire.
Catnip - Also called Nepeta. Use when working with animals. Draws love, luck and happiness, also used in beauty magic. Associated with Bast. Element Water.
Cedarwood - Luck, strength and power. It helps increase money and protection. Also healing. Associated with Mabon. Element Earth.
Cedar Berries - Also Called: Juniper Berries. Protective, cleansing and repels negativity very well. Used in healing rites. Element Fire.
Celandine - Cures depression, treats piles, improves circulation. Brings about Joy and happiness. Solar Magic. Element Fire.
Chamomile - Love, sleep, protection and purification, also reduce stress. Use for meditation work and to attract money. Solar Magic. Element Water.
Chervil - Helps healing, flatulence and superstition. It is considered the herb for bringing in new life. Element Water.
Chickweed - Also called Witches Grass. Use in moon spells. Also good for animal magic, relationships, love and fertility. Element Water.
Chili - Fidelity, love and passion. Also hex breaking. Element Fire.
Cinnamon - Also called Sweet Wood. Use for Solar magic. Meditation and astral projection. Increases spirituality, success, healing, protection, power, luck, strength, and prosperity. Element Fire.
Clover, Red - Also called Trefoil. used in any spells relating to marriage, love, lust and fidelity. Success is linked to money. Element Air.
Clove - Use to protect, banish negative forces, and divination. It also helps with any teeth spells. Aids money and draws love. Element Fire.
Coltsfoot - Aids wealth. Works with peace, tranquility, prosperity, and love. Associated with Brighid. Element Water.
Comfrey - Also called Slippery Root. Supports magic healing and safe travel. Use for money, endurance and stability spells. Element Water.
Coriander - Love, lust and health. Used as an aphrodisiac and to heal migraines. Brings peace & protection to the home. Element Fire.
Cornflower - Used primarily as an Ink for your Book of Shadows. It is the patron herb of herbalists. Use in rituals to give honor to the mother of all nature, also connected to Rainbow and Crystal children. Element Earth.
Cumin - Fidelity, protection, and exorcism. Also used in love spells and food which can also promote fidelity. Element Earth
Cypress - Associated with death and mourning; stimulates healing and helps overcome the pain of loss. Other properties include self-esteem, protection, love and banishing nightmares. Element Earth.
Damiana - Lust, sex magic and attracting love. It is thought to be an aphrodisiac. Use for astral projection and spirit quests. Element Fire.
Dandelion Leaf - Used to summon spirits, make wishes on, healing, purification and defeating negativity. Element Air.
Dandelion Root - Magical uses include divination, wishes and calling spirits. It also enhances dreams and works well in astral projection. Element Air.
Dock Root- (Yellow). Used to release baggage no longer needed. Also, fertility, healing and money magic. Clears blockages and cuts bindings. Solar Magic. Element Air.
Echinacea - Adds a boost to clairvoyant and psychic abilities. Adds powerful strength to spells used in money drawing magic, fertility and abundance and provides the user with protective power. Element Earth.
Elder Tree - Sleep, releasing enchantments, protection against negativity, banishing.
Elderflower & Berry - Peace, protection, and healing, plus aids in exorcisms. Element Water.
Elm - Energizes the mind and balances the heart. Aids love spells and offer protection from lightning. Element Water.
Evening Primrose - Ideal for moon magic. Also use in love charms and to attract fae. Element Water.
Eyebright - Increases mental power, psychic ability and inner vision. Element Air.
Fennel Seed - Helps with meditation. Healing, purifying and protection. Also linked with new motherhood and offers inner strength. Element Air.
Feverfew - Aids poor health. Protection against accidents when travelling and protection when working with spirit. Carry on you for inner strength. Element Water.
Flax Seed - Also called Linseed. Used for money spells and healing rituals. It helps with beautiful spells and offers protection. Element Fire.
Fleawort - Healing, Cleansing, strength and power. The Goddess' herbs. Element Earth.
Frankincense Resin - Use in solar magic. Associated with Beltane, Lammas, and Yule. Use in rituals and magic associated with self-control, spirituality and protection. Also regulates emotions and helps depression. Element Earth
Fumitory - Associated with the underworld and used at Samhain. Linked to spells for monetary gain, consecration and protection. Element Earth.
Herbs and Flowers Magic Properties(tbc)
Rosemary - memory, anxiety, sleep, cleansing, purifying, learning, healing, love, lust, protection, wisdom, mental power
Turmeric - healing, strength, vitality, purification, abundance, joy, prosperity
allspice - healing, energy, love, luck
pepper - courage, protection
sage - health, immortality, longevity, protection against negativity, protection, purification, wisdom, wishes, anxiety
bay - divination, good fortune, healing, anxiety, money, prosperity, peace, protection, happiness, purification, love, tranquility
oregano - peace, love
parsley - protection, power, strength, lust, purification, prosperity
garlic - protection against evil eye
cinnamon - aphrodisiac, passion, love, luck, prosperity, success, spiritual vibrations, energy, purification, healing, protection
cayenne - healing, removing blockages, protection, strength, motivation, courage
clover - fidelity, protection, love, money, success, animal protection, luck
pine - health, healing
nutmeg - money, prosperity, good luck, protection, psychic abilities, happiness, love, health
cloves - healing, love, friendship, cleansing, protection, abundance
thyme - health, courage, eliminates nightmares, attracts loyalty, affection, psychic abilities
ginger - energy, speeding things up, love, prosperity, success, power, healing
mint - avoid jealousy, dreams, protecting, prosperity, joy, fertility, purification, love, success, lust, travel, money, luck
chamomile - love, healing, stress-relief, calming, sleep
lavender - purification, concentration, love, healing, sleep, dreams
jasmine - divination, innovation, attraction, dreams, love, beauty
mugwort - psychic powers, protection, lust, fertility, prophetic dreams, divination, relaxing, tranquility, banishing, consecration
peach blossoms - luck, prosperity, romance, love, passion, affection, harmony, peace, health, longevity
peony - protection from hexes, luck, prosperity, business success, attracts fairies
rose - divine love, self-love, friendship, healing, domestic happiness, lasting relationships, closeness with nature, divination, tranquility, harmony, psychic ability, spirituality, protection, luck
lemon grass - openness, communication, clear mind, love, luck, libido, psychic abilities, calming
chrysanthemum - longevity, mental clarity, optimism, protection, solving mysteries, soothing grief
pink Himalayan salt - purification, grounding, abundance, prosperity, self-love, cleaning, growth, protection, peace, calming
palo santo - cleansing, positivity, good fortune, creativity, love
sweet orange - optimism, charisma, confidence, restoring aura, attracting love, fertility, abundance
bergamot - protection, purification, calming
ylang ylang - sexual attraction, persuasiveness, peace, love, anxiety and depression relief, fairy magic
geranium - prosperity, happiness, healthy pregnancy and fertility
eucalyptus - purifying, cleansing, good health, protection, negativity
sandalwood - calming, anxiety, purification, protection, healing
anise - peace, tranquility, awakening of psychic awareness, luck, spiritual connection, psychic and magic power
jojoba - healing, protection, purification, grounding, meditation, love
frankincense - cleansing, energy, uplifting, inner peace, balance
peppermint - mental clarity, prophetic visions, success, prosperity,
cedarwood - love, growth, longevity, psychic powers, healing, money
tea tree - cleansing, protection, uplifting, energy, memory, love
vanilla - sex, calming, good luck, love, empowerment, happiness, growth
catnip - beauty, happiness, attraction, love, friendship