Latest Posts by gwahren - Page 3

𝐂𝐎𝐔𝐑𝐓𝐋𝐘  𝐋𝐎𝐕𝐄  (  part  one  )   .  .  .     a  collection  of  prompts  and  scenario's  (  new  )  for  high  fantasy  romance  inspired  by  the  legend  of  King  Arthur.  Send  one  of  the ∗  following  titles ;  and  use  the  prompt  and  scenario  to  craft  a  romantic  scene!

∗  THE  QUEST  ;

Prompt:  The  sender  and  receiver  rest  beside  a  fire  before  falling  asleep.

Scenario:  The  receiver  sleepily  admits  their  love  for  the  sender. 

 ∗  EXCALIBUR   ;

Prompt:  The  sender  and  receiver  exchange  vows  of  devotion  under  the  moonlit  sky.

Scenario:  The  receiver  places  a  sword  (perhaps  a  family  heirloom)  into  the  sender's  hands.

 ∗  CAMELOT   ;

Prompt:  Sender  and  receiver  stroll  through  the  castle  gardens.

Scenario:  A  moment  of  quiet  reflection  where  they  pause  to  admire  the  blooming  flowers  only  a  shared  silence  falling  between  them.  

 ∗  PENDRAGON   ;

Prompt:  Sender  and  receiver  share  a  private  conversation  in  the  royal  hall  by  a  cackling  fireplace.

Scenario:  They  exchange  looks  of  longing  as  they  walk  side  by  side.   

 ∗  MORGANA   ;

Prompt:  The  sender  is  drawn  to  the  receiver  in  the  garden,  who  is  practicing  magic. 

Scenario:  The  receiver  teaches  the  sender  a  new  spell  or  speaks  to  them  of  a  magic  they  do  not  know.  A  gentle  hand  touch  as  the  receiver  helps  the  sender  practice.   

 ∗ LANCELOT   ;

Prompt:  The  sender  and  receiver  share  a  quiet  moment  in  the  stables  as  they  prepare  to  ride  their  horses.

Scenario:  The  receiver  helps  tend  to  the  horses  as  their  hands  brush  gently  with  the  sender’s  as  they  work  in  silence.

 ∗ MERLIN   ;

Prompt:  Sender  and  receiver  meet  beneath  the  ancient  oak  tree  since  a  long  while.  Exchanging  information  of  both  their  kingdoms  and  war  impending. 

Scenario:  The  receiver  confides  in  the  sender  and  all  the  while  they  hold  hands  for  comfort  and  reassurance.

∗  ARTHUR   ; 

Prompt:  The  sender  and  receiver  share  a  private  dance  in  a  grand  hall  of  sorts. 

Scenario:  In  the  quiet  between  songs  the  sender  declares  their  love  for  the  receiver  in  a  small  whisper. 

∗  FAERY'S  GRACE  ;

Prompt:  The  sender  and  receiver  sit  beside  a  moonlit  pool,  the  stars  shimmering  above  them.

Scenario:  The  receiver  gently  takes  the  sender’s  hand  and  whispers  something  in  their  ear.

∗  DRAGON'S  FLAME  ;

Prompt:  The  sender  and  receiver  share  a  moment  on  the  balcony  at  dusk,.

Scenario:  With  a  breathless  sigh,  the  sender  admits  their  true  feelings  to  the  receiver. 

∗  SWORD  OF  LIGHT  ;

Prompt:  The  sender  and  receiver  find  each  other  after  a  long  battle  standing  alone  amidst  the  ruins.

Scenario:  The  sender  pulls  the  receiver  close  and  lets  out  a  sigh  of  relief.   

∗  KNIGHT'S  OATH  ;

Prompt:  The  sender  kneels  before  the  receiver  in  a  gesture  of  both  respect  and  longing.

Scenario:  The  sender  has  announced  their  loyalty  to  the  receiver. 

samuel west as sieg/fried far/non is so bryce cousland 2 me

@chanticle, for jayne. starter call.

"don't grow too accustomed to this," she gingerly sets her pack down by the door. in the morning, they would abandon denerim in pursuit of genitivi & his impossible search for the urn. but they had earned a night in a proper bed, even if that meant her & her sister had to double up. (the cost of things was beginning to appall elethea, or rather, lacking money was beginning to appall her.) and a few rooms at an inn were an alarming price, especially with the unimpressive state of the decor. that such drab accommodations were in the realm of luxury to her, now, was a testament to how very far they had fallen. "though, i'd say - if we find this urn & cure the arl, the least he can do is cover such costs, hm?"

𝐒𝐎𝐅𝐘𝐀 𝐋𝐄𝐁𝐄𝐃𝐄𝐕𝐀 𝐀𝐒 𝐄𝐌𝐏𝐑𝐄𝐒𝐒 𝐙𝐎𝐄

season two. costume details.

i miss my wife. like for a potential little low effort starter from elethea to get the ball rolling

testing testing

the blight is just elethea manically trying to maintain her coquettecore aesthetic while the world is literally ending

✱˚｡⋆ ↪ 𝐀 𝐂𝐈𝐓𝐘 𝐎𝐅 𝐓𝐑𝐄𝐄𝐒 .    (  a collection of  action prompts.   feel free to reverse roles as desired. this prompt will be updated.  )

[ REDWOOD ] sender lashes out at receiver when it isn't their fault.

[ WILLOW ] sender embraces receiver in a moment of extreme distress.

[ PINE ] sender fervently resists receiver's attempts to comfort / care for them.

[ BIRCH ] sender finally ends a tense argument by reaching out to apologize.

[ POPLAR ] sender mentors receiver through learning a new skill.

[ PALM ] sender and receiver avoid / ignore the stresses of real life together.

[ ELM ] sender lends receiver aid in a time of urgent need.

[ MAGNOLIA ] sender, believed to be dead, arrives at receiver's door.

[ DOGWOOD ] sender gifts receiver a token of good luck / protection.

[ MULBERRY ] sender and receiver take a long walk through nature together.

[ HAZELNUT ] sender begrudgingly patches up receiver's wounds.

[ CAMPHOR ] sender suddenly pushes receiver out of danger's path.

[ CASHEW ] when they're finally alone, sender invites receiver to dance.

[ LAVENDER ] sender lays their head in receiver's lap and closes their eyes.

[ BEECH ] it comes to light that sender has betrayed receiver.

[ HIBISCUS ] sender invites receiver to go traveling with them.

[ HICKORY ] sender pushes receiver to admit that they need them.

[ MAPLE ] sender shakes receiver's shoulders, begging them to wake up.

[ CHERRY BLOSSOM ] sender revels in receiver's beauty, stunned.

[ JOSHUA ] sender offers receiver a safe place to hide / crash .

[ ASH ] sender and receiver become reacquainted after many years.

[ FIG ] sender, knowing receiver is hungry, pressures them to eat.

[ YEW ] sender beckons for receiver to join them in the water.

[ CYPRESS ] sender shamelessly flirts with receiver.

[ LINDEN ] sender cares for receiver, who took a hit to protect them.

Holliday Grainger as Lucrezia Borgia in The Borgias (2011–2013)

elethea: people always ask me how i pronounce my name is it “ella-thea” or “uh-lee-thea” and i always tell them the same thing. how dare you speak to me.

Kirsty Hume

I'M FREE!!!

HOLLIDAY GRAINGER AS LUCREZIA BORGIA THE BORGIAS 2.08

do you guys still love me (say yes say yes say yes say yes)

elethea's autistic in the mean, blunt, extreme sense of justice way.

@grewarden. athelstan says: you think i’m being stupid.

"i don't think anything," downcast eyes skate away to something more interesting than her brother was presently being; her increasingly filthy nails. idly correcting that specific imperfection, she lifts her brows with cool disinterest. he was being tiring in a moment where she was already wearied. not that she would have softened her words if she had been better rested. it simply wasn't her way. "you are being stupid."

Brief Encounter 1945, dir. David Lean

once this musical’s run is done it’s so over for you guys

Katherine May, from Wintering: How I learned to Flourish when Life became Frozen 

"She was beautiful, sophisticated, and had a free-spirited nature that rejected superstition." — Pietro Bembo's description of Lucrezia Borgia in a letter, included in the book 'The Life and Times of Lucrezia Borgia' (by Maria Bellonci)

Domina (2021-2023) 1.02: Rise

Kinuko Y. Craft

Elethea only knows how maps work in an Academic sense. She's very good at geography, of course, it's one of the things that was hammered into her, but actually navigating a map in practice during the Blight is something of a pitfall for her. A lot of aspects of applying her academic knowledge into real-life skills are challenging for her.

Holliday Granger as LUCREZIA BORGIA THE BORGIAS — 2.09: World of Wonders (2012)

@thiedas, alistair & elethea. * “did you do something different with your hair?”

reflexively, her spine straightens — a hand going to the aforementioned new hairstyle binding back her golden curls. her self - consciousness possessed no ounce of insecurity; only an acute awareness of his attention. with it comes a small smile, head tipping. "do you like it?" adopting her offhand, flirtatious tone, she angles herself more fully towards him. he would blush, surely, or clear his throat in that nervous manner he had. that's what she was after, anyway. "it seemed the most practical choice, short of chopping it off," because she would sooner die than be inelegant; it had taken rising with the sun to begin the process of braiding her hair & pinning it up. a darkspawn had gotten hold of her loose braid on the road from lothering as they journeyed toward redcliffe & it had proven most distressing. not to mention inconvenient. "though it seems rather plain..."

SIGNALIS (2022) SILENT HILL 3 (2003)

Corruption

Something's crawling under your skin...

"That's not meant to look like that."

"Your veins are turning black..."

"You're not meant to be blistering like that..."

"I'm worried about what's wrong with you."

"Something's wrong."

"You don't look right, can I help?"

"Wait - why is that black?"

"It's like you're... rotting. From the inside out."

"You need to bandage that before it gets worse."

"How did this happen to you..?"

"You're diseased or something."

"I can see it, crawling through you..."

"Gods help you now."

"We can't fix this, can we? You're just going to rot away."

"It's fine, I'm sure, it just... keeps crawling through me."

"There's some kind of rot in me."

"I can feel it, squirming into my skin."

"Gods, it's getting worse - I can see the lines crawling up."

"How deep does this go into me? My heart?"

"It's in my eyes now, I think."

"I want to cut it out of me, but I don't think I can."

"It all tastes bad."

"There's something... in me... it's bad... I think..."

"I can see the lines crawling up towards my heart..."

more random dialogue prompts ,

“why do you have that look on your face?”

“finish what you’re doing, we have to talk.”

“what have you done to yourself?”

“did you do something different with your hair?”

“it doesn’t do any good to get worked up.”

“when was the last time we had a real conversation.”

“are you in the witness protection program, or what?”

“there’s something wrong with me.”

“no, i don’t hate you.”

“hey stupid.”

“we’re aren’t them.”

“looks like i’ll live long enough to make you pay.”

“you know you’re wrong.”

“i don’t understand, why are you doing this?”

“now, before i say anything, promise me you’ll stay calm.”

“what makes me so special?”

“you have no idea what i’ve been through.”

“you really don’t have to do that, not for me.”

“did you really think you’d get a second chance?”

“how about we don’t do that.”

“i have a lot going for me, but humility is not one of them.”

“you’re the worst.”

“i don’t need you right now.”

“don’t just stand there, looking at me.”

“i thought you were supposed to call me.”

“take my hand.”

“i need you.”

“you’re allowed to need help sometimes.”

“for someone who doesn’t like to feel things, you sure feel a lot of it out loud.”

“when this is all over, i want it to be you and me.”

“why won’t you tell me what happened?”

“you don’t know what this means to me.

“i know it doesn’t make sense.”

“i’m trying really hard to keep it together.”

“i know you’re new, but we do things a little differently here.”

“your voice is putting me to sleep.”

“did you find what you were looking for?”

"you knew and you didn’t even warn me?”

“well, i guess that’s broken.”

“i thought it was part of the act.”

“you think u don’t know you’re only here because they sent you?”

“you promised to call me if you didn’t know what to wear.”

“you can keep a secret, can’t you?”

“how could you do this to me?”

“put the gun down, dearest. i have news!”

“i know you don’t have any reason to trust me, but you need to know something.”

“if you’re here to tell me what happened last night, someone beat you to it.”

“people think i’m weird.”

“i think i’m losing myself again.”

“you can’t be here.”

“i wish you’d come to the funeral.”

“do you know what today is?”

“so, you broke my favourite mug… and you’re breaking up with me?”

“i need to get out.”

“it’s like i’m cursed or something.”

“you are remarkably well-behaved tonight, what have you been up to?”

“you gonna eat that?”

“sir, the pony rides are for children only.”

“i don’t want you to worry about that anymore.”

“we’ll never make it in time.”

“you’d be late for your own funeral.”

“you should have seen it coming.”

“oh, good, you’re here! hold this.”

“why can’t you just be happy for me?”

“on a scale of one to ten, how do you feel about nachos right now?”

“is this how you flirt with everyone?”

“how much longer till we’re there?”

“what have you done?”

“it’s time for you to repay that debt you owe me.”

“where did you get that? who gave it to you?”

“what kind of mother has thoughts like that?”

“i know I haven’t been what you needed, but i’m here, and i wanna help.”

“i never want to hear you say that again.”

“you’re all i have.”

“i know it’s not perfect, but i did follow the recipe this time.”

“i was doing so well until you showed up.”

“don’t eat that! i made it ‘specially for our guest.”

“it’s not that i don’t like my life, it’s that i don’t have the energy to enjoy it.”

“how can you stand this place?”

“don’t take this the wrong way, but you don’t exactly blend in.”

“you need to stop.”

“i don’t like that look, what happened?”

“is that seriously your password?”

“what’s your problem?”

“you had no right to use it without asking.”

“oh, wow, you weren’t kidding.”

“i couldn’t trust my own parents to protect me.”

“i’m surprised you haven’t been arrested yet. wait, no, i’m not.”

“why do you want to help me?”

“ten bucks for that piece of crap?”

“we have to hurry, they’re coming!”

“hey, look what came in the mail!”

“do you want to get a drink or something?”

“please tell me you didn’t eat that.”

“the worst part is you didn’t even notice.”

“if i wanted help, i would have asked.”

“wanna tell me what’s going on with your grades?”

“you need to leave.”

“talk to me, okay? i need to know what’s going on.”

“i do blame you.”

“sometimes life deals you a bad hand, but you can still play your cards right and win.”

“you’re no longer useful to me.”

“i’m not good with sarcasm: if you don’t like me, just say it.”

after the fifth kid, everyone in ferelden starts making jokes about how alistair and elethea need to be kept in separate estates, or sleep in different chambers and locked in from the outside.

"On March 15, 1498, according to the reports of the Ferrarese ambassador in Venice, [Lucrezia] gave birth to a boy who was christened Giovanni (Juan), in memory of her beloved brother, the murdered Duke of Gandía. The official bull declared that the child, delicately described therein as 'the Roman infant' (infans Romanus)." — The Borgias and their enemies 1431-1519 by Christopher Hibbert