It Just Occured To Me That Stan Technically Canonically Liked To Draw, So Here's My Take Of What Stanley's

It just occured to me that Stan technically canonically liked to draw, so here's my take of what Stanley's sketchbook would have looked like had he never gave up on art :]

It Just Occured To Me That Stan Technically Canonically Liked To Draw, So Here's My Take Of What Stanley's

Stanley first found this sketchbook left behind in a dumpster next to a library. The rings that once held the pages together were broken and warped, so he instead fashioned himself a jury rigged binder by weaveing one of his shoelaces through the holes in the side. In the end, it was essentially just a stack of barely held together paper, but he was still satisfied with it.

Pencils were easy enough to snag from the store since they fit so easily inside his pockets; but he had to settle for the shitty stubby pink erasers that barely did its job on the end of the pencils if he made any mistakes.

Stanley wasn't much of a poetic guy, and he didn't do the kind of art that had deep symbolism or meaning behind them. He was more the kind of artist that just drew what was in front of him, plain and simple. Had he been younger, he might have been able to fill in this cobbled together sketchbook in a matter of days, page after page filled to the brim with creatures and adventures of the wildest dreams.

Well, Stanley wasn't exactly a sprightly young child anymore with a boundless imagination to take inspiration from, but 10 years was a long time to be on the road and moving around, so there was plenty for him to draw.

[Summer of 1971, Kentucky- Natasha Jones. Stanley met her at a small farmers market located in a somehow even smaller backwater town. His fingers were itching for something to distract themselves with from the dull inactivity of the town, and he found his eyes drawn to Natasha lounging behind her fruit stand just across from him. Her body language was languid and loose, like a cat. She hadn't appreciated it when she caught him staring, but was apologetic when she realized she gave Stanley a black eye not for being a pervert, but for simply drawing her. She and him still keeps in contact to this day.]
[1972- Carla McCorkle. Stanley crossed paths with her completely out of the blue at the Juke Joint. During a brief pause in their dancing escapade, Stanley managed to roughly capture Carla's dancing in his sketchbook. He was enraptured by her boundless energy, and wanted to challenge himself to try and imitate her lively movements and poses on paper.]

(My primary goal was just to make these pages look as realistic as possible, but I did add in mini backstories in each of the pages' image description, if you feel like reading that :])

[1973- Jack Andersen. Jack was a travelling business man who was staying in room #26 at the same motel Stanley was temporarily residing. Stan doesn't remember what it had been about Jack that intrigued him so much at the time. It might have been his voice, or his height, or his face. In any case, Jack noticed him hunched over the counter and scribbling a portrait of him onto a scrap piece of cardboard from across the lobby. He offered to meet up later to give Stanley a better view of what he was drawing. Stan still has his phone number.]
[1973- Maddison. She was the waitress attending to Stanley at the diner he had taken a pit-stop at to evade the pouring autumn rain. She had the bluest eyes he'd ever seen, and she seemed delighted when he showed her the small portrait he had done of her in cheap blue ink on the receipt.]
[1974- Jimmy Snakes. For such a laid-back man, Stanley never seemed to be able to catch him staying still long enough to draw him. He didn't get the chance to draw him a whole lot.]
[Winter of 1974- Sarah Campbell. Stanley met her out on the streets begging for money with an empty coffee cup. It was cold enough to see your breath fog, and she looked far too young to be homeless already, but she had one of the sunniest smiles that Stan had ever seen on another person. He was dragged into keeping her company when she noticed his sketchbook in his pocket and practically demanded that he draw her. He indulged her, and let her hijack the sketchbook to doodle her own drawings onto the page. She left to beg in a different area after about an hour, and Stan never saw her again. He still thinks about her sometimes. She reminds him so much of Mabel.]
[June 1975- Morrison. They met at a seedy bar in a random town that Stan doesn't care to remember the name of. In the afterglow of their one night stand, Morrison asked for Stanley to draw him after learning of the latter's hobby. He remembers Morrison walking out on him with a huff when he saw that Stanley never once drew his face.]
[He doesn't remember drawing this one.]
[1976, Colombia- Ana María. She was one of the muscles involved in a cartel mission that Stanley was participating in. His boss didn't notice him sitting in the corner with his sketchbook balanced on his knees during the meeting, and Ana María certainly didn't seem to care, although she definitely noticed him.]
[1980, Colombia- Stanley only barely managed to hide his sketchbook from the guards during the initial body search, and he never dared to pull it out in front of his inmates, lest they damage it. Besides, pencils that weren't being used as a stabbing weapon was a rarity in prison, and paper was bound to get ruined with blood at some point or another]
[Summer of 2012- Mabel and Dipper Pines. Stan remembered the day he first met the twins; not in Gravity Falls, but at Piedmont, California, almost a decade ago. They had been so small at the time, and Stan had been having such a hard time stifling his tears that he was barely able to hold his pencil properly to draw the slumbering pair, cocooned in their tiny blankets. The extra sixth finger on his gloves hadn't helped with his shakiness, but he was desperate to busy his hands so Shermie didn't notice him crying. He did anyways, and Shermie himself had looked like he was about to burst out laughing at the sight of Stan, the traitor.]

More Posts from Hyperfixations-and-complaining and Others

Raihn:

Raihn:

Oraya:

Raihn:

Do you think Fiddlefords evil twin brother would be Diddlestan?

when it's pride day but you don't have a girlfriend to do gay stuff with

When It's Pride Day But You Don't Have A Girlfriend To Do Gay Stuff With
The Hunter Visits Gilbert's Window Quite Frequently During The Hunt. To The Point It's Become A Habit.

The Hunter visits Gilbert's window quite frequently during the Hunt. To the point it's become a habit. During their endeavors, the Hunter shares their insight with their sickly friend, telling him of the things they've seen and learned.

Even after slaying the beast outside that window, when the Blood Moon shines brightly in the sky, the Hunter still visits that window out of habit. And each time they break down in tears as they kneel before the shattered glass and broken bars.

no yall don't understand. merlin just....not ending up in camelot is the funniest idea to me. like he took a left somewhere and somehow ended up in nemeth and then wandered his way into cornwall. he's never been outside of ealdor how would he know the layout of the land???? how would he know where to go other than the roads which might also split off into different directions??? the funniest scenario is that he gets so horrifically lost that he accidentally boards a boat and ends up in idk francia or something. gaius writes hunith like a month later like "hey where's that kid you were supposed to send me? robin or whatever?" and hunith's like "IS HE NOT WITH YOU???" and meanwhile merlin's wandering around austrasia wondering where the hell he is

The Only Logical Conclusion To Any Fiddlestan Scenario: They Both Blast Their Entire Relationship From

The only logical conclusion to any fiddlestan scenario: they both blast their entire relationship from each others mind, so now they just get random homoerotic flashbacks when they walk past one another.

And Do You Know What You Do With All That Pain? Shall I Tell You Where You Put It? You Hold It Tight
And Do You Know What You Do With All That Pain? Shall I Tell You Where You Put It? You Hold It Tight
And Do You Know What You Do With All That Pain? Shall I Tell You Where You Put It? You Hold It Tight
And Do You Know What You Do With All That Pain? Shall I Tell You Where You Put It? You Hold It Tight
And Do You Know What You Do With All That Pain? Shall I Tell You Where You Put It? You Hold It Tight
And Do You Know What You Do With All That Pain? Shall I Tell You Where You Put It? You Hold It Tight
And Do You Know What You Do With All That Pain? Shall I Tell You Where You Put It? You Hold It Tight

And do you know what you do with all that pain? Shall I tell you where you put it? You hold it tight till it burns your hand, and you say this: No one else will ever have to live like this. No one else will have to feel this pain. Not on my watch.

God I Hate This

god I hate this

The way people hate on Feyre and Rhys for not having infinitely amounts of patience and empathy with Nesta is outstanding. 

For starters  Feyre has had patience with Nesta and it is only human that it eventually runs out, she is indeed empathetic for what Nesta is going through, but she is allowed to feel tired of the situation and is allowed to sometimes feel resentment towards the way she was treated by her. ACOFAS could be read as the last attempts of Feyre to draw her sister out and help her, she only knows the tools that work for her (being with the Inner Circle, having some purpose and regaining understanding of her body, for instance) and if they don’t work for Nesta that’s fine, but you can’t expect someone who is not trained to deal with trauma, as a fae psychologist or someone of the sorts would be, to be all equipped to deal with Nesta’s situation. Offering her money to come to the celebration is nothing if not desperate and it came from a place of worry. Was it the best strategy? no, not really, but people should stop crucifying Feyre for doing so. 

Also, please stop saying that Nesta treated Feyre like she did pre-ACOTAR, during ACOTAR (safe for their brief reunion) and during certain scenes in ACOMAF, because she is dealing with unresolved trauma of their poverty and neglect from their father… as if dealing with trauma gives you a free pass to treat people badly and it’s okay because “you’re dealing with stuff”. While trauma and her mental health do need to be taken into account when analyzing her and how she relates to people, it cannot be taken as the almighty shield and sword with which people defend her and then blame others for not having infinite amounts of patience. 

As for Rhys, there is no denying that the way he deals with Nesta is vastly different from the way he treated Feyre when she was dealing with her trauma, and again is an ocean of difference with his treatment of Elain. He says that he will not forgive someone who actively hurt Feyre, which is his explanation for his behavior towards the eldest Archeron. Now, you can love, admire, respect, value Nesta all you want, but she while Elain also neglected Feyre, Nesta not only neglected Feyre but was verbally abusive to her for years. That difference matters to Rhys from what we see. 

Rhys is a character that you can consider feminist, but is he a new wave of feminist that is a breakthrough in the movement and offers new political ideas and pushes feminism in new directions? no. Even Feyre says so herself in ACOMAF, he offers her what any decent human would offer any other person who they see as their equal, as we all should see everybody,  and she was just starved for that sort of respect. It was the fandom that propelled his character to new levels as the #BiggestFemnist to ever exist, so now when he is not “feminist” towards Nesta everyone just sends him to the pits of hell. When Rhys helped Feyre it was not for the sake of #Feminism it was because he cared for her. Feminism is not about liking every single woman just because of their sex. He could make more of an effort in getting to know Nesta and having patience, but it should be done from a place of trying to be more empathetic, not because it’s hist obligation as a #Feminist.

On this note, I’d like to point you to some tags @rhysand-vs-fenrys​ added on a post that I believe speak volumes and gave me life:

image

Finally they argue that he did “not treat Nesta like he treated Feyre”… as if.. you know they are forgetting the tiny insignificant, minuscule detail, like seriously small tiny, that Feyre is umm his mate. The dynamics of their relationship are, I dare say, quite different from the ones he might have with his sister in law. 

And no, this is not ant Anti Nesta post. 

Thank you for coming to my TED Talk.

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