Compiled Some Basic Information I Know About Drawing Fat Characters For Beginners Since I've Been Seeing

Compiled Some Basic Information I Know About Drawing Fat Characters For Beginners Since I've Been Seeing
Compiled Some Basic Information I Know About Drawing Fat Characters For Beginners Since I've Been Seeing
Compiled Some Basic Information I Know About Drawing Fat Characters For Beginners Since I've Been Seeing
Compiled Some Basic Information I Know About Drawing Fat Characters For Beginners Since I've Been Seeing

Compiled some basic information I know about drawing fat characters for beginners since I've been seeing more talk about absence of really basic traits in a lot of art lately.

Morpho Fat and Skin Folds on Archive.org (for free!)

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More Posts from Kunartis and Others

5 months ago

Do you have any tips on drawing the neck? Also I hope you have a good day :)

Do You Have Any Tips On Drawing The Neck? Also I Hope You Have A Good Day :)
Do You Have Any Tips On Drawing The Neck? Also I Hope You Have A Good Day :)
Do You Have Any Tips On Drawing The Neck? Also I Hope You Have A Good Day :)

these are some of my personal "rules" when it comes to necks so I hope this helps!


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1 month ago
Made An OC Challenge Thingy! Draw Your OC With Status Effects That Slightly Alter Your OC's Base Design

Made an OC challenge thingy! Draw your OC with status effects that slightly alter your OC's base design (red-faced, baggy-eyed, sickly pale, hair a mess... you name it)

More resources can be found here @donut-toast-resources

1 week ago

Write Tension that isn't just Yelling or Guns

Listen, not all tension is someone holding a knife or screaming “I’ve had enough, Derek!” at a dinner party. Real, edge-of-your-seat tension can be quiet, slow, awkward, and still make your reader grip the page like it owes them money. So here are my favorite ways to sneak tension in like a gremlin under the bed...

╰  Unanswered Questions (That the Character is Actively Avoiding)

Tension isn’t always about what’s said—it’s about what’s not said. Let your character dodge questions, interrupt, change subjects. Let readers feel the silence humming between the lines. + Great for: secrets, internal conflict, emotional gut-punches.

╰ Time Pressure Without Action Pressure

A clock ticking doesn’t always mean bombs. Sometimes it means waiting for a test result. A letter. A phone call. A knock on the door. Tension = knowing something’s coming but not knowing when. + Great for: psychological suspense, horror, relationship drama.

╰  Small Talk That’s Not Really Small Talk

When two characters are talking about the weather, but both are secretly screaming inside? That’s tension. Give one character a goal (say the thing, don’t say the thing) and the other a defense mechanism. Now sit back and watch the discomfort bloom. + Great for: slow burns, rivalries, “we’re not talking about that night, are we?”

╰ Two Characters Who Want Opposite Things But Are Pretending They Don’t

Someone wants to leave. Someone wants them to stay. Someone wants to confess. Someone is acting like nothing’s wrong. Make your characters polite when they want to scream. + Great for: emotionally repressed chaos, family drama, enemies-to-lovers.

╰ One Character Realizes Something The Other Doesn’t

A power shift = instant tension. One person knows the truth. The other’s still talking like everything’s fine. Let that dread slow-cook. Readers love being in on the secret. + Great for: betrayal, secrets, foreshadowing plot twists.

╰ Body Language That Contradicts the Dialogue

They say “I’m fine,” but they’re picking their thumbnail raw. They laugh too hard. Their smile doesn’t reach their eyes. Show the cracks forming. Let the reader sense the dissonance. + Great for: all genres. Especially emotionally loaded scenes.

╰  Echoed Phrases or Reused Words That Hit Differently the Second Time

When a character repeats something someone else said—but now it’s laced with bitterness or grief? Chills. Callback dialogue is your best friend for building subtle dread or emotional weight. + Great for: heartbreak scenes, arcs coming full circle, psychological unraveling.

╰ Characters Performing a Role to Keep the Peace

Pretending to be “the good sibling.” Faking confidence in a boardroom. Playing therapist when they’re not okay themselves. Tension thrives when someone’s holding it together with duct tape and fake smiles. + Great for: internal conflict, layered characterization, slow unravelings.

7 months ago
I'm Currently Doing An Online Art School Program And I Thought I'd Share Some Notes On Clothing Pieces
I'm Currently Doing An Online Art School Program And I Thought I'd Share Some Notes On Clothing Pieces
I'm Currently Doing An Online Art School Program And I Thought I'd Share Some Notes On Clothing Pieces
I'm Currently Doing An Online Art School Program And I Thought I'd Share Some Notes On Clothing Pieces
I'm Currently Doing An Online Art School Program And I Thought I'd Share Some Notes On Clothing Pieces

I'm currently doing an online art school program and I thought I'd share some notes on clothing pieces for anyone else whose like me and for some reason can't understand objects with free from lol I hope you find some of these observations/ notes useful for any of your art journeys!

7 months ago
Tips On Drawing Hands Tutorial
Tips On Drawing Hands Tutorial
Tips On Drawing Hands Tutorial
Tips On Drawing Hands Tutorial
Tips On Drawing Hands Tutorial
Tips On Drawing Hands Tutorial
Tips On Drawing Hands Tutorial
Tips On Drawing Hands Tutorial
Tips On Drawing Hands Tutorial
Tips On Drawing Hands Tutorial

Tips on Drawing Hands Tutorial

Hope this is helpful!

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2 months ago
Digital canvas titled "How to: drawing characters with paralysis on their face" with "since I barely see it and would like to see more" written underneath. It features three colored drawings of different characters with various kinds of facial paralysis, labeled "ones that look more like this", next to a drawing of a heavily exaggerated character with cartoonish facial paralysis labeled "and less like whatever this is". There is a diagram in the corner of all the cranial nerves in the brain, with half of them scribbled out. The rest of them are labeled "i.e. what happens when any of these get fucked up". In the corner there is the artist's signature "@saszor" as well as "by: someone who has it" written out.
Second digital slide. It's titled "basic information". Underneath is a spectrum colored from dark green to red, with the dark green end labeled "works perfectly" and the red "complete paralysis". The light green, yellow, orange, and light red middle is labeled as "some degree of paralysis. It's not a 0:1 thing". Below that are 4 very simplistic drawings using the spectrum's colors to show different kinds of paralysis, including Moebius syndrome (complete full face paralysis), trochlear nerve palsy (both eyes being mildly affected), Bell's palsy (half of the face being slightly affected) and "multiple (me)" with the forehead, mouth, and eyes being labeled in different shades. The text around the characters reads "All these people have some kind of paralysis on their face. Before actually drawing a character, you need to pick what part of their face is paralyzed and how much. Having your whole face completely paralyzed is really rare. Weakness on one side of the face is the most common. You probably saw someone with it since it's very common after a stroke". Another block of text in the corner reads "If you have a simpler artstyle, paralysis of the eyes and/or mouth is the easiest to show. Jaw or forehead are more subtle (usually)".
Third slide, titled "Ok, but how do I draw it? (With asymmetry, mainly)". There is a drawing of a man with Bell's palsy, captioned "I will be doing examples showing unilateral (one sided) paralysis to showcase this since it will be easier to show the differences". In the top right are two drawings, one in anime style and other in a western cartoon one. The text box reads "While I encourage to try out multiple options, focus on the features that are more important in your artstyle. Big eyes? Focus on ptosis. Big mouths? Focus on lopsided smiles, etc. Otherwise it can look out of place". The main section of the slide is titled "Upper third of the face". There are simple drawings to accompany the text. It reads "paralysis on the forehead: it looks like one-sided botox essentially. The wrinkles will be weaker or non existent. Paralysis of the eyebrow: moves less. It rests lower than the other eyebrow and can have a crease under. Eyelid paralysis (arguably the most common one): generalyl affects the upper eyelid. It rests lower and has less or no movement". There is a drawing of a pair of eyes, where one is so closed the iris is invisible. Text reads "Note: paralysis very frequently comes with strabismus. Severe ptosis+hypertropia can look like the eye is just white. The iris can be hidden like that". Another text box to another drawing reads "it does get a bit trickier in angles that don't show both sides of the face; IMO focusing on strabismus+eyebrows pointing down is the easiest way to get it across". In the bottom left is a diagram showing different eyes with increasing severities of paralysis. Text reads "As a rule of thumb, more severe paralysis = eyelid rests lower. Here you can see how much of the eye could show".
Fourth slide, titled "Eyes specifically since people tend to put more detail into them than the rest of the face". The "First step" has 2 characters with unaligned eyes, titled "Step 1: give them strabismus (easy)". Below that are examples of eyes with strabismus, captioned "literally just draw the eyes to be unaligned. Inward, outward, up, down, etc.". Step two is titled "Don't make it into the most unfunny joke possible (very hard)". It shows two characters, one having a very exaggerated strabismus and the other having a more realistic one combined with a falling eyelid. The first character is crossed out, and is saying "I'm stupid because I look weird haha (laugh)", while the second character has the checker mark and is saying "I have a personality trait that is not related to having an eye condition". The text below the step 2 reads "Not every person with facial paralysis will have strabismus but a lot do and I never see that in drawings". In the bottom right is a designated square with a character who has significant hypertropia and slightly red eyes. The text reads "rarely, people will be unable to close their eyes rather than the other way around. I meant to put it on the previous slide but I ran out of space".
Fifth slide, titled "mouth and smiling". There is a simple drawing of a man with bell's palsy smiling, there are red lines illustrating how the smile is lopsided and pulls towards the nonparalyzed side. There is another "correct/incorrect" demonstration with the incorrect one, labeled "not how faces work", having their face essentially halved, with one side smiling widely and one actively frowning, and the correct one, labeled "it just pulls to the nonparalyzed side", smiling normally on one side and having a neutral/relaxed expression on the other. The incorrect one has additional text box: "if it looks like the ancient Greek theatre mask, stop. I couldn't do this really downward frown on my paralyzed side even if I wanted to. You need to be able to move your face for that...". At the bottom of the slide are two drawings of the same character smiling; he has bell's palsy in one but not the other, highlighting the differences. The text reads "There are other things that can also be affected but smiling is the main one, especially for drawing. What is not affected are like, jaw muscles. Someone can have problem with that as well but it will be from something else". The rest reads: "A lot of people will overdo smiling so that other people can actually tell they're smiling and essentially do a really wide smile on just one side of the face. So things like gums showing, nose skewing to the side, lower eyelid going up, lip being thinner on the smiling side, etc.". There is a colored disclaimer "also a disclaimer (in case that's not clear): not all people with facial paralysis have it visible on their eyes. I do it here so that you can easily tell which side is supposed to be affected".
Sixth slide, titled "have fun smile emoji". It features a Hindu woman in a powerchair, a Black man walking with a cane, a Brown girl posing, and a white guy looking stern. The first two are captioned "Most people have facial paralysis because of a stroke/traumatic brain injury and a lot will have other disabilities". The girl is captioned "Some people are born like this also. You can draw people with facial differences as pretty people BTW, it's allowed". The last character is drawn with a straight line scar going through his eye. He is captioned "if you're giving your scarred OC #3743 this fuckass scar then at least give them nerve damage like get real LMAO. He would not be fucking ablebodied". While the main drawing doesn't show the character with any sort of paralysis, there's a smaller one where his eyelid and eyebrow are clearly paralyzed. There is another box of text in the corner reading "We are also just normal people and yous on;t have to name your OC with bell's palsy some combination of "half-face" or whatever the fuck".

[ID in alt]

Tutorial on drawing characters/OCs who have some sort of facial paralysis. It doesn't cover all possible variants because I was using mirror as my main reference lawl

Keep in mind that this is an introductory drawing tutorial and has some generalizations in it, so not every “X is Z” statement will be true for Actual People 👍

Consider supporting me on ko-fi if you find this to be helpful.


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10 months ago

RadenWA is honestly a hero for these

RadenWA Is Honestly A Hero For These
RadenWA Is Honestly A Hero For These
RadenWA Is Honestly A Hero For These
RadenWA Is Honestly A Hero For These

they're got even more than these, too!


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7 months ago
Our Next Spooky Season Coord Is Inspired By The Gigantamax Version Of Pokemon #823 Corviknight

Our next Spooky Season Coord is inspired by the Gigantamax version of Pokemon #823 Corviknight

Our Next Spooky Season Coord Is Inspired By The Gigantamax Version Of Pokemon #823 Corviknight

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5 months ago

Pick up a book and open it to a random page. Read the last full sentence on that page. Use that sentence as inspiration for creating a character.


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10 months ago

stealing this poll to add more options. feel free to reblog


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