The Zoryas✨
What follows is a few insights from years of research and practice within my own culture, as I am entering a Filianic space. Due to the nature of this format and the largely educational goal, it would be impossible to reflect the full image of these folkloric figures as seen by the original peoples; on the other hand, quite obviously, none of the information below was initially intended to be viewed from this perspective, and as such is to be taken as a partial and personal impression of an lived culture that is to be respected in its own right.
The Zoryas are a Slavic folkloric figure group associated with largely love and healing. The most common contexts for invoking them are magical incantations and folk songs.
The name, which is plural, literally means "stars", which is, of course, a potent symbol of hope and reassurance in the Filianic faith. They may be encountered as a group of three, calling to the trinitarian nature of the practice, the Evening, Midnight, and the Morning Star, each assigned a somewhat different character (usually sorrowful, pensive, and joyful), or as a singular being. In many examples there are also parallel texts in active use that either call upon them, or replace them, it seems fully equivalently, with Mother Mary.
Though adorned and certainly involved in what one would assume gentle matters, in many cases they are shown in a knightly form, riding horses across the sky, measuring time and watching over us, sovereign and never paired to a male.
As mentioned before, their presence is welcomed for protection and healing, and love. This once again showcases their general care for universal order, as in a sense healing and safety are just a restoral of harmony to body and life.
Then, of course, young women looking to find love would near universally call the dear sisters to ignite the feeling in another's heart and make themselves irresistibly attractive. Romance being self-explanatory, the love we have in our hearts is a sister to the love that drives particles to motion, spirit to action, and a human being to seek companionship of any kind. Going hand in hand, - and this is where we enter the realm of a personally held belief, - the cultivation of beauty within your own self is a divinely driven desire for joy and pleasure in everything, a way of honouring your person as a divine being. Similarly to this, an artist would generally endeavor to depict a deity or a saint as pleasingly as they can, as as not to idolize but to show respect towards them and grace within them.
Personally, as a Ukrainian and a perennialist, these figures to me speak of the universality of certain principles that reoccur within the human psyche due to experiencing them directly. This is the seed of truth within the image that grows from it.
On the other hand, of course, I am speaking here in a very incomplete manner. Any questions are welcome.
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Attach a safety pin to clothing to protect the wearer from bad energy.
Mostly done by parents for their children, but adults have been known to attach pins for themselves.
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Magic Old New Year fortune telling - 6 tasty ways to find out your fate
The holiday period from January 7 to 19 is considered special in Ukraine. Ukrainian ancestors believed that during this time the fate could open its secrets and mysteries, so they tried to get answers to the most personal questions. They found out about the future from various folk sayings and divination. The Old New Year is celebrated on January 13. The Old New Year evening, which is also called Generous, was deemed to be one of the best days for fortune telling. What’s interesting, both unmarried girls and young men tried to discover their fate. Ukrainians also closely observed what happened in nature and in the house during the whole holiday day and Old New Year evening.
Some folk sayings have survived to this day. For instance, if there is money in the house during the Old New Year evening - you will live in abundance all year round. This day you should in no case lend your money in order not to take happiness out of your house. Ukrainians observed the Old New Year nig…↴ https://ukrainian-recipes.com/magic-old-new-year-fortune-telling-6-tasty-ways-to-find-out-your-fate.html
"Many cultures have shared the belief that it is possible to transfer illness to other people or to animals. Before the understanding of germs became widespread, the transference of illness was perceived as an unnatural event. Pain and illness, for example, were often seen as being cast by an evil glance. Among Ukrainians in Alberta, the wax ceremony has been a culturally significant way of getting rid of evil eye, which is still feared by many people, especially the older generations.
During the wax ceremony, the pain is removed or flushed out from the body. It is transferred to an inanimate intermediary, water or wax. This is most clear in those cases where the water is discarded in some place where nobody will ever walk. This practice reduces the chances of illness being transferred to some unfortunate person."
The Word And Wax: A Medical Folk Ritual Among Ukrainians in Alberta by Rena Jeanne Hanchuk
The information I will share in the post is mainly about the Christian home altar, but it may provide some ideas for individuals interested in Slavic paganism, as well.
The altar is called “червоний кут”, which translated to “red corner” (here is another post on red colour in the Slavic tradition that I made). It used to be the most important part of the house that usually contained items valuable from cultural and religious point of view: icons, the Bible, books of prayers, candles, pictures of deceased relatives, all decorated with beautifully embroidered cloths. The table was placed in that corner, too. As a general rule, it was across the room from the oven, well-lit, which would make it South or East.
The person to sit in that corner was the master of the house or the most important guest; in times of death, forty days after, the person who passed away - they also get a plate and a cup of their own, of course. Due to the importance associated with the red corner, it was said that if you hear cracking in the walls on that side, the master may soon die.
Ukrainians say, “у своїй хаті й кути помагають” - “at home even corners help”, which was true in the more literal sense for women giving birth back when doing it at home was the usual practice for most. People believed that, should the process be especially difficult, the woman should be led around that very table every now and then.
I just needed to get some of my thoughts out on this topic so this may seem very unorganized and chaotic, but I hope to have better organized posts that are much more informative and stick to a single point, but I do not have the time for that currently with everything going on at university. The concerns I raise are found consistently in Western academia, “Slavic academia” (whatever that means), and of course on tumblr which pulls heavily on outdated materials because thats all they have access to. I am currently compiling a list of articles in English which I think may help clear some of the misunderstandings and offer actually credible/up to date sources, but you’ll have to wait for that.
Also, as a disclaimer, I am not an academic on Slavic polytheism or a professional on the matter (yet!), but these random musings come from years of personal research. And when I say years I mean years. But to just quickly state the biases I might have: I am practitioner of the folk religion of the Slavic peoples, but more specifically the Ukrainian branch of it. Most of my resources have focused on the Ukrainian flavor of the Slavic pre-Christian faith, but most definitely not exclusively as that would be impossible to get any sort of understanding of the faith without comparing it to my neighbors.
First and for most, Slavic polytheism has had influence from the Nordic and Germanic polytheisms, but it is no where the closest or most related. I see this mostly in imagery and how people conceptualize the deities. Thor and Perun are not two sides of the same coin, sure they might have similarities being both derived from an Indo-European source, but seeing Perun as a Slavic Thor is very much bad academia. Slavic polytheism and folklore has a whole load of connections to ancient Iranian polytheism. I would even venture to say that Slavic polytheism is a very interesting blend of Baltic and Iranian mythologies and folklores. This is not to say it is one and the same, but when looking into comparative studies these will offer the richest and most accurate comparisons.
We need to stop seeing Slavic polytheism in terms of Christianity and other institutionalized/state religions (Like Greek or Roman polytheism). Knyaz Volodymyr attempted to institutionalize the Slavic pantheon and failed, converting the people to Orthodoxy only a couple years after this attempt. His pantheon was not universal to Slavs. It pulled from various Slavic tribes and non-Slavic tribes and therefore is perhaps more representative of the elite’s conceptualization of the deities, and not of the common people.
Attempting to reconstruct the Slavic religion without recognizing ancestor veneration is impossible. This is the backbone of the entire religion. The deities were seen as the first ancestors, not like in Greek polytheism where the Gods are a different “species”, for a lack of a better term. We see this reflected in folklore about the Saints being the people’s ancestors, or naming the Moon as an ancestor.
(This concern is more pointed towards people who wish to worship the slavic gods: You can not worship Perun or Veles or Mokosh, etc. without worshiping ancestors. I mean you can, but you aren’t reconstructing the slavic faith, but rather implanting Perun into a, dare I say, New Age/Wiccan(?) structure/conceptualization of paganism.)
People need to start changing how they conceptualize the Slavic pantheon not as a rigid religion controlled by a state, like Greek or Roman polytheism, but rather look into folk religions like Vodou, and rely more on Folklore then on sources writing about the Slavic pre-christian faith through a Christian lens. Of course these few and far between sources can point us in a direction, but when reconstructing the “theology” of the Slavic faith it gives us close to nothing. What I mean is, these sources do not offer anything in terms of how the pre-christian slavs conceptualized the the cosmos, spirits and their gods.
I’m not even going to touch the embarrassing amount of fake gods propagated in academia and on tumblr. I tried making a post about this and failed because i didn’t even know where to start. And many gods are just mislabeled rather than being outright forgeries (I’m looking at you Svarog and Stribog). But please don’t say that every holiday name (Koliada, Kupala, etc.) are gods… and stop with Bilobog and Chernobog… I can’t take it anymore (sarcasm, I will fight you to my grave and then some more in the afterlife).
These ideas and theories are of course are based of my own research, and these ideas will continue to shift as more knowledge is brought to light. Also do not take this as gospel, this is mostly ramblings. When the Gods and ancestors allow it, I want to support these claims with sources so people can read them and decide for themselves. Would love for people to submit their own evidence and theories and claims, so we can have a discussion about the faith that means so much to us.
"Найбільш яскраво межова семантика виявляється у віруваннях, приурочених до трьох безмісячних, «пустих», днів. У координатах місячного часу межею називають фазу Місяця, яка передує його народженню, так називають і відповідний час (на межі, переміна, перекрій, чернець). Вірять, що той, хто народився на межі фаз Місяця, не буде мати дітей. У безмісячні дні не сватались і не справляли весілля, вважаючи цей час несприятливим для подальшого подружнього життя. З межовою семантикою таких днів пов’язане вірування в місяшників – трансвеститів, у яких перемежовується жіноча й чоловіча самоідентифікація: «Се такий мущинина, що він раз жинка, а раз чоловік. Місьишники ходьи ув дню у мущинскім убраню. Домашні знати можут за се, хто у них місьишник, більше ніхто. Він може бути годину, дві, днину або ½ місьицьи жинков; се находит єго при зміні місьицьи»
- Фольклорна семантика фаз місяця в часовому коді традиційної культури східних слов'ян, О.Ю. Чебанюк
"The semantic association with liminality is expressed the most vividly in beliefs about the three moonless, "empty" days. Among the coordinates of lunar time the edge is the phase that preceds its birth, the appropriate time is called likewise (on the edge, the change, the cut, chernets). It is believed that those born between moon phases shall remain childless. People would not get engaged or married on the dark moon, as this time was believed to be inauspicious for married life. The liminal association is tied to the belief in misiachnyks - transvestites whose male and female self-identification is interchanged: "It is the kind of man, that he is at some times a man, and some a woman. Misiachnyks walk in a male dress during the day. The family might know which one is misiachnyk among them, but nobody else. He may be a woman an hour, two, a day, or half a month; this happens to him with changes of the moon".
- Folkloric Semantics of Moon Phases in the Time Code of the Traditional Culture of Eastern Slavs, O.Ju. Chebaniuk
Not an anon, but still curious: what are your thoughts on braids and binding one's hair, particularly in the context of Ukrainian folklore? What is its use and meaning? I believe we have discussed this before but it has been on my mind lately, so I would be interested in any thoughts you might have.
There is, of course, the practical part to it - in a historically largely farming area, it makes sense to put your hair away from your face. And thus a long, thick, preferably black braid becomes an indicator of someone’s well-being and an important part of the folk beauty ideal, alongside dark, arched eyebrows, red cheeks, and a strong yet slender figure. It also signifies a woman’s neatness and modesty. In Ukrainian, when someone is described as простоволоса, it not only speaks of their unbound hair, but also implies, in the best case scenario, the individual’s distress or mental illness, or their existence outside of society and its norms, often through strange or immoral behaviour. In that sense a braid is as much of a mark of civilisation as a belt is.
The perspective on hair can be traced not only through a belief that is straightforwardly about it, but also through rituals and superstition that involve it. We see the obligation for married women to put their hair up and thoroughly cover it, otherwise she may be the cause of illness and misfortune upon her household or even entire village - it would have been easy to dismiss it as a mechanism of societal control, if unbound hair was not featured in rituals with a clear magical purpose, or during childbirth, with aim being to help the newborn pass through into this world, to untie everything that may hold it back. Hair becomes, pardon my unintentional pun, thoroughly entangled with the notion of a life path, of experience and personal, even magical power.
We see a similar sentiment in certain marriage rituals, in which the bride’s hair is braided into one strand and even cut off. The former was more common in the past: the hair is let down the morning of the wedding, and into it braided coins or items symbolising protection and prosperity. It after can be cut off to regrow in the marriage, by her older brother or the husband, and the woman’s head is immediately after covered never to be shown bare to anyone outside of her immediate household. That is the moment she becomes a wife. In the modern day, the ritual, still widely practiced in West Ukraine, usually looks like putting some money into the bride’s hairstyle or, more traditionally, a single braid, and letting a younger brother comb it out before putting a bridal veil on.
Magically, hair can be used to represent an individual for potentially malicious spells, and it is believed that if a bird takes the hairs someone loses to build a nest, they shall suffer from headaches.
And so, hair put up traditionally shows personal decency and reproductive and societal role, the hairstyle serves a protective function for a part that signifies someone’s life, power, and the very person - but also, even though it is not so frequently talked about, it serves to divide time and space. It is acceptable not to cover your (still braided once the person leaves childhood) hair when unmarried, and so it separates single and paired life. It is acceptable not to be covered in the presence of your husband, and so it separates home and intimacy from the outdoors and more practical relationships. It is acceptable to let your hair loose for a ritual, often performed at night in solitude or in the company of other women, and so it separates a magical action from a mundane one.
The principle is expressed in my own practice, even though I shall be the first to admit not to have given it that much thought: I myself cover my head for formal prayer, put my hair up when I expect to be in front of strangers, and last I cut it was very much in the first couple of weeks of speaking to my beloved. I am starting to suspect ancestors were involved in the last decision. Dead people, I swear.
Mavka
Day 5 of Annie Week on Twitter: Mythology In Ukrainian mythology, the mavka is a forest spirit, close to a mermaid, in the form of a beautiful naked girl or girls dressed in a long white shirt with green hair and pale skin, plant crown with plants as a fern (also magical plant in Ukr mythology). According to folk beliefs, the souls of drowned women turn into mavka. They also live not only in the forest but close to rivers, lakes, etc. The tales of mavka are popular in the West of Ukraine, Carpathians, Podilla, and Galicia regions. Each region of Ukraine has a unique embroidery style and the embroidery is used in traditional clothes in Ukraine. Patters are used primarily on the shirts and we call it "vyshyvanka"/"vyshyta sorochka" which is literally translated as "embroidery shirt". The pattern I used here is a mix of patterns from Galicia region. Each shirt is like a separate work of art.
"A Ukrainian ceremony in which an egg was used to cure fever has been documented. A Babka rolled an egg over a patients body and then broke it into water. The cure was said to be guaranteed if the healer was able to discern the cause of a fear by interpreting the egg-white formations (Podolinskii 1879, 186). In other descriptions, an egg was rolled over an inflicted person and thrown to dogs to eat (Chubinskii 1872, 42, 131)."
The Word And Wax: A Medical Folk Ritual Among Ukrainians in Alberta by Rena Jeanne Hanchuk
“Don’t look up at the heavens—there is no bread there. As you get closer to Earth, you get closer to bread”
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