Fun Things To Add To A Fight Scene (hand To Hand Edition)

Showing 'Excitement' in Writing

Eyes sparkling with anticipation.

Bouncing on the balls of their feet.

Clapping hands together in delight.

Speaking in a high-pitched, rapid tone.

Grinning from ear to ear.

Jumping up and down with joy.

Hugging others spontaneously.

Cheeks flushed with enthusiasm.

Widening eyes and raised eyebrows.

Waving hands animatedly while talking.

Giggling or laughing uncontrollably.

Unable to sit still, shifting in their seat.

Heart racing with exhilaration.

Feet tapping or legs jiggling.

Practically vibrating with energy.

Exclaiming, "I can't believe it!" repeatedly.

Reaching out to touch or grab someone’s hand.

Dancing or spinning around.

Clutching their chest as if to contain the excitement.

Practicing or rehearsing what they’ll say or do.

If you’re a writer, stop scrolling, and read this!!

I refuse to let anyone give up writing because they get discouraged. Be it because their story doesn't get enough notes, or because they think they're no good. Because that's completely up to perception. I look at my writing and think, "that's not too great." Especially when I compare it to certain others’, honestly. But that just tells me that I need to strive to be better. I need to strive to improve my writing style.

For those of you reading this that are thinking about quitting writing:

Don't!! Trust me, shit happens. I cannot tell you how many times I've lost things I was writing because of bullshit. Be it computer crashes, hardware glitches that destroyed all my files, or the entire fucking document becoming corrupt for no damn reason. 

Honestly?I've probably lost years of work in total due to bullshit. And yeah, it was discouraging! Sometimes, it made me take entire breaks from writing, ultimately leading to me losing interest in the project because I lost interest in the fandom. But in the end, I always came back to writing. And you know what I find? What I write the second time is sometimes better that the first. 

Once I rewrote something entirely because the file got corrupted. Well, I managed to restore the data, and reread it. I'll admit that there were some aspects that I forgot to put back in, but ultimately, I decided that the second writing was written better, had better word choice, and better story flow.

The worst thing you can ever do to yourself is write for numbers of notes.

You should write for your audience, yes, but you shouldn’t write something because people like it. Write because it’s fun! Write in order to improve! Writing is one of those things that always, always, always improves the more you do it, even if you're just rewriting the same thing.

But if you’re writing something that is uninspiring to you, it’s bound to come out lackluster to you, the creator, even if it doesn’t come off that way to your audience.

And if something doesn’t get too many notes, don’t get discouraged! Keep on writing! Write because it’s fun, not because it’s expected. Unless of course you have a school project, but I’m talking about fictional writing here.

Don’t let unfortunate circumstances or a measly four notes on your chapter discourage you from writing what you want. Because you will always improve your works! Make yourself better! Make that image in your brain better. Sometimes an artist must step away from the canvas to find more colors for their painting.

---

Words to replace said, except this actually helps

I got pretty fed up with looking for words to replace said because they weren’t sorted in a way I could easily use/find them for the right time. So I did some myself.

IN RESPONSE TO Acknowledged Answered Protested

INPUT/JOIN CONVERSATION/ASK Added Implored Inquired Insisted Proposed Queried Questioned Recommended Testified

GUILTY/RELUCTANCE/SORRY Admitted Apologized Conceded Confessed Professed

FOR SOMEONE ELSE Advised Criticized Suggested

JUST CHECKING Affirmed Agreed Alleged Confirmed

LOUD Announced Chanted Crowed

LEWD/CUTE/SECRET SPY FEEL Appealed Disclosed Moaned

ANGRY FUCK OFF MATE WANNA FIGHT Argued Barked Challenged Cursed Fumed Growled Hissed Roared Swore

SMARTASS Articulated Asserted Assured Avowed Claimed Commanded Cross-examined Demanded Digressed Directed Foretold Instructed Interrupted Predicted Proclaimed Quoted Theorized

ASSHOLE Bellowed Boasted Bragged

NERVOUS TRAINWRECK Babbled Bawled Mumbled Sputtered Stammered Stuttered

SUAVE MOTHERFUCKER Bargained Divulged Disclosed Exhorted

FIRST OFF Began

LASTLY Concluded Concurred

WEAK PUSY Begged Blurted Complained Cried Faltered Fretted

HAPPY/LOL Cajoled Exclaimed Gushed Jested Joked Laughed

WEIRDLY HAPPY/EXCITED Extolled Jabbered Raved

BRUH, CHILL Cautioned Warned

ACTUALLY, YOU’RE WRONG Chided Contended Corrected Countered Debated Elaborated Objected Ranted Retorted

CHILL SAVAGE Commented Continued Observed Surmised

LISTEN BUDDY Enunciated Explained Elaborated Hinted Implied Lectured Reiterated Recited Reminded Stressed

BRUH I NEED U AND U NEED ME Confided Offered Urged

FINE Consented Decided

TOO EMO FULL OF EMOTIONS Croaked Lamented Pledged Sobbed Sympathized Wailed Whimpered

JUST SAYING Declared Decreed Mentioned Noted Pointed out Postulated Speculated Stated Told Vouched

WASN’T ME Denied Lied

EVIL SMARTASS Dictated Equivocated Ordered Reprimanded Threatened

BORED Droned Sighed

SHHHH IT’S QUIET TIME Echoed Mumbled Murmured Muttered Uttered Whispered

DRAMA QUEEN Exaggerated Panted Pleaded Prayed Preached

OH SHIT Gasped Marveled Screamed Screeched Shouted Shrieked Yelped Yelled

ANNOYED Grumbled Grunted Jeered Quipped Scolded Snapped Snarled Sneered

ANNOYING Nagged

I DON’T REALLY CARE BUT WHATEVER Guessed Ventured

I’M DRUNK OR JUST BEING WEIRDLY EXPRESSIVE FOR A POINT/SARCASM Hooted Howled Yowled

I WONDER Pondered Voiced Wondered

OH, YEAH, WHOOPS Recalled Recited Remembered

SURPRISE BITCH Revealed

IT SEEMS FAKE BUT OKAY/HA ACTUALLY FUNNY BUT I DON’T WANT TO LAUGH OUT LOUD Scoffed Snickered Snorted

BITCHY Tattled Taunted Teased

Advanced Synonyms for Your Novel

Cold - frigid, icy, chilling

Hot - sweltering, scorching, torrid

Small - minute, diminutive, petite

Big - vast, colossal, gargantuan

Smart - intelligent, astute, savvy

Dumb - obtuse, vacuous, dim-witted

Fast - swift, rapid, fleet

Slow - sluggish, lethargic, dilatory

Old - ancient, decrepit, venerable

Young - youthful, juvenile, fledgling

Good - excellent, superb, stellar

Bad - dreadful, atrocious, abysmal

Strong - robust, sturdy, formidable

Weak - feeble, frail, flimsy

Funny - humorous, witty, comical

Showing 'Anticipation' in Writing

Fingers tapping rhythmically on a surface.

Shifting weight from one foot to the other.

Checking the time frequently.

Eyes darting to the door or window expectantly.

Taking deep, excited breaths.

Biting the lower lip in nervous excitement.

Rubbing hands together eagerly.

Whispering, “I can’t wait” to themselves or others.

Fidgeting with objects, like twisting a ring or playing with a pen.

Heart pounding with eagerness.

Perking up at any noise that might signal the anticipated event.

Smiling slightly, as if imagining the future moment.

Knees bouncing up and down while seated.

Glancing at their phone or watch repeatedly.

Clutching a piece of clothing or accessory tightly.

Standing on tiptoe to get a better view.

Ears straining to catch any sound.

Swallowing nervously, throat dry with excitement.

Humming or softly singing to pass the time.

Practicing a speech or action they are looking forward to.

Writing a Relationship Your Readers Will Ship

Relationships, especially in beginner writer’s works, have a tendency to feel forced. Even in some popular and famous works of fiction, the relationship doesn’t feel natural. It seems like a boring afterthought which the writer added in at the last minute. Far too often, I find myself completely indifferent to a character’s romantic life. A good romance in a story will give the reader a bit of second-hand infatuation. They’ll root for the relationship, beg for it. If the romance is well written, you can make a reader smile and blush just by reading a few sentences. When done properly, it can even compensate for a weak and cliché plot.

But first, decide whether the romance is needed. If you’re adding a character to the plot simply for the sake of being a love interest, it’s probably not a needed romance. You can still add it, of course, but it will be much harder to keep your story focused on the central plot.

Step One Make sure the characters have chemistry.

The characters should compliment each other’s personalities. If he’s loud, stubborn, and aggressively opinionated, a more tranquil and soft-spoken love interest would suit him well. Two headstrong people wouldn’t be likely to have a lasting relationship in real life, unless they (impossibly) agreed upon every subject. But, there should be some similarities. While opposites do attract, polar opposites will not and the whole relationship will feel forced. The characters should have something in common. It could be morals, a parallel backstory, the same motivations, whatever. As long as there’s a reason for them to be drawn to each other, there’s potential.

Step Two Slow burn ships are fantastic.

Don’t make your characters fall in love right off the bat. There can be attraction, of course, but genuine feelings of true love don’t happen instantly. Your characters should become closer as people, feel at ease around each other, and truly know the other before they fall head-over-heels. The readers will crave the relationship far more, like dangling a treat right in front of a dog’s nose, but keep pulling it away. Teasing is a beautiful thing.

Find ways of showing (NOT TELLING) the characters are falling for each other. Have them stand up for one another, be protective. Have them break their own normal routine for the other. For example, a callous, guarded character could lower their walls for a moment if their love interest needs emotional support. These scenes can be awkward for the character changing their typical behavior and that discomfort can demonstrate how much they care for the other, altering their own selves for the other’s benefit.

Howeve, make sure that you combine these cute emotional moments with distance. Make the characters deny their true feelings or even distance themselves from their love interest upon discovering their feelings. The more the characters long for each other, the more the reader will long for them to be together. Build barriers between them for your characters to have to work to knock down. Keep them close, but maintain that distance until the moment is right.

Step Three “_____” translates to “I love you”

The first example of I think of when I think of this is The Princess Bride, where the male protagonist tells his soulmate “as you wish” when he really means “I love you.”

This falls under the category of show, don’t tell. Hearing a character say “I love you” has become so boring. Unless it’s done in a surprising confession or unique way, it’s boring and stale.

Come up with a phrase that you can repeat in moments throughout the story until it has a meaning of love for the characters and both know exactly what the other means when it’s spoken.

Step Four Taking a break can help create tension.

You know you loved someone if you leave them and feel awful. Apply this into the writing. Your characters can break up, then get back together in a joyous reunion.

Step Five Not every couple has a happy ending.

Sometimes, things don’t always work out for different reasons. An ending that leaves readers craving more can be a good move.

This is an ultimate masterlist of many resources that could be helpful for writers. I apologize in advance for any not working links. Check out the ultimate writing resource masterlist here (x) and my “novel” tag here (x).

✑ PLANNING

Outlining & Organizing

For the Architects: The Planning Process

Rough Drafts

How do you plan a novel?

Plot Development: Climax, Resolution, and Your Main Character

Plotting and Planing

I Have An Idea for a Novel! Now What?

Choosing the Best Outline Method

How to Write a Novel: The Snowflake Method

Effectively Outlining Your Plot

Conflict and Character within Story Structure

Outlining Your Plot

Ideas, Plots & Using the Premise Sheets

✑ INSPIRATION

Finding story ideas

Choosing ideas and endings

When a plot isn’t strong enough to make a whole story

Writing a story that’s doomed to suck

How to Finish What You Start: A Five-Step Plan for Writers

Finishing Your Novel

Finish Your Novel

How to Finish Your Novel when You Want to Quit

How To Push Past The Bullshit And Write That Goddamn Novel: A Very Simple No-Fuckery Writing Plan

✑ PLOT

In General

25 Turns, Pivots and Twists to Complicate Your Story

The ABCs (and Ds and Es) of Plot Development

Originality Is Overrated

How to Create a Plot Outline in Eight Easy Steps

Finding Plot: Idea Nets

The Story Goal: Your Key to Creating a Solid Plot Structure

Make your reader root for your main character

Creating Conflict and Sustaining Suspense

Tips for Creating a Compelling Plot

The Thirty-six (plus one) Dramatic Situations

Adding Subplots to a Novel

Weaving Subplots into a Novel

7 Ways to Add Subplots to Your Novel

Crafting a Successful Romance Subplot

How to Improve your Writing: Subplots and Subtext

Understanding the Role of Subplots

How to Use Subtext in your Writing

The Secret Life of Subtext

How to Use Subtext

Beginning

Creating a Process: Getting Your Ideas onto Paper (And into a Story)

Why First Chapters?

Starting with a Bang

In the Beginning

The Beginning of your Novel that isn’t the Beginning of your Novel

A Beginning from the Middle

Starting with a Bang

First Chapters: What To Include @ The Beginning Writer

23 Clichés to Avoid When Beginning Your Story

Start Writing Now

Done Planning. What Now?

Continuing Your Long-Format Story

How to Start a Novel 

100 best first lines from novels

The First Sentence of a Book Report

How To Write A Killer First Sentence To Open Your Book

How to Write the First Sentence of a Book

The Most Important Sentence: How to Write a Killer Opening

Hook Your Reader from the First Sentence: How to Write Great Beginnings

Foreshadowing

Foreshadowing and the Red Hering

Narrative Elements: Foreshadowing

Foreshadowing and Suspense

Foreshadowing Key Details

Writing Fiction: Foreshadowing

The Literary Device of Foreshadowing

All About Foreshadowing in Fiction

Foreshadowing

Flashbacks and Foreshadowing

Foreshadowing — How and Why to Use It In Your Writing

Setting

Four Ways to Bring Settings to Life

Write a Setting for a Book

Writing Dynamic Settings

How To Make Your Setting a Character

Guide for Setting

5 Tips for Writing Better Settings

Building a Novel’s Setting

Ending

A Novel Ending

How to End Your Novel

How to End Your Novel 2

How to End a Novel With a Punch

How to End a Novel

How to Finish a Novel

How to Write The Ending of Your Novel

Keys to Great Endings

3 Things That End A Story Well

Ending a Novel: Five Things to Avoid

Endings that Ruin Your Novel

Closing Time: The Ending

✑ CHARACTER

Names

Behind the Name

Surname Meanings and Origins

Surname Meanings and Origins - A Free Dictionary of Surnames

Common US Surnames & Their Meanings

Last Name Meanings & Origins

Name Generators

Name Playground

Different Types of Characters

Ways To Describe a Personality

Character Traits Meme

Types of Characters

Types of Characters in Fiction

Seven Common Character Types

Six Types of Courageous Characters

Creating Fictional Characters (Masterlist)

Building Fictional Characters

Fiction Writer’s Character Chart

Character Building Workshop

Tips for Characterization

Fiction Writer’s Character Chart

Advantages, Disadvantages and Skills 

Males

Strong Male Characters

The History and Nature of Man Friendships

Friendship for Guys (No Tears!)

‘I Love You, Man’ and the rules of male friendship

Male Friendship

Understanding Male Friendship

Straight male friendship, now with more cuddling

Character Development

P.O.V. And Background

Writing a Character: Questionnaire

10 Days of Character Building

Getting to Know Your Characters

Character Development Exercises

✑ STYLE

Chapters

How Many Chapters is the Right Amount of Chapters?

The Arbitrary Nature of the Chapter

How Long is a Chapter?

How Long Should Novel Chapters Be?

Chapter & Novel Lengths 

Section vs. Scene Breaks

Dialogue 

The Passion of Dialogue

25 Things You Should Know About Dialogue

Dialogue Writing Tips

Punctuation Dialogue

How to Write Believable Dialogue

Writing Dialogue: The Music of Speech

Writing Scenes with Many Characters

It’s Not What They Say …

Top 10 Tips for Writing Dialogue

Speaking of Dialogue

Dialogue Tips

Interrupted Dialogue

Two Tips for Interrupted Dialogue

Show, Don’t Tell (Description)

“Tell” Makes a Great Placeholder

The Literary Merit of the Grilled Cheese Sandwich

Bad Creative Writing Advice

The Ultimate Guide to Writing Better Than You Normally Do

DailyWritingTips: Show, Don’t Tell

GrammarGirl: Show, Don’t Tell

Writing Style: What Is It?

Detail Enhances Your Fiction

Using Sensory Details

Description in Fiction

Using Concrete Detail

Depth Through Perception

Showing Emotions & Feelings

Character Description

Describing Your Characters (by inkfish7 on DeviantArt)

Help with Character Development

Creating Characters that Jump Off the Page

Omitting Character Description

Introducing Your Character(s): DON’T

Character Crafting

Writer’s Relief Blog: “Character Development In Stories And Novels”

Article: How Do You Think Up Your Characters?

5 Character Points You May Be Ignoring

List of colors, hair types and hairstyles

List of words to use in a character’s description 

200 words to describe hair

How to describe hair

Words used to describe the state of people’s hair

How to describe your haircut

Hair color sharts

Four Ways to Reveal Backstory

Words Used to Describe Clothes

Flashbacks

Using Flashbacks in Writing

Flashbacks by All Write

Using Flashback in Fiction

Fatal Backstory

Flashbacks as opening gambit

Don’t Begin at the Beginning

Flashbacks in Books

TVTropes: Flashback

Objects in the Mirror Are Closer Than They Appear: Flashback Techniques in Fiction

3 Tips for Writing Successful Flashbacks

The 5 Rules of Writing Effective Flashbacks

How to Handle Flashbacks In Writing

Flashbacks and Foreshadowing

Reddit Forum: Is a flashback in the first chapter a good idea?

Forum Discussing Flackbacks

P.O.V

You, Me, and XE - Points of View

What’s Your Point of View?

Establishing the Right Point of View: How to Avoid “Stepping Out of Character”

How to Start Writing in the Third Person

The Opposite Gender P.O.V.

LANGUAGE

 How To Say Said

200 Words Instead of Said

Words to Use Instead of Said

A List of Words to Use Instead of Said

Alternatives to “Walk”

60 Synonyms for “Walk”

✑ USEFUL WEBSITES/LINKS

Grammar Monster

Google Scholar

GodChecker

Tip Of My Tounge

Speech Tags

Pixar Story Rules

Written? Kitten!

TED Talks

DarkCopy

Family Echo

Some Words About Word Count

How Long Should My Novel Be?

The Universal Mary Sue Litmus Test

Writer’s “Cheat Sheets”

Last but not least, the most helpful tool for any writer out there is Google!

I made these as a way to compile all the geographical vocabulary that I thought was useful and interesting for writers. Some descriptors share categories, and some are simplified, but for the most part everything is in its proper place. Not all the words are as useable as others, and some might take tricky wording to pull off, but I hope these prove useful to all you writers out there!

(save the images to zoom in on the pics)

A list of moral questions to developing a villainous character

Is mercy a sign of weakness in your eyes?

What is your primary motivation or value that drives your actions?

Are there any principles you refuse to compromise on, even in your pursuit of power?

Do you believe lying is justified if it serves your goals?

How do you manipulate others to achieve your ends?

Would you betray an ally to further your plans?

Do you believe in justice, or do you see it as a tool to manipulate others?

Would you sacrifice yourself for a cause or ambition?

Would you destroy something beautiful or innocent to achieve your goals?

If you had to choose between your ambition and the life of someone you care about, what would you do?

Do you feel any responsibility towards society, or do you act solely for your gain?

How do you justify your actions to yourself and others?

Can you forgive someone who has wronged you, or do you seek revenge?

How long do you hold grudges, and what actions might provoke them?

Do you respect any form of authority, or do you see yourself as the ultimate power?

These questions can help you delve into the psyche of your villain.

How to avoid White Room Syndrome

by Writerthreads on Instagram

A common problem writers face is "white room syndrome"—when scenes feel like they’re happening in an empty white room. To avoid this, it's important to describe settings in a way that makes them feel real and alive, without overloading readers with too much detail. Here are a few tips below to help!

Focus on a few key details

You don’t need to describe everything in the scene—just pick a couple of specific, memorable details to bring the setting to life. Maybe it’s the creaky floorboards in an old house, the musty smell of a forgotten attic, or the soft hum of a refrigerator in a small kitchen. These little details help anchor the scene and give readers something to picture, without dragging the action with heaps of descriptions.

Engage the senses

Instead of just focusing on what characters can see, try to incorporate all five senses—what do they hear, smell, feel, or even taste? Describe the smell of fresh bread from a nearby bakery, or the damp chill of a foggy morning. This adds a lot of depth and make the location feel more real and imaginable.

Mix descriptions with actions

Have characters interact with the environment. How do your characters move through the space? Are they brushing their hands over a dusty bookshelf, shuffling through fallen leaves, or squeezing through a crowded subway car? Instead of dumping a paragraph of description, mix it in with the action or dialogue.

Use the setting to reflect a mood or theme

Sometimes, the setting can do more than just provide a backdrop—it can reinforce the mood of a scene or even reflect a theme in the story. A stormy night might enhance tension, while a warm, sunny day might highlight a moment of peace. The environment can add an extra layer to what’s happening symbolically.

Here's an example of writing a description that hopefully feels alive and realistic, without dragging the action:

The bookstore was tucked between two brick buildings, its faded sign creaking with every gust of wind. Inside, the air was thick with the scent of worn paper and dust, mingling with the faint aroma of freshly brewed coffee from a corner café down the street. The wooden floorboards groaned as Ella wandered between the shelves, her fingertips brushing the spines of forgotten novels. Somewhere in the back, the soft sound of jazz crackled from an ancient radio.

Hope these tips help in your writing!