The Look Of Love (for Writers)

the look of love (for writers)

"it's all in the eyes i was once told"

catching the stare of someone across a crowded room

subtle furrowing of eyebrows beyond a blank facade

coldness easing into warmth

a fond mothering gaze

corner of the lip nudged upward

forced glower/glare as they break underneath

batting their lashes, playful

a boisterous laugh

intrigue piercing the stoic

proud smugness at the other's success

lingering glances

a childish joy bursting through

pupils dilate

eyelids shut in a look of peace, calm and trust

look of longing/betrayal

"there was once a time when they were mine"

terseness

features fold into a scowl

an urgent flinching back

coldness returns (as though the warmth had never come)

lips part then purse

invasion of shock

slow stare at the floor

the ripple effect of a swallow

frustrated breath/sigh

bitter laugh in reminiscence

dread tearing through the seams of their composure

look of hatred

"darkness"

mean smirk- teeth bared grimace- scowl

dismissive gaze

gaze of contempt/impatience

threat lowering the voice

sardonic goading grins verging on manic

rolling one's eyes

flicker of irritation in the eyes

stares stubbornly ahead despite distraction

gritted teeth, clenched jaw

fierce biting remarks

even measured complexions betraying no thought

strangling oneself back from violence

utter apathy

murderous silence hanging in the stare

snobbish laughter

smiling at another's downfall

More Posts from Writersreferencez and Others

6 years ago

If you’re a writer, stop scrolling, and read this!!

I refuse to let anyone give up writing because they get discouraged. Be it because their story doesn't get enough notes, or because they think they're no good. Because that's completely up to perception. I look at my writing and think, "that's not too great." Especially when I compare it to certain others’, honestly. But that just tells me that I need to strive to be better. I need to strive to improve my writing style.

For those of you reading this that are thinking about quitting writing:

Don't!! Trust me, shit happens. I cannot tell you how many times I've lost things I was writing because of bullshit. Be it computer crashes, hardware glitches that destroyed all my files, or the entire fucking document becoming corrupt for no damn reason. 

Honestly?I've probably lost years of work in total due to bullshit. And yeah, it was discouraging! Sometimes, it made me take entire breaks from writing, ultimately leading to me losing interest in the project because I lost interest in the fandom. But in the end, I always came back to writing. And you know what I find? What I write the second time is sometimes better that the first. 

Once I rewrote something entirely because the file got corrupted. Well, I managed to restore the data, and reread it. I'll admit that there were some aspects that I forgot to put back in, but ultimately, I decided that the second writing was written better, had better word choice, and better story flow.

The worst thing you can ever do to yourself is write for numbers of notes.

You should write for your audience, yes, but you shouldn’t write something because people like it. Write because it’s fun! Write in order to improve! Writing is one of those things that always, always, always improves the more you do it, even if you're just rewriting the same thing.

But if you’re writing something that is uninspiring to you, it’s bound to come out lackluster to you, the creator, even if it doesn’t come off that way to your audience.

And if something doesn’t get too many notes, don’t get discouraged! Keep on writing! Write because it’s fun, not because it’s expected. Unless of course you have a school project, but I’m talking about fictional writing here.

Don’t let unfortunate circumstances or a measly four notes on your chapter discourage you from writing what you want. Because you will always improve your works! Make yourself better! Make that image in your brain better. Sometimes an artist must step away from the canvas to find more colors for their painting.


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5 months ago

A list of moral questions to developing a villainous character

Is mercy a sign of weakness in your eyes?

What is your primary motivation or value that drives your actions?

Are there any principles you refuse to compromise on, even in your pursuit of power?

Do you believe lying is justified if it serves your goals?

How do you manipulate others to achieve your ends?

Would you betray an ally to further your plans?

Do you believe in justice, or do you see it as a tool to manipulate others?

Would you sacrifice yourself for a cause or ambition?

Would you destroy something beautiful or innocent to achieve your goals?

If you had to choose between your ambition and the life of someone you care about, what would you do?

Do you feel any responsibility towards society, or do you act solely for your gain?

How do you justify your actions to yourself and others?

Can you forgive someone who has wronged you, or do you seek revenge?

How long do you hold grudges, and what actions might provoke them?

Do you respect any form of authority, or do you see yourself as the ultimate power?

These questions can help you delve into the psyche of your villain.

6 months ago

Showing 'Love' in Writing

Gazing into each other’s eyes with a soft smile.

Holding hands and gently squeezing.

Brushing a strand of hair behind the ear.

Speaking in a tender, affectionate tone.

Sharing inside jokes and laughing together.

Leaning in close to whisper sweet words.

Giving a lingering, gentle kiss on the forehead.

Wrapping arms around each other in a warm embrace.

Blushing when receiving a compliment.

Touching foreheads and closing eyes.

Smiling uncontrollably when thinking of the other person.

Caressing the cheek or back of the hand.

Playfully teasing each other with a grin.

Preparing a favorite meal or surprise.

Writing heartfelt notes or letters.

Holding each other close while watching a movie.

Taking care of each other when sick or tired.

Sharing dreams and hopes for the future.

Listening attentively and showing genuine interest.

Expressing gratitude for each other’s presence.

7 years ago

Good tips for writing anything, not just role-plays!!

Common grammatical errors and how to correct them!

your vs. you’re

your: belonging to you. For instance “Is this your bag?”

you’re: an abbreviation of you are. For instance “You’re so nice.”

they’re vs. their vs. there

they’re: an abbreviation of they are. For instance “They’re coming this way.”

their: belonging to a group of people or person of unspecified gender. For instance “This is their classroom.”

there: referring to a place. For instance “Will you follow me over there?”

The word “independent” contains no a’s.  Commas can change the whole meaning of a phrase. For instance:                                     Let’s eat grandma!                                                  vs.                                     Let’s eat, grandma! A good rule of thumb for comma usage (although not perfect) is to read the sentence aloud. If you find yourself pausing between words, that’s a good indication a comma should be there.

Capitalization  Proper nouns should be capitalized. This includes names of people, places, and things. However, other nouns will not need it. For instance: you would capitalize “Susan”, ”New York”, and “Eiffel Tower” because those are proper names, but things like “that girl”, “this city”, and “the structure” wouldn’t need it. The first word of a sentence should also be capitalized!

I hope this helps all of you wonderful writers!  Have a lovely day and enjoy your RPing!  <3

7 years ago

Some words to use when writing things:

winking

clenching

pulsing

fluttering

contracting

twitching

sucking

quivering

pulsating

throbbing

beating

thumping

thudding

pounding

humming

palpitate

vibrate

grinding

crushing

hammering

lashing

knocking

driving

thrusting

pushing

force

injecting

filling

dilate

stretching

lingering

expanding

bouncing

reaming

elongate

enlarge

unfolding

yielding

sternly

firmly

tightly 

harshly

thoroughly

consistently

precision

accuracy

carefully

demanding

strictly

restriction

meticulously

scrupulously

rigorously

rim

edge

lip

circle

band

encircling

enclosing

surrounding

piercing

curl

lock

twist

coil

spiral

whorl

dip

wet

soak

madly

wildly

noisily

rowdily

rambunctiously

decadent

degenerate

immoral

indulgent

accept

take

invite

nook

indentation

niche

depression

indent

depress

delay

tossing

writhing

flailing

squirming

rolling

wriggling

wiggling

thrashing

struggling

grappling

striving

straining

6 months ago

Showing 'Anger' in Writing

Clenched fists and knuckles turning white.

Eyes narrowing to slits, brows furrowed.

Jaw muscles tensing visibly.

Speaking through gritted teeth.

Taking deep, sharp breaths.

Pacing back and forth, unable to stay still.

Pointing a finger accusingly.

Voice raising to a shout or a growl.

Kicking or punching nearby objects.

Lips pressed together in a thin line.

Rapid, agitated movements.

Slamming doors or throwing objects.

Standing with arms crossed tightly.

Glaring intensely without blinking.

Face turning red or flushed.

Breathing heavily and erratically.

Snapping at others for minor things.

Shaking with barely contained rage.

Muttering or growling under their breath.

Eyes blazing with fury.

6 years ago
Seven Years After, I See You Again 😚

Seven years after, I see you again 😚

7 years ago

Writing a Relationship Your Readers Will Ship

Relationships, especially in beginner writer’s works, have a tendency to feel forced. Even in some popular and famous works of fiction, the relationship doesn’t feel natural. It seems like a boring afterthought which the writer added in at the last minute. Far too often, I find myself completely indifferent to a character’s romantic life. A good romance in a story will give the reader a bit of second-hand infatuation. They’ll root for the relationship, beg for it. If the romance is well written, you can make a reader smile and blush just by reading a few sentences. When done properly, it can even compensate for a weak and cliché plot.

But first, decide whether the romance is needed. If you’re adding a character to the plot simply for the sake of being a love interest, it’s probably not a needed romance. You can still add it, of course, but it will be much harder to keep your story focused on the central plot.

Step One Make sure the characters have chemistry.

The characters should compliment each other’s personalities. If he’s loud, stubborn, and aggressively opinionated, a more tranquil and soft-spoken love interest would suit him well. Two headstrong people wouldn’t be likely to have a lasting relationship in real life, unless they (impossibly) agreed upon every subject. But, there should be some similarities. While opposites do attract, polar opposites will not and the whole relationship will feel forced. The characters should have something in common. It could be morals, a parallel backstory, the same motivations, whatever. As long as there’s a reason for them to be drawn to each other, there’s potential.

Step Two Slow burn ships are fantastic.

Don’t make your characters fall in love right off the bat. There can be attraction, of course, but genuine feelings of true love don’t happen instantly. Your characters should become closer as people, feel at ease around each other, and truly know the other before they fall head-over-heels. The readers will crave the relationship far more, like dangling a treat right in front of a dog’s nose, but keep pulling it away. Teasing is a beautiful thing.

Find ways of showing (NOT TELLING) the characters are falling for each other. Have them stand up for one another, be protective. Have them break their own normal routine for the other. For example, a callous, guarded character could lower their walls for a moment if their love interest needs emotional support. These scenes can be awkward for the character changing their typical behavior and that discomfort can demonstrate how much they care for the other, altering their own selves for the other’s benefit.

Howeve, make sure that you combine these cute emotional moments with distance. Make the characters deny their true feelings or even distance themselves from their love interest upon discovering their feelings. The more the characters long for each other, the more the reader will long for them to be together. Build barriers between them for your characters to have to work to knock down. Keep them close, but maintain that distance until the moment is right.

Step Three “_____” translates to “I love you”

The first example of I think of when I think of this is The Princess Bride, where the male protagonist tells his soulmate “as you wish” when he really means “I love you.”

This falls under the category of show, don’t tell. Hearing a character say “I love you” has become so boring. Unless it’s done in a surprising confession or unique way, it’s boring and stale.

Come up with a phrase that you can repeat in moments throughout the story until it has a meaning of love for the characters and both know exactly what the other means when it’s spoken.

Step Four Taking a break can help create tension.

You know you loved someone if you leave them and feel awful. Apply this into the writing. Your characters can break up, then get back together in a joyous reunion.

Step Five Not every couple has a happy ending.

Sometimes, things don’t always work out for different reasons. An ending that leaves readers craving more can be a good move.

6 years ago

If you write a strong character, let them fail.

If you write a selfless hero, let them get mad at people.

If you write a cold-heated villain, let them cry.

If you write a brokenhearted victim, let them smile again.

If you write a bold leader, let them seek guidance.

If you write a confident genius, let them be wrong, or get stumped once in a while.

If you write a fighter or a warrior, let them lose a battle, but let them win the war.

If you write a character who loses everything, let them find something.

If you write a reluctant hero, give them a reason to join the fight.

If you write a gentle-hearted character who never stops smiling, let that smile fade and tears fall in shadows.

If you write a no one, make them a someone.

If you write a sibling, let them fight and bicker, but know that at the end of the day they’ll always have each other’s back.

If you write a character, make them more than just a character; give them depth, give them flaws and secrets, and give them life.

6 months ago

Inner Conflict Prompts

Have a character wrestle with guilt over a past mistake.

Introduce a scenario where a character must choose between two equally important things.

Show a character struggling with their own identity or sense of self.

Have a character battle their own fears or phobias.

Introduce a moral dilemma that challenges the character’s values.

Show a character torn between loyalty to their friends and their personal ambitions.

Reveal a character’s internal struggle with jealousy or envy.

Have a character grapple with feelings of inadequacy or imposter syndrome.

Show a character dealing with the aftermath of a traumatic event.

Have a character question their own sanity or reality.

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writersreferencez - The Write Idea!
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