35 posts
a child’s disclosure
i took notes around the corner
from the chainsaw’s roar,
while the lock was wrenched off
by its teeth.
and i wrote about the fear,
and the tears,
and the injustice of it all.
no safe space to call—
not home,
not him.
i watched puffy eyes,
matted hair,
tremors—
and i thought and thought.
but all i could do was take notes
around the corner
from the chainsaw’s roar,
while the lock was wrenched off
by its teeth.
the thing is that childhood doesn't just end when you turn 18 or when you turn 21. it's going to end dozens of times over. your childhood pet will die. actors you loved in movies you watched as a kid will die. your grandparents will die, and then your parents will die. it's going to end dozens and dozens of times and all you can do is let it. all you can do is stand in the middle of the grocery store and stare at freezers full of microwave pizza because you've suddenly been seized by the memory of what it felt like to have a pizza party on the last day of school before summer break. which is another ending in and of itself
i woke up at 4am to my cat throwing up beside me in bed. guess this is what married life looks like 😔
sometimes i’m not put together. sometimes i’m not pretty. sometimes my words drip with the crudeness of bukowski and the bite of the primal woman beneath them. sometimes i’m broken and wheezing, or just hollow. as a poet, i won’t hide it. my writing follows me wherever i go. stoned, on a come down, in the thick of the healing and of the pain. i’m not palatable, no matter how you look at it. and that’s just too damn bad.
there’s an echoing in my bones telling me to
leave this place
and not return.
i can’t decide if it’s fear or fire.
my jaw clenches
and my teeth grit
and i can’t seem to stop the rope
from slipping, fraying.
my tether is escaping me
and is it fear or fire?
i need to know
before i decide.
do i leave this place?
this purpose and pay check?
do i slink away like a fox
in the night?
where’s the rope?
hello?
where’s the light?
hello?
can you hear me?
how could i kill the weeds
when i watch the bees frolick
among them?
Joy Sullivan, from “Move to Oregon in July”, Instructions for Traveling West
i relapsed.
i smoked 🍃 for the first time since november of 2024.
everything got too much; the world swallowing me whole; my gut emptying to hollow; my heart beating frantically at the trapping of a vice.
so i succumbed to the relief. erased months of perseverance, strength, growth.
at least now I’ve got more to write about.
- the dangers of romanticising pain as a poet
she’s a faint star in a cluster;
your eyes need time to adjust to the dark
before you can spot her.
but then, you can’t miss her.
you’ll map her coordinates
and check in every night,
watch her rise and fall
throughout the seasons
and twinkle beyond wisps of cloud.
she’ll be one in millions, billions, trillions?
but she’ll be yours.
plopped into cool water, my manus flattens against the stone below as a bowl upturns like a dome above.
my marble eyes ring with the warning of moonlight, my skin glistens, slick with sage-
i peer at my greenhouse, pads reaching to press the convex glass, curiosity caressing my face-
but comfort follows me beneath the water, serenity tying me back to stone.
then steam clouds the cage; lids close off sight, then sound- suddenly, silenced, i muster one last croak. poetrycommunity
death by comfort // the boiling frog
I don’t want to be the next Rupi Kaur or Trista Mateer. I want to be the first Lila Kane.
places i vape:
in public bathrooms
in airport corners
under my desk at work
beneath my hoodie
on mountaintops
on backyard chairs;
in my sleep, in my waking, in my dreams. beneath the clouds and the shadows. on the horizon and the stars and my aching soul.
(addiction presents as poetry, just ask bukowski)
to live without art is to live without breath.
my heart lurches into my throat and lodges at the back like a jagged-edge stone. my lungs sprout wings and fly away.
the aching of their absence in my chest is heavy, despite my rib cage housing hollow. my skin jumps and begs to rip free.
i wake, and it is not a dream. my body is running from me, yet my mind will not free itself- it delights in it's cranial prison.
i wake, and your body is still rotting 6 feet under, your heart and lungs and skin and mind no more- but i cannot gift mine.
i don’t care if it’s cliché to love the dead poet’s society. it’s a brilliant story and if loving it is wrong, i’ll never be right.
🥰🥰😭😭 this is so damn sweet
paused mid breakdown after THAT scene from TLOU season 2 to document the psychic and physical damage that WILL inspire my next piece. ache in the back of my throat still hasn’t subsided. i pray for every poor soul who never saw it coming, or knew it was. a tragic, haunting, brawling masterpiece that will BE 2020s television legacy.
defines you? no.
shapes you? moulds you? becomes you? yes.
our identity is malleable as fuck. our experiences warp it day in and out. the good and the bad.
and this is not to invalidate you: your traumas are real, stifling, and the consequences echo.
but never forget they’re not what’s written under “you” in the dictionary.
they’re just littered throughout your wiki.
“your trauma doesn’t define you” no actually it does. it dictates every aspect of my shitty life.
Joy Sullivan, “Want", Instructions for Traveling West
Write like a song. Or write like somebody else. Write about anything so long as it’s not yourself, and don’t worry, because it’ll still be about you. It all came from you, the potter who could never completely buff away her fingerprints from the clay. Write vaguely, don’t show your hand.
But you do not want to do anything anymore. You want to lie in bed and watch the crane spin around the skyscraper outside your apartment, until its lights turn off and it rests for the night. You wonder if you were perhaps not built for love. You joke that you’re stupid, but the joke isn’t funny anymore when you tell it to yourself ten times a day. You are no longer funny, you have become Pierrot, a foolish fool.
You passed a man with his shoe untied walking to his car downtown. You almost told him the news about his laces, but you imagined he’d feel dismayed so you let him pass you by. You want to stick in people’s memories the way they do in yours, but you don’t know how. Maybe next time you walk down the street you’ll untie your shoe and imagine that somebody noticed.
“I arise in the morning torn between a desire to improve (or save) the world and a desire to enjoy (or savor) the world. This makes it hard to plan the day.”
— E.B. White
i was going through boxes of books and old clothes when i found the scarf you lent me.
we were going to the football and it was cold and i didn’t bring a jacket, so you lent me your scarf- your favourite team scarf.
how is it possible for a scarf to claw its way into my chest and stop my heart from beating? it’s not? well, it’s happening. it’s possible.
i almost forgot what it was like to be 16, and to love my best friend with my whole heart- my best friend who secretly loved me a little too much;
i almost forgot what it was like at 18 to kiss you in the dead of night and dismiss you in the morning;
i almost forgot how entwined we once were, how many libraries i could fill with every story and aching that passed between us.
staring at your scarf, now dusted by 10 years, i can’t think of anything else.
Emily Dickinson, from her poem titled "1188," featured in The Emergency Poet
the rules of mess, by lila kane
1. there must be no fewer than six items crowding your coffee table. at least two must be either:
a) an open packet
b) a hand cream or lip balm
c) any writing utensil
d) your phone, keys, or wallet
2. all laundry baskets must return to their natural state of overflow within ten business days of being emptied.
3. rubbish bins may only be emptied once no amount of tamping down will allow the lid to close.
4. forgotten miscellaneous items must collect themselves beneath beds, sofas, and cabinets.
5. dust may be permitted to accrue in all spaces containing knickknacks or trinkets. it may only be removed on a whim, or when the space is about to be used or observed by outsiders.
6. all neatly folded linens and towels must return to a haphazard state within twenty business days of straightening up.
7. cosmetics and personal care items may not remain in their assigned spaces for more than two uses, especially if you’re running late.
8. no more than fifty percent of books in the house may be read. at least four must be started then abandoned. at least five must remain free from shelving at any given time.
9. sheets may only be washed if:
a) bodily substances (such as blood or semen), or drinks like coffee, tea, or hot chocolate, have been spilled
b) you’re expecting an overnight guest
c) you can’t remember the last time they were washed, and the mood strikes to wash them
10. an excess of blankets and pillows must be present in at least two rooms. they may not remain aesthetically arranged for more than five business days.
my favourite sounds at 2am:
the soft buzz of the refrigerator downstairs
the steady hum of the a/c above my head
the faint rustle of the trees by my window*
*(my actual favourite sounds at 2am:
the softness off your exhale as you lay beside me
the rustling of my sheets as you turn toward me
the steady beating of your heart as you press your chest against mine.)
oh, the human condition …..
Sotce
me, the motherfucker with over 50 abandoned works in progress: i have an idea
all I’ve every wanted is to be seen. i’m sick of fighting for it- and i refuse to shrink to fit into your periphery.