Laravel

Drawing Tips - Blog Posts

8 months ago
first slide. top right reads: There are many types of cleft lip. unilateral (on one side), bilateral (on both sides), and complete (self-explanatory), incomplete (self-explanatory), and post-surgery (there is no cleft), no-surgery (there is a cleft). next to it is a photo of Joaquin Phoenix with no facial hair captioned "Joaquin Phoenix has it BTW (unilateral + incomplete)". below that are four drawings captioned "Examples". They're all the same bust sketches but with different mouths and noses. The first one is Unilateral + complete (post surgery). Text box reads "teeth can sometimes be slighly visible, scar present, tip of the nose points downward, if they had surgery you won't be able to tell half the time if you aren't looking for it, easier to tell from the nose than the lip/scar TBH". Next to it is one captioned "unilateral + complete (no surgery). Text reads: "teeth are visible, upper row of teeth goes with the shape of the lip, tip of the nose points other direction". Third one is "bilateral + complete (no surgery). Text reads: "two front teeth visible but they go to the sides, upper lip split into 3 parts: one attached to the columella and two to the outer nostrils, nose and nostrils are wider". the last one is "unilateral + incomplete (no surgery)". text reads: "teeth can sometimes be visible but mostly no, nose can sometimes be flatter + wider on the side of the cleft, doesn't go into the nostril."
second slide. the title reads "Drawing a character with cleft lip post lip surgery". the caption reads "some people also get rhinoplasty (nose surgery) but I won't go into it because it just gives you a "regular" nose and I don't think this needs a tutorial IDK". Below that are three drawings from the neck up. First one is of a woman with a faded cleft lip captioned "it's not always very visible". Second is of a Latino man with a gap in his moustache and slightly visible teeth, captioned "teeth can show". Third is of a Black woman with a large keloid scar, captioned "keloid scars sometimes happen". under those is a section called "what it can look like" with "can" in all caps and underscored. text reads: "cupid bow higher on the side of the cleft, nostril lower on the side of the cleft, actual scar, pulling from the scar creating a small opening right below it, nose pointing downwards and/or towards the scar". the drawing next to it has all these differences highlighted. note below it reads "if it's bilateral: the lip and nostrils can still be asymmetrical, the lips would probably be parted in the middle if at all". the last drawing at the bottom shows a person from the side-view and highlights the nose and lips. Text reads: "from the profile, the upper lip pokes out less". a note in the bottom right reads: "note: the scar is surgical. in most cases, it will be poorly visible, and in adults, faded. in some people it's honestly invisible, but it can also be reddish or paler than the rest of the skin. facial hair doesn't grow on scar tissue no matter how visible the scar is."
third slide. it's the same as the previous one, but for characters with no surgery. the three drawings show a Black man with an incomplete cleft lip showing his teeth, a white woman with a complete cleft, and a Black girl with a bilateral complete one. the section below shows a person with a bilateral cleft from the side, as well as a close-up on the mouth itself. text reads: "the middle part protrudes further than the nose (generally), nose and middle part are on a similar angle, when the mouth is closed the upper lip goes into the lower one". a note under the drawing reads "(the mouth here is slightly open to see everything from the side)". a text box under both drawings reads "incisors can be more hidden or visible (same with gums) and they can be straight or go to the sides. the actual lip is usually invisible on the middle part because it's often on the more inner side. it can look like the profile above but it's not as common". a section next to that one shows a person with an unilateral cleft lip and misaligned teeth on a 3/4 angle. text box reads: "upper teeth go towards the nostril with the cleft" and "the higher the cleft the more they will do that. compare the chara in top left vs the one above this text box."
fourth slide. it's titled "ok but what else". below that are two busts, one of a person without a cleft lip and the second of a person with a repaired cleft but no visible scar. caption reads "how to draw the subtle differences". text continues "distance between nose and upper lip is shorter, nose more down turned (can be much more than I drew TBH), lip pulls upward below where the cleft was. This way it's still visible even when there's no easy-to-see scar." the two drawings have all these differences color-coded. section below features the same drawings, but this time they show a character with a complete unilateral no-surgery cleft. first one shows the skeleton underneath, second has skin on. text reads "in a no-surgery uni complete cleft lip, think of the rows of teeth not as two horizontal rows but more of a triangle. the upper teeth are parted into 2 sections and they don't meet, but can overlap in the actual cleft spot. they don't go into the nostril BTW." a small note reads "gums are dark red and teeth are blue so you can tell which is which" and the drawing is color coded accordingly.
fifth slide, titled "the chibis the cartoons etc." with a header "(by someone who doesn't really draw in that style I'll do my best though). it shows two chibi drawings - one of a girl with a bilateral no-surgery cleft lip, second of a girl with a unilateral post-surgery one. they each have instructions below. for the first one, it shows a horizontal 3 with an additional bump, captioned "you can do this shape (it's kinda nose shaped?", next step draws two squares to the middle part, captioned "add teeth to the middle part, boom no nose needed." second drawing has its first instruction as "draw a basic smile, don't bother with subtle differences TBH just simpify it", followed by "draw an anime girl fang upside down, remember that the lip follows the shape. you can throw in a scar too."
sixth slide, titled "other types of clefts + things to consider for the character". it features two drawings: one of an East Asian woman with a cleft going from her lower eyelid to the corner of her mouth, and second of a South Asian woman in a headscarf with an indent in the middle of her eyebrow. she also has strabismus and her cleft eyebrow is very wide. they're captioned with cleft type 5 and 10 respectively. a text box reads "these are called Tessier clefts and they're like cleft lips but on different parts of the face. There's 14 of them in total and they can be comorbid with cleft lip and palate." the last section has no drawings and just a text box titled "info that you might find useful: most people with cleft lip worldwide didn't have surgery, most people in wealthy countries get surgery as babies, some people choose to get cosmetic revisions rhinoplasties etc. when they're older (most don't), first cleft lip surgery was in 390 BC, most people with a cleft lip have a cleft palate as well, don't call it a fucking 'hare lip' it's offensive and weird".

tutorial for drawing characters with cleft lip! sorry that it's mostly unilateral-centric but it makes up the vast majority of resources and photos. still tried to get tips for drawing bilateral clefts in though.

please keep in mind that this is an introductory drawing tutorial and has some generalizations in it, so not every “X is Z” statement will be true for Actual People : )

if you draw any characters using this feel free to tag me!!


Tags
6 months ago

This feels ~downy ~, how lovely that would be.

This Feels ~downy ~, How Lovely That Would Be.
Wing Tutorial Is HERE 🦅, Now Available On My Patreon✨ It Includes Full Speedpaints, A Step-by-step
Wing Tutorial Is HERE 🦅, Now Available On My Patreon✨ It Includes Full Speedpaints, A Step-by-step

Wing Tutorial is HERE 🦅, now available on my Patreon✨ It includes full speedpaints, a step-by-step of the painting process, drawing tips + more!


Tags
2 years ago

I forgot I have to be active here so here’s my Twitter tutorial on how to draw folds I made a while back to help a friend!

A piece of cloth teaching you how to draw cloth folds of different material. Each picture depicts two arms in the same material - one thin arm and one fat arm.
THICK clothes only have a few folds! Sometimes a bump is all it takes to suggest a fold for THICK stuff. Examples are sweaters, hoodies, wool, fleece, and denim
THIN clothes have a lot of folds and bumps! Thin stuff usually has more lines that wrap around what's underneath. Examples are rayon, cotton, and crepe
SMOOTH stuff have "squiggly" folds. Smooth cloth folds tend to "loop" back to where they start. Examples are silk, velvet, Satin, Bamboo cotton, and most luxurious stuff
SOFT clothes have round folds. Unlike smooth stuff, soft stuff doesn't have many "squiggles" or solid lines in between. Examples are down jackets, fur, fleece, washed linen, and polyester
STIFF clothes have angular folds! Most folds tend to look triangular - assuming they even fold at all! Examples are raincoats, New denim, canvas, and suits
PS I have avoided talking about loose vs tight clothing since whatever is loose on one person (A shows a thin arm in a baggy yellow sleeve) might not be as loose on a different person (B depicts the same sleeve which comfortably fits around the fat arm). However it's still important to learn about these type of things.
Person asks, "So uh... what happens if the clothes are Smooth and Thin, or Thick and Soft?" The answer is DO BOTH! Top right shows a full woman in a dress that has a Smooth skirt and a Stiff top half. Even though it's one dress, one part is more Smooth while the other part is more Stiff. There are more examples but don't forget to study hard and have fun!

Tags
3 months ago

I just had some...thoughts... about sticking animal heads on human shoulders. Bear with me.

I think the reason some anthros look really strange (I’m looking at you, Skyrim) is because animal skulls don’t attach to their spines the same way ours do. Our spines and skulls are very vertical, but many animals’ are closer to horizontal.

I Just Had Some...thoughts... About Sticking Animal Heads On Human Shoulders. Bear With Me.

Some people solve this by giving the animal skulls a human skull shape on the back. But, to me it makes them look somehow bald(??) and just kinda weird in general. If, instead, you change their necks to curve so that the spine still connects where their four legged counterparts’ do, they no longer look yucky! (And also don’t need a hair-do!)

I Just Had Some...thoughts... About Sticking Animal Heads On Human Shoulders. Bear With Me.

This seems especially applicable for animals like big cats, cows, and lizards — animals whose spines attach very horizontally to their heads.

I Just Had Some...thoughts... About Sticking Animal Heads On Human Shoulders. Bear With Me.

Anyway, enjoy some more art I did while having these very specific thoughts.

I Just Had Some...thoughts... About Sticking Animal Heads On Human Shoulders. Bear With Me.
I Just Had Some...thoughts... About Sticking Animal Heads On Human Shoulders. Bear With Me.

Tags
3 months ago

God I need this. I am a perfectionist and I hate everything I make. Just need to remember this and all should be well.

how do draw good

fill 14 sketch book

bad stuff is good stuff bc you made stuff

do you like sparkle???? draw sparkle

draw what make your heart do the smiley emote

member to drink lotsa agua or else bad time

d ont stress friend all is well

your art is hot like potato crisps

don’t let anyone piss on your good mood amigo

if they do

eat

them


Tags
1 year ago

How do I art?

This is a difficult question and I'm gonna give a basic bitch answer, but practice.

-Try to draw a little bit every day (if you can't, at least a couple times a week)

Don't go for realism right off the bat. You're not going to be able to draw a perfect human face or anything when you first start

Draw cartoons. For you, I'd recommend Owl House, Amphibia, Gravity Falls, or Hazbin Hotel/Helluva Boss characters. That way you can get used to drawing without it being to challenging

VERY light sketches. You're going to want to brush the pencil across your paper in a feathery motion. Pushing too hard is very difficult to erase

Don't use a mechanical pencil eraser. A mechanical pencil is fine, but the eraser tends to smear and smudge instead of just erasing (a pink eraser's perfect)

Use a reference picture. Drawing from your mind is a lot harder than drawing from a pic. You also don't have to be creative in order to draw

(this one's really cringe but) Don't give up or throw your art away. Your art's gonna be bad at first, but if you give up, you'll never get better


Tags
3 months ago

Some people think that to draw well you need to have good and expensive materials, but I only use a mechanical pencil and a regular school eraser, and I rarely use the markers I have.

An example drawing:

Some People Think That To Draw Well You Need To Have Good And Expensive Materials, But I Only Use A Mechanical

Here I just used a mechanical pencil, an eraser and my finger to make it a little smudged. In other words, to draw well, you need: good motor coordination and practice.

Drawing bonus with markers:

Some People Think That To Draw Well You Need To Have Good And Expensive Materials, But I Only Use A Mechanical

Tags
5 months ago

You draw hats so well and im like so amazed by it because every time i try it looks like they're wearing buckets?? how do you draw them?? :o

You Draw Hats So Well And Im Like So Amazed By It Because Every Time I Try It Looks Like They're Wearing
You Draw Hats So Well And Im Like So Amazed By It Because Every Time I Try It Looks Like They're Wearing

pringles


Tags

Ink Blobs! Which one of these blob sketches is your favorite? ☺️💕


Tags
7 months ago
More Art Tutorials By Disney Artists Griz And Norm Lemay
More Art Tutorials By Disney Artists Griz And Norm Lemay
More Art Tutorials By Disney Artists Griz And Norm Lemay
More Art Tutorials By Disney Artists Griz And Norm Lemay
More Art Tutorials By Disney Artists Griz And Norm Lemay
More Art Tutorials By Disney Artists Griz And Norm Lemay
More Art Tutorials By Disney Artists Griz And Norm Lemay

More art tutorials by Disney artists Griz and Norm Lemay


Tags
1 year ago
Someone Wanted Some Facial Advice, So I Just collect Some Tips. Free To Ask For More Advice.
Someone Wanted Some Facial Advice, So I Just collect Some Tips. Free To Ask For More Advice.
Someone Wanted Some Facial Advice, So I Just collect Some Tips. Free To Ask For More Advice.
Someone Wanted Some Facial Advice, So I Just collect Some Tips. Free To Ask For More Advice.

Someone wanted some facial advice, so I just collect some tips. Free to ask for more advice.


Tags
11 months ago

I forgot I have to be active here so here’s my Twitter tutorial on how to draw folds I made a while back to help a friend!

A piece of cloth teaching you how to draw cloth folds of different material. Each picture depicts two arms in the same material - one thin arm and one fat arm.
THICK clothes only have a few folds! Sometimes a bump is all it takes to suggest a fold for THICK stuff. Examples are sweaters, hoodies, wool, fleece, and denim
THIN clothes have a lot of folds and bumps! Thin stuff usually has more lines that wrap around what's underneath. Examples are rayon, cotton, and crepe
SMOOTH stuff have "squiggly" folds. Smooth cloth folds tend to "loop" back to where they start. Examples are silk, velvet, Satin, Bamboo cotton, and most luxurious stuff
SOFT clothes have round folds. Unlike smooth stuff, soft stuff doesn't have many "squiggles" or solid lines in between. Examples are down jackets, fur, fleece, washed linen, and polyester
STIFF clothes have angular folds! Most folds tend to look triangular - assuming they even fold at all! Examples are raincoats, New denim, canvas, and suits
PS I have avoided talking about loose vs tight clothing since whatever is loose on one person (A shows a thin arm in a baggy yellow sleeve) might not be as loose on a different person (B depicts the same sleeve which comfortably fits around the fat arm). However it's still important to learn about these type of things.
Person asks, "So uh... what happens if the clothes are Smooth and Thin, or Thick and Soft?" The answer is DO BOTH! Top right shows a full woman in a dress that has a Smooth skirt and a Stiff top half. Even though it's one dress, one part is more Smooth while the other part is more Stiff. There are more examples but don't forget to study hard and have fun!

Tags
2 years ago

I just know that out there, somewhere, are artists that have pinterest boards and youtube playlists of art tips and tutorials they’ll never view/use.


Tags
8 months ago

A general cane guide for writers and artists (from a cane user, writer, and artist!)

Disclaimer: Though I have been using a cane for 6 years, I am not a doctor, nor am I by any means an expert. This guide is true to my experience, but there are as many ways to use a cane as there are cane users!

This guide will not include: White canes for blindness, crutches, walkers, or wheelchairs as I have no personal experience with these.

This is meant to be a general guide to get you started and avoid some common mishaps/misconceptions, but you absolutely should continue to do your own research outside of this guide!

[Image text] Arm bends a little. Cane height at hip joint. Many canes have adjustable height. Cane sits within the natural center of balance. Causes stress on: Triceps, upper back, wrist (pressure) fingers (grip). Helps with: Joints (lower back, hip, knee, ankle, foot), weakness, balance, pain.

The biggest recurring problem I've seen is using the cane on the wrong side. The cane goes on the opposite side of the pain! If your character has even-sided pain or needs it for balance/weakness, then use the cane in the non-dominant hand to keep the dominant hand free. Some cane users also switch sides to give their arm a rest!

A cane takes about 20% of your weight off the opposite leg. It should fit within your natural gait and become something of an extension of your body. If you need more weight off than 20%, then crutches, a walker, or a wheelchair is needed.

Putting more pressure on the cane, using it on the wrong side, or having it at the wrong height will make it less effective, and can cause long term damage to your body from improper pressure and posture. (Hugh Laurie genuinely hurt his body from years of using a cane wrong on House!)

A General Cane Guide For Writers And Artists (from A Cane User, Writer, And Artist!)

(an animated GIF of a cane matching the natural walking gait. It turns red when pressure is placed on it.)

When going up and down stairs, there is an ideal standard: You want to use the handrail and the cane at the same time, or prioritize the handrail if it's only on one side. When going up stairs you lead with your good leg and follow with the cane and hurt leg together. When going down stairs you lead with the cane, then the good leg, and THEN the leg that needs help.

Realistically though, many people don't move out of the way for cane users to access the railing, many stairs don't have railings, and many are wet, rusty, or generally not ideal to grip.

In these cases, if you have a friend nearby, holding on to them is a good idea. Or, take it one step at a time carefully if you're alone.

Now we come to a very common mistake I see... Using fashion canes for medical use!

[Image text] 4 Major Handle Shapes (significant variation and uses). Tourist/Crook/Hook. Classic shape, fashion and medical, easy to hook on things (arm, door, chair, etc), generally solid wood (stronger, heavier). Offset. Newer design, not a fashion handle, only handle for quad-bases, generally better balance, usually aluminum (light + cheap), soft handle, adjustable (rattles/clicks when swinging). Derby/Fritz/Anatomical/Contour. Classic medical shape, many fashion variants, some fashion + medical, varies in many ways, sometimes contoured to hand, comes in foldable styles, many aluminum styles, many customizable styles. Knob/Decorative. Fashion exclusive, knob shape hurts the hand after prolonged pressure (especially with designs), tend to be heavy, "sword canes" have the same issues.

(These are 4 broad shapes, but there is INCREDIBLE variation in cane handles. Research heavily what will be best for your character's specific needs!)

The handle is the contact point for all the weight you're putting on your cane, and that pressure is being put onto your hand, wrist, and shoulder. So the shape is very important for long term use!

Knob handles (and very decorative handles) are not used for medical use for this reason. It adds extra stress to the body and can damage your hand to put constant pressure onto these painful shapes.

The weight of a cane is also incredibly important, as a heavier cane will cause wear on your body much faster. When you're using it all day, it gets heavy fast! If your character struggles with weakness, then they won't want a heavy cane if they can help it!

This is also part of why sword canes aren't usually very viable for medical use (along with them usually being knob handles) is that swords are extra weight!

However, a small knife or perhaps a retractable blade hidden within the base might be viable even for weak characters.

[Image text] 4 Major base shapes (significant variation and uses). Adjustable base. Aluminum, standard modern medical, adjustable height, rubber base, wears down over time. Tripod/ quad base. If you need extra balance. Terrain attachment (varies, this is for ice). Removable, helps stop slipping on ice/snow/sand/etc, some canes have a retractable tip for ice. Classic base. Non-adjustable, custom only, modern standard still has a rubber base.

Bases have a lot of variability as well, and the modern standard is generally adjustable bases. Adjustable canes are very handy if your character regularly changes shoe height, for instance (gotta keep the height at your hip!)

Canes help on most terrain with their standard base and structure. But for some terrain, you might want a different base, or to forego the cane entirely! This article covers it pretty well.

Many cane users decorate their canes! Stickers are incredibly common, and painting canes is relatively common as well! You'll also see people replacing the standard wrist strap with a personalized one, or even adding a small charm to the ring the strap connects to. (nothing too large, or it gets annoying as the cane is swinging around everywhere)

Two canes side by side. The one on the left is painted a light pink, and the one on the right is painted black with a fire/lava pattern.

(my canes, for reference)

If your character uses a cane full time, then they might also have multiple canes that look different aesthetically to match their outfits!

When it comes to practical things outside of the cane, you reasonably only have one hand available while it's being used. Many people will hook their cane onto their arm or let it dangle on the strap (if they have one) while using their cane arm, but it's often significantly less convenient than 2 hands. But, if you need 2 hands, then it's either setting the cane down or letting it hang!

For this reason, optimizing one handed use is ideal! Keeping bags/items on the side of your free hand helps keep your items accessible.

A General Cane Guide For Writers And Artists (from A Cane User, Writer, And Artist!)

When sitting, the cane either leans against a wall or table, goes under the chair, or hooks onto the back of the chair. (It often falls when hanging off of a chair, in my experience)

When getting up, the user will either use their cane to help them balance/support as they stand, or get up and then grab their cane. This depends on what it's being used for (balance vs pain when walking, for instance!)

That's everything I can think of for now. Thank you for reading my long-but-absolutely-not-comprehensive list of things to keep in mind when writing or drawing a cane user!

Happy disability pride month! Go forth and make more characters use canes!!!


Tags
7 years ago

Art Tutorials!

Greetings! Meanwhile, I wanted to thank you for all the support you're giving us here on Tumblr, really means a lot! ❤️ 

I would like to start using this blog not only to show our works but also as a personal diary of our artistic journey... so let us know if you are interested in any particular content!

So... why not start with some artistic tutorials? :P

CHAPTER ONE:

an artistic mind makes an artistic guy.

Before throwing ourselves in a deep technical vision and some kind of “how to” things, I find truly important to talk about attitude and mental arrangement, because a thing like knowing how to unlock when you are not inspired, are as significant as know which tool to pick. Or maybe more important, really.

image

 1) PRACTICE

 The first thing that we need to say is that, like everything, to obtain results, you need practice, time and passion. Everyone can draw decently, just need some practice and time. Natural talent doesn't really exist at all, of course for some people, truly passionate on what they’re doing, should need less time that other, but believe me, with constancy and dedication, you can do everything.

image

2) SELF CRITIQUE

 Second thing you need to know is to be a self-critique, it’s really important to understand errors, and learns from it. That’s the fast way to learn something. Neither an instructor can gift a teaching better than that, because when we fail of course we feel bad, but for sure we will learn how to avoid this next time.

image

3) RESEARCH

Third fact is: when you feel stuck, don’t give up. Just take a breath, think about what you don’t like in your art, and then try to solve it. Example, you’re drawing a face. However, it looks horrible to you. Well, try to answer that question: why I don’t like this? The eyes are too small? His nose is awry? Look too flat? Well, then try to improve the parts you dislike. You don’t like that at all? Take a break then, some minutes, an hour, a day, rest on your eyes really help a lot. Maybe on your first attempts you don’t make some masterpiece, but is important to rejoice of small success and remember that a bad drawing will never, listen to me, never, be a failure, because from it, you will learn a lot, and believe me if I say that you became better after that.

image

4) FIND INSPIRATION

 At the fourth position, we’re talking about finding inspiration. Inspiration it’s not something like a mana bar that needs to charge, of course on some day we really don't' want to do anything, but you don’t need a divine touch to make some art. So, my best advice is to look around, look at your drawing from distance, see the world around you, just make some steps in your room or go into the courtyard to take a break, or maybe search some image on the web. Take a look on the real life, to find some references to put and transform it in a piece of art. And well, let’s talk about references. If you're attempting to make a realistic drawing is essential to use a model, a photo to study how the light build the shape, how the texture looks and the proportion are connected with different part, but even if you make a cartoon character you need to take elements from real life. Even on an abstract painting you may find useful to put some elements in it, because from reality human use to find a correspondence, an identity, and it’s what can give to your art a personality. So to make art it’s very important to learn to observe. Don't just watch at something, observe, trying to understand every part in a thing. Sometimes to make a good painting is all about details, and the best way to know how to do is to synthesize what our eyes are teaching to us.

5) (extra tip) ENJOY!

 Art doesn't have to be a frustrating activity, it doesn't have to make you feel inferior to others or even better than others.  It must be a way to express yourself, both with pleasurable and sad emotions, must make you feel free to communicate and not to feel yourself closed in a corner of your room. You have to relax, make you smile, but don't make you suffer, make you cry and make you angry. Certainly the creative process is not always fluid, but if you really like what you are doing, then everything else will not matter. Besides, art has a therapeutic power, and it can really help in difficult times. The art is our friend, who listens to us, and likes us. Not our rival that makes us angry, hurts us and makes you hate everything else. So always remember to have fun, first of all :)

I know, that may looks boring and useless for some of you, maybe you need to know how to make a perfect color blending or to make a realistic eye just with a pair of strokes, but attitude is the most important part of everything in the life. Learn from your error, never give up, and I’m sure you’ll create a lot of a masterpiece.

 See you next time, talking about tools and everything you need to be an artist! 

⭐️ Part 2 here => https://moonpix-art.tumblr.com/post/173191380078/art-tutorial-chapter-2 ✨


Tags

For reference 🩷

first slide, titled "how to draw some burn scars" with "some" being underlined. The text under reads "3rd/4th degree mostly, because most people on this website apparently never seen a burn survivor." below that is a red box with text reading "(all caps) all scars are different! (end caps) there is no one correct way to draw a scar. this is more of an overview than a step-by-step tutorial".
the right side of the slide has three drawings, each showing a person's forearm. The text above them reads "there's many types of scars, actually". The first one shows a hypertrophic scar, with the text "draw a darker patch of skin and shade underneath to show depth. notes: it sticks out a bit, it can be slightly discolored (darker), it's not really this bright red color that people draw burns with, it interacts with the rest of the skin - you can see it pull skin inward".
The second one shows a keloid scar, with the text "it sticks out a lot, much more discolored, it can be red, pink, purple, it doesn't with the rest of the skin as much - it has sharper, more defined edges". The third and last arm shows a severe contracture with the top of the hand resting on the forearm, with the text "burns make skin contract; scars affect range of motion (ROM) and can lock or limit movement, they afect all areas of the body vbut are most visible on the neck, joints, and hands". There's a fourth additional drawing showing a man's torso; he has a lighter burn scar on the far side of his ribcage, with his arm seemingly fused to it above the elbow. He has visible body hair but is lacking it on the scar itself. The several notes around it read "healed scars can also turn lighter; a burn scar has a tendency to pull surrounding structures* inward, here it makes a contracture. *-not only skin. scars affect cartilage (like in ears), nipples, etc. also notice the lack of hair on the scar".
second slide, titled "how do burns look like (for people who draw them but don't seem to know)". there's an arrow labeled "not like this (heart)" leading to a drawing of an anime girl with half of her skin being plain red and no other changes. text box below her reads "'don't worry man I watched ATLA when I was 14' type OC", with the following noted; "the Red, has fingernails despite 3rd degree burns, has eyebrows despite 3rd degree burns, has hair despite 3rd degree burns, eye is totally fine it's only fire LOL, nose and ears also fine, why is it red, more flexible than your average abled person, why is it red". below is a disclaimer reading "(one or two is fine, but why is it always all of it? burns do things, especially one as seveer as implied here)". the right side of the image shows pictures of body parts with burn scars on them, the first being a hand with a severe contraction in the fingers. the burn and contracted joints are labeled on the image. next to it is a drawn comparison between a non-burned hand with stretched out fingers, and a burnt hand with curled fingers. photo under that is of a pair of feet being held by a hand. the link below goes to "SurvivorNotVictim.com/Scar-Photos". my added text reads "not red! the scars mostly show through texture and tissue damage" and "no toenails". next to that is art of a scarred leg from the mid-calf down, it has visible skin pulling, no nails, and discolored patches of skin. text reads "some pinkness/redness can show, but it's A) not going to be a consistent color, B) other aspects of the scar still show up. Remember the body is 3D and skin pulls accordingly (more or less); scars form toward the ankle because it sticks out". at the bottom of the image is a portrait photo of Marzieh Ebrahimi, an Iranian woman with a chemical burn on one side of her face, smiling. Text next to her reads "a scar can be more defined in one place and less in another (forehead/chin); the skin is darker and less saturated, not red; Marzieh's scar is more visible because of her eye and nose than the discoloration". Next to that is a simplistic portrait drawing of her recreating the picture. Note reads "just some darkening of the skin, lighter and darker lines to imply skin pulling, and attention to some basic effects of burns (e.g., scar on eyebrow ridge = no eyebrow) looks more like an actual burn than the red paint thing".
Third slide, titled "skin grafts". On the right is a photo of a white woman posing with her scars visible to the camera, the source is linked as SurvivorNotVictim.com/Scar-Photo. Text reads "one of the most common visible kinds of skin grafts is the mesh one", with an arrow pointing to the woman's arm, where her skin has a mesh pattern. There is a drawn comparison of non-burnt skin and skin with the mesh graft for comparison. Text box reads "it leaves a specific kind of texture in the skin. Grafts sometimes have stronger highlights than other parts of the skin (you can see it on both photos)". Under that is a photo of Kenny Matthews (@IKenDawg), a Black man with burn scars. There is a text box on the right that reads "skin grafts will usually be thicker than the rest of the skin and thus can stick out; they can be discolored (both darker or lighter, more yellow or red, more/less saturation, etc.) and have a visible start and end. It applies to all skin colors BTW". Below that are two portrait drawings, one of a Black man with a large, darker skin graft on his cheek, and a white woman with yellowish grafts on her jaw and nose.
Fourth slide, titled "nose and eyes". The left side features various nose drawings, while right and bottom show different kinds of eyes. The text in the nose section reads "Usually if nose was visibly burned, it will be seen on the nostrils and septum". The first nose drawing shows someone with pale skin and nostrils pulling strongly downwards. Second one shows a person with darker skin and fourth degree burns; his eyes are covered by skin and the external parts of the nose are largely gone, leaving the red internal part visible. Text attached reads "With very severe burns, the external part of the nose can be removed. In this case the nose will be red because the insides of the nose are red". Third drawing shows a white man with burns below his eyes; his septum is completely gone, and the nostrils pull to the sides. Attached text reads "Nostrils can also pull to the sides, making the nose wider. Sometimes the septum will be absent if burns were severe enough. That generally causes some degree of asymmetry". Last nose drawing shows someone with a lot of keloid and hypertrophic scars on his face, with one of them formed around their nose. Text attached reads "Nose can also pull to one side. The constricted nostril can then be very flat". There's a simple sketch underneath that shows a nose with symmetric and asymmetric nostrils from below. Eye section. The first text box reads "Eyes are not affected as often as you'd probably assume (mostly because blinking and all) but eye damage is frequent in chemical burns (as opposed to thermal)". First drawing features a darkskin person with burns on their forehead and around their left eye. The skin pulls their eyelids upward and to the side at a 45-degree angle, resulting in the red of the eye showing on the sides. Attached text reads "Eye pulls out and up, so the red parts show accordingly. The eyelids themselves are stretched, eye is fine". Second drawing is of an Arab man with a chemical burn on the left side of his face. He's missing his eyebrow and eyelashes on that side. He has ptosis and his actual iris is blurrier while the white part is redder. Text reads "Here eyelids pull down so the eye looks like it's drifting up". Third drawing shows a person with tan skin and severe burns. They have no hair of any kind, and their nose bridge is significantly pushed to the side. Their right eye is wide open with a red shiny eyelid at the bottom, their iris pointing extremely outward, and blood vessels showing. Their left eye looks very small with swollen eyelids and partially opaque iris. Text reads "The redness you can sometimes see is a result of chronic conjunctivitis, it's not an open wound situation. Here the right lower eyelid is missing so it looks like it's red and shiny. The left lower one is turned outward and it causes corneal scarring, which results in parts of the eye looking white(r) and the eyelids to swell". The bottom section features four eye adjacent conditions and their characteristics. The first one shows a person with one of their eyes missing and an empty pale-red socket visible. It's titled "Enucleation". Text underneath reads "If the eye is as badly damaged as in 90% of OCs with burns then they will get it removed. Despite popular perception there is quite literally nothing 'gore' about an eye socket. The redness/whiteness is the same thing as on your eyelid when you pull it. The empty socket has a much smaller opening and is very flat in comparison to a full socket. If the character has a protruding brow ridge, the shadow will fall on the whole area". Second one features a dark-skinned person's eye, which is brown with a white spot on the lens. Text reads "Cataracts is a condition of the lens, so it affects the lens by making it to appear clouded. Causes blindness". Third one shows an eye of a pale person; it's slightly red with blood vessels visible and the irid is blurry with a large opaque spot in the middle. Text reads "Corneal scarring causes pain, red sclera, and the opaqueness that can happen over the whole eye, not just lens. Also causes blindness".
Continuation from the previous slide. Last one shows an eye with the upper eyelid fallen down. Text reads "Ptosis is caused by nerve damage more than anything else. It makes the eyelid fall down, but does not affect the eye itself. Can technically make someone unable to see if the eyelid doesn't open". Fifth slide description starts from here. It shows a three-step process of drawing the skin texture. First step shows a patch of light skin, titled "get a base". Second step puts various brown lines of different sizes on the skin, largely going from the upper left to bottom right, spreading out on the right. Text reads "Draw slightly darker lines of various lengths to imply contractures". There’s a second, smaller drawing, first with the lines going in similar direction and the other with the lines all pointing different ways and going over each other. Text above them is "try to keep them going in a direction that makes sense" and "not just random strokes" respectively. Third step adds some shadows and highlights on the scars. Text reads "add subtle shading to show texture changes, can also add highlights". Below that is a small drawing of a patch of skin with a red line going through it; one side is shaded and one isn't for comparison. The upper right has a drawing of a man shown from the back; he has burn scars on his left shoulder. That shoulder is less muscular than the right one, and he has keloids and grafts visible. Text underneath reads "You really don't have to draw 10000 lines to show the contractures. A few smaller and some bigger ones do it just fine. Remember that you can ad keloids, hypetrophic scars, and graft discoloration!".
sixth slide, titled "other things to think about". it features a few different burn survivor characters and the text "no two burn survivors are the same". first one is a Black woman with a burn just on her face and neck, empty eye socket, and no ear, wearing a very wide-brimmed sun hat. note next to her reads "sun protection". below her is a white man with scarring on the side of his head, including two large keloid scars. he's missing a lot of hair on his scalp. underneath him is a drawing of a Latino man with short black hair and contracture scars on his forearm, fusing it around the elbow; he's wearing a large compression glove on his hand. in the center of the image are two women; a South Asian young woman wearing a pastel hijab using crutches with a visible prosthetic leg, and a Black woman with short pink hair and all four limbs amputated using a powerchair. The first woman has no actual burns visible while the second one has her stumps covered in distinct discolored scars, but they're both smiling at each other. text between them reads "burns can result in amputation, either because of the initial damage or infection. sometimes burns are visible, sometimes not so much". under them is a portrait of a white woman scratching her neck with her remaining fingers. she's completely bald with scars on her head, face, and hand. her eye is slightly red with a discolored white part in the middle of the iris. text next to her reads "research actual symptoms of burn scars (like scratching) (like sun protection), etc."

Overview of some topics when it comes to drawing characters who are burn survivors.

DISCLAIMER. Please keep in mind that this is an introductory overview for drawing some burn scars and has a lot of generalizations in it, so not every “X is Z” statement will be true for Actual People. I'm calling this introductory because I hope to get people to actually do their own research before drawing disabled & visibly different characters rather than just making stuff up. Think of it as a starting point and take it with a grain of salt (especially if you have a very different art style from mine).

Talking about research and learning... don't make your burn survivor characters evil. Burn survivors are normal people and don't deserve to be constantly portrayed in such a way.

Screenshot that reads, "In a 2022 survey of the burn community, Phoenix Society for Burn Survivors found 59% ranked 'burn survivors & the media: changing the portrayal of the survivor' as a top need for support."

edit: apparently tum "queerest place on the internet" blr hates disabled people so much that this post got automatically filtered. cool!

second way more important edit: How are people seeing this post where I specifically talk about burn survivors being normal, real people, and still tag this as "TW body horror"? Not a single one of these drawings or pictures is a fresh injury. All of them are healed. How the hell would you feel if someone tagged a photo of you as "trigger warning: gore"?

Disabled people are not your fucking body horror. Grow up.


Tags
1 month ago
You Asked And I Delivered!
You Asked And I Delivered!
You Asked And I Delivered!
You Asked And I Delivered!
You Asked And I Delivered!
You Asked And I Delivered!
You Asked And I Delivered!

You asked and I delivered!

EDIT: Forgot to mention - if you’re drawing in color with lighting, the lighting will be different depending on fabric, so look it up if you want (or do whatever you want to be honest, who the hell cares, it’s not a competition. I don’t even follow this rule, I’m saying as a fact XD)


Tags
4 years ago
I Jotted Down For A Friend Of Mine Some Tips And Notes On How I Approach Drawing Hair, And Things I Keep
I Jotted Down For A Friend Of Mine Some Tips And Notes On How I Approach Drawing Hair, And Things I Keep
I Jotted Down For A Friend Of Mine Some Tips And Notes On How I Approach Drawing Hair, And Things I Keep

I jotted down for a friend of mine some tips and notes on how I approach drawing hair, and things I keep in mind while doing so, and thought I’d share. There are loads of other ways to do it, and the learning never stops, so I hope this helps!


Tags
4 years ago
People Have Asked Me How I Draw Eyes So I Made An Extremely Slap-dash Eye Tutorial! This Is Simply About
People Have Asked Me How I Draw Eyes So I Made An Extremely Slap-dash Eye Tutorial! This Is Simply About
People Have Asked Me How I Draw Eyes So I Made An Extremely Slap-dash Eye Tutorial! This Is Simply About

people have asked me how i draw eyes so i made an extremely slap-dash eye tutorial! this is simply about how i draw a simple neutral eye, nothing to do with expressions (that’s a whole other thing).

start with the horizontal guide on the face, to help place the eyes. put circles where the eyes will go!

adjust the circles into diamond shapes– i got this idea from sinix design on youtube, it’s very helpful and easier to see where the lids should end than with a circle.

draw the top lid/lash lines, leaving a bit of space at the top of the diamond. keep each eye in time with each other– drawing one whole eye first makes it harder to match the other one.

then the bottom lids. i usually try to do all the lid shapes with a single curved stroke each. keep it simple pals!

irises & pupils. sometimes i’ll draw filled-in black circles for the irises, to help figure out where to place them naturally!

lid creases, use the leftover diamond at the top as a loose guide for where to place them. remember that the lid curves around the eyeball.

make adjustments! things don’t always come out perfect immediately. i usually have to thicken the lash line (i like mine quite thick), move the bottom lid up or down, and sometimes resize a whole eye (easier on computer than traditional, i know!). if you’re on a computer make sure to flip your canvas often so you can see these little things ❤

and to practice, just doodle a lot of small eyes! keeping them small makes them easier and faster to finish, so you can focus on your strokes and playing around with shapes, tilt, lid space, all that. don’t worry about making the irises perfect circles/ovals or any of that, just try to capture the character. have fun!


Tags
4 years ago
Blue’s Feathers And Wings Compendium: Atypical Wing Shapes
Blue’s Feathers And Wings Compendium: Atypical Wing Shapes
Blue’s Feathers And Wings Compendium: Atypical Wing Shapes

Blue’s Feathers and Wings Compendium: Atypical Wing Shapes

Part 1 [Standard ]| Part 2 [Atypical] | Feather Markings | Tail Feathers

A compendium of different feather marking types that can be used for inspiration in writing and art; especially if you want to be explicitly clear on the markings and don’t want to just have “striped” or “spotted”.

Disclaimer: I am aware that some of these markings have different names when coming from different birds, and that some of these markings are more artistic than realistic, but this for the fun and benefit of others, not for science.


Tags
2 years ago
Todays Doodles Are Myras Personal Horse Acting Guide! 🐴
Todays Doodles Are Myras Personal Horse Acting Guide! 🐴
Todays Doodles Are Myras Personal Horse Acting Guide! 🐴
Todays Doodles Are Myras Personal Horse Acting Guide! 🐴
Todays Doodles Are Myras Personal Horse Acting Guide! 🐴

Todays doodles are Myras personal Horse Acting Guide! 🐴

DISCLAIMER: im not a horse expert, but i’ve been hobby riding for 13 years and read some books through the years, so it’s just my personal experience. I dont know everything and people have different ways!


Tags
2 months ago

Please read! Needing some advice

I have always struggled to draw backgrounds… if anyone has some good advice on drawing forests,caves, and other wildlife backgrounds it would be greatly appreciated! Please share your artistic wisdom in the comments or reblogs!

Please Read! Needing Some Advice

Reasons

I’m currently working on a webcomic and a lot of the backgrounds I end up creating end I’m being…too soft or too “blendy”. Not only does this style look ashy and lazy but it also doesn’t fit in with the style I draw my characters. My characters are usually pretty toony and what looks best on them ( in my opion ) is sharp anime like lighting and shadows. I tried useing more softer light on my characters but it’s just not my thing ( I could also be just bad at lighting and shading ). So if anyone has advice on drawing more sharper backgrounds it would be so graciously appreciated!

Thank you!!! 💛💚🧡

Please Read! Needing Some Advice

Tags
Loading...
End of content
No more pages to load
Explore Tumblr Blog
Search Through Tumblr Tags