Okay so I'm sitting here waiting for the wash on my mini to dray and I started thinking
(Aplogies to any non Fnaf fan followers, my old love once more resurfaces and is taking hold)
But I have to say the FNAF movie was kinda a B- (I know the most Luke warm take), but I have to tell someone this idea i had so ur all my victims.
The Movie, fantastic casting, literally couldn't have been better. The special effects? Phenomenal!! The fact they got Jim Henson company to help make the animitronics was a ture stroke of genius (I'm biased as I adore practical effects) but the writing? Eh.
I know that's not groundbreaking comitary/ nothing no one else had said. But, and I know I'm not the only one to think this, but this would have been a phenomenal TV show/ series.
A thriller series that follows the mad man Wiliam Afton himself (still played by Mathew Lilard) in a Dalmer/Breaking Bad/ Hanibal style.
Or we could follow Henry Emily and see from his point of view in an open secret cat and mouse game with William.
But also have a b plot that flashes to "the present" with grown-up Michael tracking down and cleaning up his father's messes. All in an attempt to save his brothers soul and stop both his dad and his sister.
I definitely want Elizabeth/Baby to be an over arching villain for Mike in the present, Think Sister location esque (season 1 - 2a)
Also, it'd be so fun to get someone who Matthew has really good chemistry with to play Henry Emily. Because you know, before all the child murder and burning alive, they were as close as could be (I always liked to think of them as platonic soul mates, or maybe more) but yeah maybe a 3-4 season show, though I could see it being a tight 2 seasons if written right.
Also, the same practical effects are absolutely nessasary, and I really need them to change the spring locks back to how they're described in cannon because that is way scarier than whatever the fuck the FNAF movie claw ribs have.
Thank you for coming to my Ted talk.
Basically a fanfic of Batman Beyond and Batman the animated series. Almost a crossover, I guess? I don’t know what you would call it tbh.
Idk, I had this idea and wanted to put it down somewhere and share ‘cuz I thought it was neat.
Not sure about trigger warnings? I don’t think there’s anything worth warning about tbh. I’ll edit though if anyone says it might need one.
(Read below)
Basically, Terry runs into a villain one night while dealing with what he thought was a normal case.
Perhaps he’s going after some thugs, who basically explain to him in a panic that the person their working for is someone who shouldn’t still be alive. Terry dismisses this, maybe give him a one liner about how he’s dealt with that type before. “Oh, have you now?” a vocie from the darkness. Then, from the shadows, comes BTAS Scarecrow.
Terry is horrified and shocked. Remembering very vividly Bruce describing someone like this from when he was Batman. He goes after him, unmasks him expecting to see a copycat, but he’s no imposter. He looks exactly like he did in BTAS even, not a grey hair in sight. Scarecrow manages to get away, but Terry is more than just a little confused.
What’s worse? During the fight, this Scarecrow manages to break Terry’s wrist simply be grabbing it. Certainly not something Scarecrow could’ve done before.
Bruce already knows about it, having seen someone that looks like Poison Ivy on the news.
They quickly realize just about the entire rogues gallery is back, all of them exactly like they were back in the day, with every memory and fully intact personalities...mostly. You see, some of them have some slight differences. Joker and Harley for instance. Somehow, for some reason, this Joker actually does love Harley and the two are pretty much partners in crime. (Bonnie and Clyde style.)
They confront another imposter in this city, a Batman clone, who, once Bruce appears on the scene, is far more willing to help them figure out what’s going on.
And during a fight with the clone Joker, something happens. Dramatic scene ensues, where Harley is caught in the face by a batarang. She gets up, only to see her reflection in a nearby window, with half of her face torn away, to reveal mech under her skin. It’s here we realize these clones are bio-mechanical copies of the old rogues. Harley panics, Joker realizes what just happened, and they both get away.
Bruce, Bio-mech Batman, and Terry all find out where the bio-mechs came from, while the bio-mech rogues also track down this place (Having woke up dropped in Gotham in random places initially.) Coming in from different areas.
They all find the woman responsible, a crazed scientist obsessed with the old stories and history of ‘The Batman’. The way she talks about him almost makes him seem more like a cryptid, and she explains that she did this to try and get his attention so he’d come back to his life of crime-fighting and put this ‘great value batman’ in his place (She’s talking about Terry.).
The bio-mech rogues and the three batmen all clash, only for the batmen to realize one thing they haven’t noticed until now: The bio-mechs are actually alive. They’re copies of the originals, but they’re also their own people, with emotions like a normal human being.
They all band together to defeat the mad scientist, stopping her plans and putting her in an Asylum. The bio-mechs, having realized now that they’re not the original criminals, aren’t quite sure what to do next, so they all go their separate ways to try and discover what’s next for themselves.
Maybe add an ending chapter involving bio-mech Harley and Joker revealing to the other rogues what happened. Everyone has varying reactions to the news, with many basically having an existential crisis over not being who they thought they were. Some going into denial because, for god’s sake, they remember everything! Even their childhood! But then they recognize a huge gap in their memory from before they popped up in this future Gotham.
Maybe, just maybe, even add a part where a small group of them goes to their supposed ‘graves’, only to discover, yeah, they’re there alright.
Then they all conspire to find whoever made them and get revenge for making them go through this awful shock. After all, why not just make them know they’re copies?
...Yeah, I just had that Idea and I really like it, haha.
Idk this just came to mind and I thought I’d share:
Basically, Scarecrow ends up discovering that Santa Claus exists during one Christmas in Gotham, and the next year, he decides to pull a Jack Skellington and steal Christmas for his own. (Depending on which version of his backstory is used, there may be a reason. Personally I like the idea of using the year one backstory and having it be some kind of ‘making up for lost time’/getting back at Santa for the lack of care for his younger self at the same time.) Though, honestly I feel it might make more sense with the BTAS versions.
He, with the help of Jervis, Riddler, and a few other rogues, takes one of the horse drawn carriages from around the city and fashions it into a carriage of fright. The carriage pulled by eight mind-controlled deer taken from the nearby wilderness.
Batman, of course, finds out about the plot. (Maybe throw in a throw away line referencing Santa’s annual little visit to Apokolips as well.) He tries to stop it, but he can’t seem to figure out who would be organizing it, that is until he finally realizes Scarecrow’s the ringleader of the plot.
This all culminates in a climax involving Scarecrow and a few others in the carriage, riding around Gotham and throwing small boxes full of fear gas and miscellaneous rogue fixings as they go (Poison ivy having boxes full of fast-growing plants, Riddler’s boxes being mini riddler traps that shock you if you don’t answer correctly, etc.). With Batman hot on their tails trying to catch them and avoiding their attempts to stop him. In the end, they end up being taken in, but Scarecrow is given some mail from the outside, sure enough, Santa decided to give him a piece of coal. Petty, but not undeserved.
Idk, the idea came to mind and I couldn’t get the thought of a Scarecrow costume fashioned after Santa’s suit out of my head. ...That and the thought of Jonathan singing ‘What’s this?’ from Nightmare before Christmas. (And the batman rogues gallery singing ‘Making Christmas’.)
What if...there was a character who was semi-aware of the fourth wall? Not Deadpool level, but just self-aware enough to take advantage of how the series is written?
Okay, so there’s some rando in Arkham. One of the many nameless background characters to fill space, right? He’s just sitting in his cell one day, watching the doctors transport The Riddler or someone back to their cell after being brought back by Batman. That’s when he suddenly makes a realization.
Looking at all the people in the cells along the hall, he notices a very specific detail. Everyone labelled as a ‘supervillain’, everyone who dresses in costumes and commits crimes under an alias, they all inexplicably end up being given the ability to escape multiple times.
The guy decides to test this out after managing to get out of Arkham in one way or another. He gets a bunch of materials together and makes himself a make-shift costume, then picks an alias and goes out to commit a crime. (Let’s say for the sake of simplicity that he chooses a plague doctor theme, and, let’s just call him ‘Plague Rat’.) Sure enough, Batman shows up.
One thing leads to another and suddenly, he finds himself developing powers after the Batman encounter. (Idk, maybe he can communicate with pests, like rats?) Then is sent back to Arkham.
He notices that his appearance has suddenly changed. He looks a little less normal, a bit more...’iconic’? Then, the next thing he knows, he’s given an inexplicable opportunity to escape with a bunch of other rogues gallery characters.
He notices that each and every ‘supervillain’ is connected to Batman in some way, thus, he ends up coming up with a theory that he tests as well. He goes out to commit another crime at the same time as another villain, sure enough, Batman shows up and manages against the clock to stop them both.
This makes Plague rat realize that Batman is basically the protagonist of the story. This encounter also makes him realize that he’s suddenly impossibly lucky, able to just walk into dangerous situations and walking away with barely a scratch. Thus, he ends up taking up the habit of just throwing himself at danger haphazardly in his plans, as well as growing the balls to piss off other stronger baddies without fear. Even going so far as to outright bet other inmates on things that seem stupidly dangerous. (”I’ll bet you that I can go punch Killer Croc in the face right now and I’ll be fine.” He does, and right before Croc can attack him, a guard suddenly appears and breaks them up.)
This behavior would probably catch the attention of two people in particular: The Joker and Scarecrow.
Joker would be interested, as his careless and chaotic behavior meshes with his well. Scarecrow would be interested purely because of just... how is he so careless? It’s like he’s completely incapable of feeling fear?
Scarecrow at one point sprays him with fear toxin, after a few seconds of silent horror, he’s surprised to find Plague Rat laughing? He just starts yelling in hysterical laughter: “None of you can see it! None of you! I’m untouchable! Send as many demons, monsters, and serial killers as you like! Do your worst! It won’t help!” (Laughing mostly to cover how much he is actually afraid, but he’s still confident in the pattern.)
The entire rogues gallery just ends up being conflicted on how they feel about him. On one hand, they kind of trust him, because his predictions are usually correct, but on the other, he’s so eager to just throw himself at certain death. But on the other other hand, he always manages to get out of those situations perfectly fine? Arkham’s inmates just end up spreading a rumor that he can somehow see the future.
Maybe in his fights with Batman, he even starts saying stuff like: “-But before you foil my plans and take me to jail, why don’t we make this more interesting for the audience? After all, the hero always needs to face some peril in a good story, right?” Or “Please, this plan of yours is just going to fail anyway. Why are you taking it so seriously?” Or even, “My backstory? Oh, it’s nothing you need to worry about, a good story always trims the fat if it isn’t important, after all.” Or how about, “Trust me (Rogue name), just jump out with me! ...Yes, I get we’re in a blimp, but we’ll be fine! We’re both main characters!”
Basically: He’s a Batman villain who can see his own Plot armor, and he’s just having fun with it.
Idk, I just had this idea and I wanted to share it, because I thought the idea was at least somewhat interesting.
A Merlin TV show-style series about Thor, Loki, Sif, and the warriors three in their adventures before the events of the Thor movie. Please.
Even if it’s just a mini-series, I need this in my life.
Adventures in Asgard and the other nine realms, the team of six going on quests and battling to keep the peace within them. Odin and Frigga behind them to send them on those journeys, all the while cutting back to them every so often to show some political intrigue, the tense atmosphere of their relationship, and just to what extent they favored Thor over Loki.
Showing the daily lives of Asgardians and, hell, maybe cut to Laufey sometimes and show the events going on in Jotunheim as well? Maybe that point when Loki showed them how to get through to Asgard in the Thor movie wasn’t the first time he’d ever helped the Jotuns? The others just never caught onto most of it, or if they did, they just never told anyone for fear of Loki being exiled or something?
Maybe even show Loki having a thing for Sif, then eventually confessing his feelings only to get rejected as Sif fell for Thor? That’d be interesting! Especially since Sif was in love with him in the comics. (I know people don’t like love triangles, but seriously, they can be done well.)
I mean, especially the warriors three, at the very least. Because we BARELY knew them from their short time on screen, and they definitely deserve some love.
Maybe you could even show a few flashbacks of things that happened with Hela and Odin? That’d be interesting to see! Gives her a bit more character fleshing-out while also possibly giving some context for stuff that happens later? Cutting back between Hela’s time with Odin and the Brother’s time with him?
Bottom line: Someone at Marvel, or Disney, or whoever else- please, make this happen! (Bonus points if, because Marvel was bought by Disney, the series has musical elements to it. Seriously, I will die on this hill, a marvel musical would be amazing.)
I’M BACK
So this post is slightly nsfw!!! Nothing that talks or shows anything of the sort, but it implies a more nsfw subject, so if that makes you uncomfortable please scroll!
SO
I saw this comment on TikTok where they joked around and said ‘OnlyMands’ (I believe it was on this Mando thirst trap) and I just HAD to write a scenario off of that
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Just think of a website that say “OnlyMands” and on the screen is Din Djarin, just sitting on a chair in a ‘paint me like one of your French girls’ position.
He has his full body armor on, but he he slides his hand over to his shoulder plate and takes it off and tosses it on the ground, revealing his bare shoulder.
Meanwhile somewhere else…
Boba watching Din on OnlyMands:
Jate…Jate…
Fennec bursting through the room:
Yo Boba what are you-
Boba:
(I’m sorry this was so stupid but my monkey brain would not let me rest)
(Also to give context that is probably all Din is gonna take off, they’re the ones that school warned us about with the shoulders)
Is it just me or would a type of ink based on the bubbly texture and dullish luster of uraninite be cool in a future/fan made story mode of Splatoon?