I painted Edgar's painting irl for a cosplay I'm working on
Heyy,
I'm not dead yet.
[đ¨ x đ]
AN: This was supposed to be finished and posted on Valentine's Day. However, as you can see from the word count, that was a fool's errand. I wanted to delve more into yanderes since I find them fascinating in writing, and now, here we are. Staining White Day red, I present to you the most generic title for an Edgar fic you will ever see. (Btw, I apologize to Edgar fans- I might've massacred your boy but I swear I tried my best.) Word count: 4.9k words TW: Blood, violence, murder, yandere themes, and blackmailing. Summary: Accepting the invitation of a dubious letter sounds just about as bad as it actually was. Oletus manor is not a name spoken without notoriety, after all. Was that where it all began? Was this your first mistake? No, it was further down the line, wasn't it? Yes, perhaps it was when you became the muse of an artist with no inspiration.
Reality has disappointed you time and time again. The expectations of a life of peace was crushed easily under the hands of society. So, you fled. You fled inside your head, transporting yourself into worlds of fiction. Romance, mystery, fantasy, and the likes kept you alive. It was the only thing you could really call safe.
Among many genres, you favored one above the others.Â
Horror.
Thereâs a certain comfort that comes from these fictional tales. You know they arenât real, that the killer canât find you, that these psychopaths donât exist. Are there people similar to them? Sure, but they arenât in your life. Thus, they merely stay as silly little people within a book.
But, itâs not quite enough. The thrill of words upon a page cannot compete with the real deal. While you werenât stupid enough to seek out murderers or the like, you were still dumb enough for Baron DeRoss, apparently.
The envelope is white as a dove, a blood red stamp sealing it shut. It whispers promises and praise, false hope and rewards. Itâs an enticing offer, truly. Would you let it guide you astray?
Well, you were never one to turn away from the call of the abyss.
-
âI really donât get it. I know itâs game changing, but itâs not helpful for anyone else but me! Why do they want me to team up with them?â You huffed, resting your face on your palms. Edgar merely rolled his eyes, flicking his wrist. Focused on the canvas in front of him, he let the brush streak red through white.
âYou said it yourself, your abilities are game changing. We donât even know the full extent of your abilitiesâ who knows? Maybe you could completely uproot the current meta. Besides,â He smirked, peering at you from the corner of his eye. âThe hunters are terrified of you.â
You paused, letting your arms fall flat against the table.
âScared? Of me? Iâm just another survivorâ what do they have to be afraid of?â
Edgar hummed, tapping the handle end of his paint brush against his lips. âI donât know about you, but I donât quite fancy being stabbed.â
Okay, yeah, that was fair.
Most survivors didnât possess the ability to fight the hunter, not really, yet here you were. When Jack had first chased you, he had the reckoning of his life. You wince at the phantom feeling of stabbing steel into flesh and bone. That was, admittedly, not what you had expected to be your special skill.
You pouted, cheek against the cool wood of Edgarâs table as you glanced around. His room was an odd combination of an art exhibition hall and an actual bedroom. It was big and extravagant, but you wouldnât expect any less from him.Â
Well, kind of.
Edgar confused you. Intriguing, even among the sea of other unique characters within the manor. You suppose thatâs why heâs your favorite comrade and closest friend, if you could call him that. Heâs never kicked you out of his room or flat out yelled at you, so safe to say he didnât hate you, at least.Â
Heâs neutral on all matters within the manor, composed regardless of what he faced. All he cared about was his art, nothing more and nothing less. Perhaps that was how he was unaffected by everything.
You suppose thatâs natural for an artist. You canât claim to understand it perfectly, but in a way, you truly understood.
âItâs like⌠youâre a moth drawn to a flame, right? Art is something youâre willing to give your life to, dedicate your whole body and soul to. Even if you have to sacrifice your time, energy, or health, for the perfect outcome, youâd do it.â You had said it off handedly, not thinking much of it then. In some respects, wasnât his passion for art just like your obsession with thrill?
But then he had grabbed your hands, looking into your eyes with such fervor. His gaze burned, a certain desperation flickering within it. What was he seeking so fiercely? What was making Edgar, apathetic, snide Edgar, act like he had found an oasis in the desert?
âYou get it?â He whispered, almost pleading.Â
âMaybe,â You responded.
That had been enough for him.Â
Since then, you and Edgar had become an odd pair. Not quite friends, but too close to be acquaintances. You gravitated towards him, as he did to you. More often than not, youâd ask him if heâd like to team up for matches. More often than not, heâd say yes.
You suppose thatâs another reason why other survivors regard you with care.
Edgar isnât the most difficult person to work with, but definitely not the easiest. Heâs all too much and too little: haughty and snide, distant and cold. Heâs a reliable teammate, not a likable one.Â
Still, the playful sparkle in his eyes as he led the hunter straight to you made you beg to differ. Youâd curse him out as you ran, glaring at him after the match was over, before begrudgingly thanking him for supporting you with a painting or two.
However odd it was, you wouldnât trade your friendship for the world.
-
Thereâs a letter in your mailbox.Â
That isnât especially weird, considering thatâs what a mailbox is for. Letters, mail, packages, whatever. Still, you canât help but pause as you stare at it. A white envelope with a lovely red seal, the stamp itself in the shape of a camellia. The embossed flower is outlined in gold, shimmering softly in the low light of your room.
Gently, you pry open the seal, careful not to damage it or the envelope. Once youâve successfully extracted the letter without destroying everything, you stare at it with uncertainty.Â
It seemed like this was a love letter from the presentation alone, yet you couldnât help but feel a bit unsettled. You couldnât understand why, however. It was beautiful, but simple. It wasnât overwhelming, nor alarming. So why, from the depths of your heart, was your subconscious screaming at you to run? As though you were about to open Pandoraâs box?
You unfold the letter and read.
-
Edgar gives you the nastiest side eye youâve ever seen. Perhaps you deserve it after the stunt you pulled. Then again, what else were you supposed to do? He was going to be sent back to the manor if you hadnât let yourself go down.
In the end, thanks to your sacrifice, the potential tie had turned into a win. Sure, you were the one sent back to the manor instead, but a win was a win! Though, Edgar seemed to disagree.
âYouâre an idiot.â
You would be offended if it werenât for the fact that he was wrapping your wounds. The tender touches were barely there, like the flutter of a butterfly's wings. He was being careful, making sure you didnât feel even an ounce of unnecessary pain. The concentration he was putting into taking care of you was something you had only seen when Edgar was painting.Â
The subtle quirk of his lips, eyes barely narrowed, and relaxed shoulders expressed more to you than any words ever could. The guilt that pooled into his chest, made evident by the quiet sighs heâd let out, seemed to manifest itself as kindness and gentle care.
It made you really want to tease him.
âOw!â You hiss, flinching slightly away from the man. Edgar freezes, staring at you with concern.
âShitâ sorry, I didnât mean to.â The sincere remorse in his voice immediately makes you regret your decision.
âWait, wait, wait, no, Iâ gah, sorry. I was just messing with you.â
The painterâs formerly soft expression faded into a scowl, a glare sent your way even as he finished wrapping you up. Edgar immediately stands up, leaving you scrambling to do the same as he leaves the infirmary.
âAhhhh, wait, Iâm sorry! Wait, Edgar, Iâm sorry, I swear I wonât do that again! Câmon, donât leave me like this! Iââ You trip on something, stumbling as you lose balance. You fully expect to kiss the ground, what with one of your arms in a cast, when lithe arms catch you.
You glance up at Edgar with a sheepish smile, gazing upon the apathetic look upon his face. Apathetic, to anyone else but you. You can see the little curl of his lips, the faint swirl of amusement in his eyes.
He helps you reorient yourself, hands on your shoulders. Once youâre safely standing, Edgar turns and continues down the hallway. His steps are slower than usual. Itâs probably the closest youâll get to an invitation.
You grin, chasing after him once more.
âSo does this mean you forgive me?â
âNo.â
-
âHow do you manage to stay sane, painting the same thing over and over again?â You ask, half dangling off a couch. Edgarâs room is still as grand as ever, but you can see the changes. It seems more lived in, more homey. Thereâs a table that isnât covered in paint, brushes, or other art supplies. Thereâs shelves with books instead of art supplies. Then, those cabinets have, wait for it, something other than art supplies.
It seems like a small shift to others, though thatâs probably because they donât visit Edgar half as often as you do. The first time you saw the couch, you thought you were hallucinating.Â
The Edgar Valden, using something other than a stool? Incredible, revolutionary, absolutely groundbreaking.
He did not appreciate your dramatics, or so he claimed, but you knew he was covering his mouth to hide his smile.
âIâm not painting the same thing, and I am, in fact, going insane.â Edgar responds, frown deepening as he mixes a few colors together. You hum, peeking at the canvas as much as you can from your position. From the sketch, you could tell it was a portrait. A rare occurrence, considering Edgar preferred landscapes.
âWhy the sudden interest in portraits?â You ask, sitting more comfortably on the couch. Glancing at the shelves, you skim through the books. Edgar wouldnât mind if you read one of them, right?
The man pauses, his expression almost bashful. Itâs so bizarre you canât help but raise a brow. Edgar has never been afraid to draw attention to himself. Heâs no pushover, willing to fight for what he wants while still remaining relatively neutral. To see him like that, a dust of what can only be blush upon his cheeks, twists something in your heart.
Before you can untangle what exactly you were feeling, the painter coughs.
âWell, I tried talking with Victor about expressing oneself. He suggested letters, or other mediums Iâm comfortable with. SoâŚâ Edgar stares at his canvas, his smile more so a grimace. âIâm trying out his suggestion, I suppose.â
You tilt your head, humming to yourself as you nod. Sliding off the couch, you grab one of the books on Edgarâs shelf. âWell, then I wish you the best of luck.â
His eyes linger on you, closing softly as his expression relaxes. When he opens them again, he starts creating new hues with more focus.
-
âIâve been getting letters recently.â You mention, flipping another page in your book. Edgar paused, turning to look at you.
âAnd?â
You closed your eyes, contemplating. This really wasnât something you had to tell him. But, well, nothing too interesting has been happening lately. The matches have finally grown duller, the thrill fading as you stayed longer. You were running out of things to ramble about, so why not?
âTheyâre love letters. Nicely decorated, with neat handwriting. If I had to guess, someone born into privilege.â You think Edgar flinches at that.
âItâs really sweet, honestly. A shame theyâre anonymous.â You skim over the words on the page, brows knitting themselves tight. The main character was oblivious to the danger so close to them. How frustrating.Â
âA shame, really.â Edgar echoes back, delicately brushing shadows along the red camellias. His painting seemed nearly finished, if you only stared at the beautiful flowers. The rest of the canvas was rather barren, a figure still not yet painted whole.
âCâmon, theorize with me! Who could it be? I put my bets on Jack.â You sighed dramatically, head thrown back with your hand on your forehead.Â
You received no response, however.
âHear me out! He called me darling, dear, and tried to kill me. Obviously, he fell for my sick kiting skills and great looks. I rest my case.â Still, nothing.
You were getting really worried with how unresponsive Edgar was being. Usually, when you started overexaggerating like that, heâd make a snarky remark. Something like âplease, you get terror shocked at 5 ciphersâ or âyou make amphibians look appealing.âÂ
The silence was really getting to you.
âI mean, heâs got confidence in spades so it probably isnât him. Still, I kinda hope it is, heâs rather attracââ SNAP!
Your head snaps up from your book, turning to Edgar so quickly you nearly give yourself whiplash. There, in his hands, are the remains of a broken paint brush. Blood oozes from his tightly clenched hands, slowly trickling down his palm and under the cuff of his shirt. That was reason for concern as is, but the most startling thing of all was his eyes.
Blue, like the sky. Blue, like the sea. Blue, like the wings of a morpho butterfly.
Blue, like the swirling vortex of the night sky.
You rush over, grabbing the first aid kit you know he keeps for you, before standing next to him. Youâve never seen him like this, eyes so dark and blank. Itâs honestly scaring you a little, but that means nothing when heâs hurt.
So, you kneel, pulling out tweezers, disinfectants, and bandages. Gently prying his hand open, you discard the larger pieces of the brush. With the tweezers, you pick out splinters of wood embedded in his skin. You whisper apologies as you do, knowing this definitely hurts, but he doesnât so much as flinch.
By the time you finally disinfect his hand and wrap it, Edgar seems a lot more like himself than before. He gazes at you with quiet consideration, blinking slowly. Languid, calm, almost cat-like.
âAre you okay?â You ask, holding his hand. In all the time youâve known him, youâve never seen him react like that. The kinder side of you hopes itâll never happen again, if only so he wonât needlessly hurt himself like that. The morbid side of you wants to see him like that again, what you can distinguish as cold, searing rage threatening to consume him whole.
Edgar leans his head forward and onto your shoulder. The scent of citrus, chamomile, and something chemical tickles your nose, brushing against you as the painter sighs. He seems⌠tired.
âLet me rest my head, just for a bit.â
You donât have the heart to say no.
-
The next few letters you get are⌠odd. Passionate as always, but far more obsessive. The first few had been sweeter, more tender. This was escalating in a weird direction, and as much as you loved yourself a good horror story, romance and horror never mix well. They were starting to threaten you, saying theyâd hurt the people around you, and that was where you drew the line.
So, you start ignoring them. It sounds foolish, especially for a connoisseur of all things freaky, but life is more mundane than fiction. If this person doesnât have the guts to confess to you, does it make sense that theyâd have the guts to actually go through with their threats? Logically, no.Â
Besides, even if they did, the people of the manor are strong. They can hold their own. Even if they can't, that person will get outcasted for hurting a survivor, regardless of if theyâre a hunter. âNo violence outside of matches,â that was the first rule both factions set.
So, it was safe to assume you had nothing to worry about. You have more important things to deal with, anyway, especially with a new survivor arriving. His name was Orpheus, a novelist. You were thrilled, especially since he was the author of some of your favorite series.
You were busy with preparations, practically skipping with joy. The other survivors poked fun at you, both for your enthusiasm and the lack of a certain painter at your side.
Edgar was concentrating on his art, as per usual, and you didnât want to bother him. He seemed a little lonely, though, so you tried to convince a few people to talk to him. They all just looked at you as if you grew another head.Â
âAre we⌠looking at the same person?â Mike asks, smile strained. You frown, turning away from the banners you were fixing.Â
âYes! Edgar Valden, our resident painter, our sassy rich boy, our lovely old friend. I say he is lonely, and I think you should talk to him. I mean, youâre easy-going, fun, and silly. Who wouldnât like you?â Even if half of it was an act. Still, Mike was one of the people Edgar tolerated better than most. Perhaps itâs because heâs another form of an artist?
âWhy canât you just, I donât know, talk to him yourself? You guys get along just fine.â Mike looks away, fiddling with his hands. You narrow your eyes at the sight.
Mike Morton, local funny man, someone with dedication and deceit running through his veins, nervous? Itâs not faked, the sweat rolling down his neck and the faster breathing all indicating he was genuinely nervous. Maybe even scared.
âEdgar, I really do love him, but he needs more friends. I think the only people who talk to him on a regular basis are Luca and I. Adding a few more people to that list would be nice, soâŚâ You bring your hands in front of you, clasped tight as if youâre about to pray. âCould you please talk to him?â
Mike deflates, sighing as he nods. You smile brightly in response, promising to make it up to him.
-
âHey bestie! You excited for the new survivor?â Demi croons, grinning as she tosses an arm around your shoulder. You laugh in response, leaning into her.
âThatâs about the dumbest thing you could ask me. Of course I am! Heâs written so many good books. God, I donât know how Iâm supposed to act around him. Heâs made some stories that have basically shaped who I am now!â You sigh, smiling so widely your face hurts.
âWell, donât forget your boyfriend in all the excitement! I can see heâs basically seething with envy.âÂ
You pause, turning to look at Demi.
âWho?â
Now, itâs Demiâs turn to look confused.
âUh, you know, Edgar? Areâ are you guys not together?â She asks, genuinely shocked. You feel your face heat up, your hands itching to cover your blush.Â
âWhâ no! We are not! Why would anyone ever think that?â
Demi gives you a deadpan expression in response.
âYou two are basically glued to each otherâs side, go into every match together, hang out almost every dayâ Hell, youâre the only one Edgar has allowed in his room without it being necessary!âÂ
Well, thatâs news to you.
You furrow your brows, blinking in shock. Sure, you two hung out a lot, but it wasnât like you guys were friends exclusively with each other. You had Demi, Mike, Melly, and even Violetta while Edgar had Luca, Victor, Andrew, and Galatea. It wasnât like you⌠hung out⌠every⌠dayâŚ
âOh fuck, we really do look like a couple.â You mutter, having half a mind to smack Demi as she laughs. Sheâs completely unapologetic about it, struggling to breathe as slowly calms down and giggles.
âSo, you two arenât dating?â She asks, wiggling her eyebrows. You huff, fighting back a smile.
âNope, not at all.â
âThen in that case, Iâm allowed to flirt with you as much as I want!â Demi cheers. She spins you around, causing a laugh to bubble up from your throat. The two of your twirl around in a silly dance, the faint sound of Frederick playing the piano the only background music.
At the end, she dips you down, smile upon her lips. She leans close to your ear as your smile is wiped away.
âBe wary of him.â
-
With Edgar, itâs like youâre taking three steps forward, then five steps back. Just when you think youâve got him all figured out, he throws a curveball at you.
That desperation he had in his eyes the day you became his friend, flickering like a brilliant flame, you understand it now. However much he claimed he didnât need people to understand him, how he didnât need to understand others, it didnât mean much. He still craved it, to be understood. To not have to be questioned, to not be approached with dishonesty, with intentions that lied beyond just him being him.
You suppose thatâs exactly why you got along. You wanted to understand him, and he wanted to be understood. A match made in Heaven, you suppose.
Itâs why it miffed you a bit that you really canât understand Edgar at the moment.
He hates drawing portraits, yet he draws a figure, the same exact one, in every one of his new pieces. They look familiar, a lot like you, but youâre pretty confident Edgar would rather die than paint you. Youâd tease him to Hell and back, all while he complains and swears up and down heâs never being nice to you again.
The landscapes, adorned in reds of all shades, always have that figure in each one without fail. Is he in love with someone? That would explain why heâs so weird lately.
Edgarâs odd behavior was already messing with you, but on top of that, the letters were getting worse. Instead of being slid into your mailbox, they were flat out in your room now.
Normal people would think someone just slipped it under the door. Reasonable assumption. However, unless that person has not only a very thin arm, but a long one, you donât know how theyâd manage to get it all the way to your desk.
You stare at the white envelope, stamped shut with a red seal in the shape of a camellia. The outline of the flower is in gold, though the beauty of the letter and the seal means nothing. Not when it got into your room. Not when it clearly has a splotch of dark red glaring at you.
Your hands are shaky as you open the envelope, a familiar curl of thrill fighting with your new found protective instincts. The letter is white as a dove, the red tainting it made all the more stark.
With adrenaline coursing through your veins, you read.
âI didnât imagine love would be like this. Wonderfully warm, like the rays of the sun in winter, and unbearably painful, like a knife in my heart. Do you just like hurting me? No, I know that isnât true. After all, you always look at me with concern when Iâm injured. Still, itâs hard to believe youâre this dense.
These past few weeks have been driving me mad. Your attention has been solely on the arrival of the new survivor. Youâve been ignoring me so much I can barely stand it. Canât you spare even a moment for me? Is that novelist really that important? Seeing you look at him with stars in your eyes⌠it makes me want to rip his head off his shoulders. He doesnât deserve your attention, nor your admiration, not like I do. Iâve known you longer, loved you for longer. He doesnât deserve anything from you, yet he gets everything I could ever want and more.
Did you know? When youâre excited, your smile turns bigger, more genuine, till dimples show. Your eyes crinkle just a little, your hands moving to curl in front of your chest. You stand taller, you shine brighter.
Itâs such a beautiful sight, I hate that I have to share it. Sometimes, I wish I could just put you in a cage and never let you go. Then, you wouldnât look at anyone else but me. You wouldnât think about anyone else but me. But, thatâs not how you should live. You deserve to be free and happy. So, Iâve decided to get rid of anyone that doesnât deserve to be around you.
I think Iâll start with that novelist.â
Your blood runs cold.
Fuck.
FUCK.
Just who is this? Who are they and just why are they so obsessed with you? Get rid of those who donât deserve you? Who gave them the right to decide that!?
You take a deep breath, desperately trying to calm your nerves. Your heart is racing, and for the first time, the thrill in your heart turns into true fear.
Youâve never minded being the one hunted. In fact, you practically adore it, the addicting rush of adrenaline pumping through you. Itâs why you came to the manor. But your friends? Theyâre not the same, and you wouldnât want them to be. You want them safe and happy, not hunted down by some freak who thinks they âarenât worthy of youâ for whatever sick reason.
âFuck, fuck⌠Orpheus, I need to findâ no, itâs probably too late for him, thereâs blood on the letter. Okay, okay, stay calm, stay fucking calm. Who would be the next victim? Mike? Melly? No, itâs probably Edââ You pause.
Almost comically, everything clicks in place.
Camellias.
Red.
Ignoring them.
Edgar.
You bolt out of your room.
-
Normally, youâd knock. You know Edgar hates it when people barge into his room. However, considering the circumstances, you think thatâs the least of your concerns.
You canât help but pray in your mind. To whom? You donât know. You donât think anyone can truly help in this situation. It couldnât be anyone else but Edgar, but still, you prayed. You hoped against all hope that your conclusion was wrong.Â
Edgar would scold you for barging in, sigh, before smiling and asking if you were really that desperate to see him. Everything would be fine. It would all be just a cruel joke.
But just as life is more mundane than fantasy, reality is far cruller than fiction.
The large windows to Edgarâs room let in the light of the falling sun, casting the room in many shades of gold and orange. In the middle of the room, in all his glory, is Edgar. His back is to you, paint brush in hand. Youâre hit first by relief, then with the heavy scent of iron.
You shake, hands covering your mouth as you finally process what's around Edgar. Orpheus, drained of blood, head sat on a chair, body left haphazardly on the ground. Jack, ghastly white and face twisted, his horror eternally memorialized in death. Demi, eyes closed and serene, seemingly asleep if not for the purple veins that roam along her arms.
You fall to your knees, the shock hitting you so strong you canât stand up any longer. He was your secret admirer. The one who kept sending letters. The one who went into your room just to place them on your desk. The one who threatened to kill your friends. The one who did kill your friends.
Edgar, finally, turns around. His cheek has splotches of blood on it, his hands no better. Itâs startling just how much of it is on him, but worse yet, you know not all of it is on him. Thereâs a lot of blood in a human body, much more in two, so where was it?
When he smiles, itâs just as sweet as it was yesterday. And the day before. And the day before that. Was this really your friend, or a demon in disguise?
His smile, ever so sweet, only serves to unsettles you, looking more like a nightmare.
âAh, youâre here! Come, I need to show you my newest masterpiece.â Edgar steps closer to you, dragging you by the hand to a canvas you hadnât noticed before. He was standing in front of it, so it was only natural.
You numbly follow, heart in your throat. Youâre grateful, distantly, that the âmasterpieceâ is not the corpses of your friends. You think youâre going to throw up, eyes trying to look at anything but them.
So, you gladly look at his so-called masterpiece.
You really wish you didnât.
There, on the canvas, is a portrait. This time, itâs so painfully obvious itâs you that you canât even deny it. Surrounded by red camellias, hands curled in front of their chest, with a smile so genuine, dimples showed. Eyes crinkled, back straight, and God, did it have to be so accurate?
The red of the camellias are familiar, as is the red of your blush, the colors of your clothes, your hair.Â
Itâs all been painted using your friendâs blood.
Edgar comes behind you, his arms circling your waist. A content sigh leaves him, his chin resting on your shoulder. His hold is gentle, but firm, possessive in a way you never thought him capable of. His lips brush against your neck, a kiss much like a collar pressed into your skin. You can feel them curl into a smile.
âWhat do you think, my muse? The red means I love you.â